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Seema Bawa - Locating Pleasure in Indian History: Prescribed and Proscribed Desires in Visual and Literary Cultures

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Seema Bawa Locating Pleasure in Indian History: Prescribed and Proscribed Desires in Visual and Literary Cultures
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LOCATING PLEASURE IN INDIAN HISTORY LOCATING PLEASURE IN INDIAN HISTORY - photo 1

LOCATING PLEASURE IN INDIAN HISTORY

LOCATING PLEASURE IN
INDIAN HISTORY

Prescribed and Proscribed Desires in Visual and Literary Cultures

Edited by
Seema Bawa

BLOOMSBURY INDIA Bloomsbury Publishing India Pvt Ltd Second Floor LSC - photo 2

BLOOMSBURY INDIA

Bloomsbury Publishing India Pvt. Ltd

Second Floor, LSC Building No. 4, DDA Complex, Pocket C 6 & 7,

Vasant Kunj, New Delhi, 110070

BLOOMSBURY, BLOOMSBURY INDIA and the Diana logo

are trademarks of Bloomsbury Publishing Plc

First published in India 2021

This edition published 2021

Copyright Seema Bawa , 2021

Seema Bawa has asserted her right under the Indian Copyright Act to be identified as the Editor of this work

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the publishers

This book is solely the responsibility of the author and the publisher has had no role in the creation of the content and does not have responsibility for anything defamatory or libellous or objectionable

Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes

ISBN: HB: 978-93-90513-72-7; eBook: 978-93-90513-88-8

Created by Manipal Digital

To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters

In memory of my mother Sunandi Bawa,
who taught us the importance of revelling in the small pleasures of life, and filled not only her own life but also that of everyone around her with beauty, happiness and moments of sheer joy,
and
my guru, Prof T.S. Maxwell,
connoisseur of noble pickles and well-brewed chai.

CONTENTS

Seeking Pleasure: Representations of Pleasure and Domesticity in Textual Traditions
Jaya S. Tyagi

Idyllic, Intimate, Beautiful Pleasures in Visual Culture at Mathur
Seema Bawa

Satire and Desire in Caub
Ashish Abrol and Janica Paul

Courting Pleasure in Rvaas Lak: The Aesthetics
of Power and Desire in Early Medieval Deccan
Parul Pandya Dhar

Pleasant and Unpleasant Moments: The Life and Time of a Jain Merchant in Early Modern North India
Shalin Jain

Aashiq ko tow Allah na Dikhlaai Bhudhapa: Nazir Akbarabadi and the Celebrations of the Little Pleasures of Life in Urdu Poetry
Raziuddin Aquil

Painting Pleasure: The Genealogy and Dichotomies of Gender-based Identities
Preeti Sharma

Celebrating Adversities in the 17th and early 18th Century North India: The Case of Mir Jafar Zatalli
Saifuddin Ahmad

Pleasures of Fashion and Sorrows of Production: The Handloom Industry in United Provinces, India, 1860s1940s
Santosh Kumar Rai

Devotion and Pleasure: Vantages of Rebellion
Kota Neelima

9.1Changes in the Proportion of People Wearing Different Garments in the United Provinces, 19141941 as per the RFFC, 1942
9.2Number of Persons in the United Provinces Supported by Hand-Weaving
9.3Sample Annual Income of Julahas from Ghazipur District, 1927
2.1Kmadeva with a Bow and Quiver of Arrows, 2nd Century CE, Terracotta, Mathur Museum
2.2Pillar of Pleasure, Entrance Pillar, 1st Century CE, Red Sandstone, Mathur Museum
2.3Detail Showing the Entrance Gateway and Stairway, Pillar of Pleasure, Entrance Pillar, 1st Century CE, Red Sandstone, Mathur Museum
2.4Detail Showing the Scenes of Intimacy and Pleasure Activities, Pillar of Pleasure, Entrance Pillar, 1st Century CE, Red Sandstone, Mathur Museum
2.5Couple in an Orchard Setting Enjoying Music and Dance, 1st Century BCE, Terracotta, Kausambi, Now in National Museum
2.6Pillar of Intimacy and Devotion, Doorjamb, 2nd Century CE, Red Sandstone, Chaursi ka Til, Mathur Museum,
ht: 3 m 71 cm
2.7Saundarananda Panels, 2nd Century CE, Red Sandstone, Kankli Til, Mathur, Now in the State Museum, Lucknow. Courtesy: AIIS
2.8Couples Dancing and Enjoying Amorous Pleasures, Railing Pillar, 2nd Century CE, Isapur, Mathur Museum. Courtesy: AIIS
2.9Saundarananda Panels, 2nd Century CE, Red Sandstone, Gurgaon, Mathur Museum, ht: 1 m 4 cm
2.10Five Female Figures Feasting, Drinking and Sharing Intimate Moments, 2nd Century CE, Kathauti ka Kuan, Mathur Museum
2.11Five Figures Dancing in a Circle, Rattle (?), 1st2nd Century CE, Terracotta, Mathur Museum
2.12Yak/Yoit, Epitome of Feminine Youthful Beauty, Railing Pillar, 2nd Century CE, Mathur Museum
2.13Yak/Yoit, with a Flask Probably of Wine, Railing Pillar, 2nd Century CE, Mathur Museum
2.14Kneeling Courtesan (Vasantasen) Supported by Companions, Double-sided Panel, 2nd Century CE, Maholi, Mathur, Now in National Museum
2.15Vasantasen Fleeing from Unwanted Advances, Double-sided Panel, 2nd Century CE, Maholi, Mathur, Now in National Museum
2.16Seated Couple with Two Deer in Front, Banners or Patks Hanging on the Panel Above, Railing Pillar, 2nd Century CE, Mathur Museum
4.1Mithuna, Huchchappaya Maha (Temple No. 7), Aihoe,
c. Late 7th Century. Courtesy: American Institute of Indian Studies, Gurugram
4.2iva and Um Playing a Board Game, Ellora, Rmevara Cave (No. 21), c. 7th Century. Courtesy: American Institute of Indian Studies, Gurugram
4.3Portrait of the Hoysaa Patron-King Viuvardhana, with His Consort and Courtiers, Protected by Viu Above, Belur, Cennakeava Temple. Courtesy: Parul Pandya Dhar
4.4Rvaa in the Company of Women in His Palace Interiors, Durga Temple, Aihoe, c. 7th Century. Courtesy: Parul Pandya Dhar
4.5Hanumns Entry in Lak and in Rvaas Palace Complex, Durga Temple, Aihoe. Courtesy: Parul Pandya Dhar
4.6Indrajit Brings a Captured Hanumn before Rvaa, Durga Temple, Aihoe. Courtesy: Parul Pandya Dhar
4.7rpaakhs Lament in Rvaas Court, Upper ivlaya, Bdmi. Courtesy: Parul Pandya Dhar
4.8Hanumn Witnessing a Couple in a Bed Chamber Inside Rvaas Palace, Durga Temple, Aihoe. Courtesy: Parul Pandya Dhar
4.9Intoxicated Lovers in Lak, with Artist Mudyasilis Signature and Message Engraved Below, Durga Temple, Aihoe. Courtesy: Parul Pandya Dhar
4.10Hanumns Entry and Gaze into the Palace Interiors of Lak and His Audience with Rvaa, Virpka Temple, Paadakal, c. 745 CE. Courtesy: American Institute of Indian Studies, Gurugram
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