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Steven Davis - Color perception: philosophical, psychological, artistic, and computational perspectives

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Color has been studied for centuries, but has never been completely understood. Digital technology has recently sparked a burgeoning interdisciplinary interest in color. The fact that color is a quality of perception rather than a physical quality brings up a host of interesting questions of interest to both artists and scholars. This volume--the ninth in the Vancouver Studies in Cognitive Science series--brings together chapters by psychologists, philosophers, computer scientists, and artists to explore the nature of human color perception with the aim to further our understanding of color by encouraging interdisciplinary interaction.

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title Color Perception Philosophical Psychological Artistic and - photo 1

title:Color Perception : Philosophical, Psychological, Artistic, and Computational Perspectives Vancouver Studies in Cognitive Science ; V. 9
author:Davis, Steven
publisher:Oxford University Press
isbn10 | asin:0195136675
print isbn13:9780195136678
ebook isbn13:9780585362571
language:English
subjectColor--Psychological aspects--Congresses, Color--Congresses, Colors--Congresses.
publication date:2000
lcc:BF789.C7C59 2000eb
ddc:152.14/5
subject:Color--Psychological aspects--Congresses, Color--Congresses, Colors--Congresses.
Page i
Color Perception
Philosophical, Psychological, Artistic, and Computational Perspectives
edited by
Steven Davis
Page ii Oxford University Press Oxford New York Athens Auckland Bangkok - photo 2
Page ii
Oxford University Press
Oxford New York
Athens Auckland Bangkok Bogot Buenos Aires Calcutta
Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul
Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Paris So Paulo Singapore Taipei Tokyo Toronto Warsaw
and associated companies in
Berlin Ibadan
Copyright 2000 by Oxford University Press, Inc.
Published by Oxford University Press, Inc.,
198 Madison Avenue, New York, NY 10016
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.
Library of Congress Cataloging-in-Publication Data
Color perception: philosophical, psychological, artistic, and computational
perspectives / edited by Steven Davis.
p. cm. (Vancouver studies in cognitive science; v. 9)
"Papers given at the Ninth Annual Vancouver Studies in Cognitive Science
Conference at Simon Fraser University in 1996" Introd.
Includes bibliographical references.
ISBN 0-19-513667-5 (alk. paper). ISBN 0-19-513668-3 (pbk.: alk. paper)
1. ColorPsychological aspectsCongresses. 2. ColorCongresses.
3. ColorsCongresses I. Davis, Steven, 1937 . II. Vancouver Studies in
Cognitive Science Conference (9th: 1996: Simon Fraser University). III. Series.
BF789.C7C59 2000
152.14'5dc21 99-39970
CIP
Printing 9 8 7 6 5 4 3 2 1
Printed in Canada
on acid-free paper
Page iii
Acknowledgments
The conference and this collection would not have been possible without the support and assistance of a number of funding agencies, faculties, departments, corporations and people. Funding was received from the Social Sciences and Humanities Research Council of Canada, Polaroid Corporation, Pthalo Systems Incorporated, and the Center for Systems Science, the Publications Committee, the Faculty of Applied Sciences, and the Cognitive Science Program of Simon Fraser University. There are a number of people who helped with the conference and collection. Brian Funt provided assistance for the volume and organized the conference with the aid of Merrily Allison and Dennis Bevington. Lindsey Thomas Martin did the layout, Eleanor O'Donnell the copy editing and Arifin A. Graham the cover design for the volume.
Page iv
Contents
1
Introduction
Steven Davis
3
2
"Cherries among the Leaves": The Evolutionary Origins of Color Vision
J. D. Mollon
10
3
Color Painters / Color Painting
Sanford Wurmfeld
31
4
Color as a Carrier of Physical Information
Steven A. Shafer and Bruce A. Maxwell
52
5
Computational Uses of Color
Brian Funt and Vlad Cardei
72
6
Simultaneous Contrast and Color Constancy: Signatures of Human Image Processing
John J. McCann
88
7
Color Constancy Viewed from a Color-Matching Perspective
Graham D. Finlayson
102
8
Color Is a Medium as Well as a Message
Robert J. Woodham
117
9
Understanding Color Matches: What Are We Taking for Granted?
Michael H. Brill
141

Page v
10
Philosophizing about Color
Frank Jackson
152
11
Comparative Color Vision: Quality Space and Visual Ecology
Evan Thompson
163
12
Color and the Inverted Spectrum
David R. Hilbert and Mark Eli Kalderon
187
13
The Peculiarity of Color
Kathleen Akins and Martin Hahn
215

Page vi
Contributors
Picture 3
Kathleen Akins, Department of Philosophy
Simon Fraser University
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