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Lydia Wilson Marshall - Landscapes of Slavery in Africa

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Lydia Wilson Marshall Landscapes of Slavery in Africa

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Landscapes of Slavery in Africa
Slavery was a large-scale process that put its mark on the African landscape in tangible waysfor example, through the capture, transfer, and imprisonment of captives and through the avoidance strategies that vulnerable communities used against slaving. Certainly, the expansion of trade routes, the depopulation of slaved regions, and an increased reliance on defensive architecture and places of concealment can all be linked to slaving and slavery in Africa. But how do we view these landscapes of slavery today? And can archaeology help us?
Encompassing studies from Senegal, Ghana, Mauritius, Tanzania, and Kenya, this volume grapples with such essential questions. The authors advocate for the power of archaeology as a tool to disentangle often lengthy and complex landscape histories that both begin before slavery and continue after abolition. They also argue for archaeologists' central role in reimagining how we might remember and commemorate slavery in places where its history has been forgotten, obscured by European colonialism, or sanitized and simplified for tourist consumption.
The chapters in this book were originally published in a special issue of the Journal of African Diaspora Archaeology and Heritage.
Lydia Wilson Marshall is Associate Professor of Anthropology at DePauw University, Greencastle, USA. She is the current Editor of the Journal of African Diaspora Archaeology and Heritage.
Landscapes of Slavery in Africa
Edited by
LydiaWilsonMarshall

First published 2021 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 1
First published 2021
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2021 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
ISBN13: 978-0-367-63959-4
Typeset in Minion Pro
by codeMantra
Publishers Note
The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the inclusion of journal terminology.
Disclaimer
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.
Contents
Lydia Wilson Marshall
1 Histories and Material Manifestations of Slavery in the Upper Gambia River Region: Preliminary Results of the Bandafassi Regional Archaeological Project
Matthew V. Kroot and Cameron Gokee
2 Shit, Blood, Artifacts, and Tears: Interrogating Visitor Perceptions and Archaeological Residues at Ghanas Cape Coast Castle Slave Dungeon
Wazi Apoh, James Anquandah and Seyram Amenyo-Xa
3 Landscape Transformation under Slavery, Indenture, and Imperial Projects in Bras dEau National Park, Mauritius
Julia Jong Haines
4 History, Materialization, and Presentation of Slavery in Tanzania
Daniel T. Rhodes
5 The Landscapes of Slavery in Kenya
Herman O. Kiriama
  1. 1 Histories and Material Manifestations of Slavery in the Upper Gambia River Region: Preliminary Results of the Bandafassi Regional Archaeological Project
  2. 2 Shit, Blood, Artifacts, and Tears: Interrogating Visitor Perceptions and Archaeological Residues at Ghanas Cape Coast Castle Slave Dungeon
  3. 3 Landscape Transformation under Slavery, Indenture, and Imperial Projects in Bras dEau National Park, Mauritius
  4. 4 History, Materialization, and Presentation of Slavery in Tanzania
  5. 5 The Landscapes of Slavery in Kenya
Guide
The chapters in this book were originally published in the Journal of African Diaspora Archaeology and Heritage, volume 7, issue 2 (2018). When citing this material, please use the original page numbering for each article, as follows:
Introduction
Landscapes of Slavery in Africa
Lydia Wilson Marshall
Journal of African Diaspora Archaeology and Heritage, volume 7, issue 2 (2018) pp. 71-73
Chapter 1
Histories and Material Manifestations of Slavery in the Upper Gambia River Region: Preliminary Results of the Bandafassi Regional Archaeological Project
Matthew V. Kroot and Cameron Gokee
Journal of African Diaspora Archaeology and Heritage, volume 7, issue 2 (2018) pp. 74-104
Chapter 2
Shit, Blood, Artifacts, and Tears: Interrogating Visitor Perceptions and Archaeological Residues at Ghana's Cape Coast Castle Slave Dungeon
Wazi Apoh, James Anquandah and Seyram Amenyo-Xa
Journal of African Diaspora Archaeology and Heritage, volume7, issue 2 (2018) pp. 105-130
Chapter 3
Landscape Transformation under Slavery, Indenture, and Imperial Projects in Bras d'Eau National Park, Mauritius
Julia Jons Haines
Journal of African Diaspora Archaeology and Heritage, volume 7, issue 2 (2018) pp. 131-164
Chapter 4
History, Materialization, and Presentation of Slavery in Tanzania
Daniel T. Rhodes
Journal of African Diaspora Archaeology and Heritage, volume7, issue 2 (2018) pp. 165-191
Chapter 5
The Landscapes of Slavery in Kenya
Herman O. Kiriama
Journal ofAfrican Diaspora Archaeology and Heritage, volume 7, issue 2 (2018) pp. 192-206

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Seyram Amenyo-Xa is Doctoral Candidate of Department of Archaeology and Heritage Studies at the University of Ghana, Accra, Ghana. He is also a museum curator who works with the Ghana Museums and Monuments Board, and is stationed at the Elmina Castle.
The late James Anquandah was Professor of archaeology at the Department of Archaeology and Heritage Studies at the University of Ghana, Accra, Ghana. He specializes in the archaeology of slavery at the forts and castles of Ghana, the Shai-Hills Ga-Dangbe research as well as the archaeology of Komaland terracotta figurines sites of northern Ghana.
Wazi Apoh is Associate Professor at the Department of Archaeology and Heritage Studies at the University of Ghana, Accra, Ghana. He specializes in the archaeology of German colonization and missionization of Togoland as well as on the archaeology of slavery in the southern Volta areas of Ghana.
Cameron Gokee is anthropological archaeologist who studies the interplay between communities and the broader landscapes and networks that engulf them. His fieldwork in West Africa takes a multi-scalar approach to the history of village communities over the past thousand years.
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