Contents
Page List
Guide
An Analysis of
Simone de Beauvoirs
The Second Sex
Rachele Dini
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CONTENTS
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CRITICAL THINKING AND THE SECOND SEX
Primary critical thinking skill: ANALYSIS
Secondary critical thinking skill: REASONING
Simone de Beauvoirs 1949 book The Second Sex is a masterpiece of feminist criticism and philosophy. An incendiary take on the place of women in postwar French society, it helped define major trends in feminist thought for the rest of the 20th century, and its influence is still felt today.
The books success owes much to de Beauvoirs brilliant writing style and passion, but both are rooted in the clarity of her critical thinking skills. She builds a strong argument against the silent assumptions that continually demoted (and still demote) women to second place in a society dominated by men. De Beauvoir also demonstrates the central skills of reasoning at their best: presenting a persuasive case, organising her thoughts, and supporting her conclusions.
Above all though, The Second Sex is a masterclass in analysis. Treating the structures of contemporary society and culture as a series of arguments that tend continuously to demote women, de Beauvoir is able to isolate and describe the implicit assumptions that underpin male domination. Her demolition of these assumptions provides the crucial ammunition for her argument that women are in no way the second sex, but are in every way the equal of men.
ABOUT THE AUTHOR OF THE ORIGINAL WORK
Born in Paris in 1908, Simone de Beauvoir was a gifted scholar whose radical ideas and scandalous love life shocked France and the wider world. She was at the forefront of twentieth-century existentialismthe philosophy that replaced God with personal choice. De Beauvoir was a prolific and high profile writer of philosophy, fiction, and autobiography until her death in 1986. The Second Sex, her essential book about what it means to be a woman, inspired the feminist movement.
ABOUT THE AUTHOR OF THE ANALYSIS
Dr Rachele Dini studied at Cambridge, Kings College London and University College London. Much of her current work focuses on the representation of production and consumption in modern and contemporary Anglo-American fiction. She has taught at Cambridge and for the Foundation for International Education, and is now Lecturer in English at the University of Roehampton. Her first monograph,