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Natalie Purcell - Violence and the Pornographic Imaginary: The Politics of Sex, Gender, and Aggression in Hardcore Pornography

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Natalie Purcell Violence and the Pornographic Imaginary: The Politics of Sex, Gender, and Aggression in Hardcore Pornography
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No cultural product reveals our collective fascination with sexual violence more candidly than popular heterosexual pornographies. They showcase scenes of intense sexual aggression and cruelty that are gendered in repetitive, patterned configurationsconfigurations that are designed to arouse. Purcell uses comparative critical analyses of popular pornographic movies to explore common fantasies of sexual violence and how they have changed over the past forty years. Adopting a thick descriptive approach, she moves beyond the mere observation and recording of instances of sexism and violence, elucidating the changing aesthetics, themes, and conventions of depicted sexual aggression and showing how they have emerged in specific socio-historical contexts. Purcell also draws from a range of industry publications and fan forums to examine the fabric and function of misogyny and violence in viewers fantasies and everyday lives. By documenting how popular pornographies have changed over time, this study sheds new light the evolving desires and anxieties of the genres growing U.S. audience.

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Violence and the Pornographic Imaginary
Routledge Research in Cultural and Media Studies

For a full list of titles in this series, please visit www.routledge.com

Political Communication in a New Era
Edited by Gadi Wolfsfeld and Philippe Maarek

Writers Houses and the Making of Memory
Edited by Harald Hendrix

Autism and Representation
Edited by Mark Osteen

American Icons
The Genesis of a National Visual Language
Benedikt Feldges

The Practice of Public Art
Edited by Cameron Cartiere and Shelly Willis

Film and Television After DVD
Edited by James Bennett and Tom Brown

The Places and Spaces of Fashion, 18002007
Edited by John Potvin

Communicating in the Third Space
Edited by Karin Ikas and Gerhard Wagner

Deconstruction After 9/11
Martin McQuillan

The Contemporary Comic Book Superhero
Edited by Angela Ndalianis

Mobile Technologies From Telecommunications to Media
Edited by Gerard Goggin & Larissa Hjorth

Dynamics and Performativity of Imagination
The Image between the Visible and the Invisible
Edited by Bernd Huppauf and Christoph Wulf

Cities, Citizens, and Technologies
Urban Life and Postmodernity
Paula Geyh

Trauma and Media
Theories, Histories, and Images
Allen Meek

Letters, Postcards, Email
Technologies of Presence Esther Milne

International Journalism and Democracy
Civic Engagement Models from Around the World
Edited by Angela Romano

Aesthetic Practices and Politics in Media, Music, and Art
Performing Migration
Edited by Roco G. Davis, Dorothea Fischer-Hornung, and Johanna C. Kardux

Violence, Visual Culture, and the Black Male Body
Cassandra Jackson

Cognitive Poetics and Cultural Memory
Russian Literary Mnemonics
Mikhail Gronas

Landscapes of Holocaust Postmemory
Brett Ashley Kaplan

Emotion, Genre, and Justice in Film and Television
E. Deidre Pribram

Audiobooks, Literature, and Sound Studies
Matthew Rubery

The Adaptation Industry
The Cultural Economy of Literary Adaptation
Simone Murray

Branding Post-Communist Nations
Marketizing National Identities in the New Europe
Edited by Nadia Kaneva

Science Fiction Film, Television, and Adaptation
Across the Screens
Edited by J. P. Telotte and Gerald Duchovnay

Art Platforms and Cultural Production on the Internet
Olga Goriunova

Queer Representation, Visibility, and Race in American Film and Television
Melanie E.S. Kohnen

Artificial Culture
Identity, Technology, and Bodies
Tama Leaver

Global Perspectives on Tarzan
From King of the Jungle to International Icon
Edited by Annette Wannamaker and Michelle Ann Abate

Studying Mobile Media
Cultural Technologies, Mobile Communication, and the iPhone
Edited by Larissa Hjorth, Jean Burgess, and Ingrid Richardson

Sport Beyond Television
The Internet, Digital Media and the Rise of Networked Media Sport
Brett Hutchins and David Rowe

Cultural Technologies
The Shaping of Culture in Media and Society
Edited by Gran Bolin

Violence and the Pornographic Imaginary
The Politics of Sex, Gender, and Aggression in Hardcore
Pornography Natalie Purcell

Violence and the
Pornographic Imaginary
The Politics of Sex, Gender, and
Aggression in Hardcore Pornography
Natalie Purcell

Violence and the Pornographic Imaginary The Politics of Sex Gender and Aggression in Hardcore Pornography - image 1

First published 2012
by Routledge
711 Third Avenue, New York, NY 10017

Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

2012 Natalie Purcell

The right of Natalie Purcell to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data

Purcell, Natalie J.
Violence and the pornographic imaginary : the politics of sex, gender, and aggression in pornographic fantasy / by Natalie J. Purcell.
p. cm.(Routledge research in cultural and media studies ; 42)
Includes bibliographical references and index.
1. Pornographic filmsHistory and criticism. 2. Violence in motion pictures. 3. Fantasy in motion pictures. 4. Women in motion pictures.
5. Sex in motion pictures. 6. Feminism and motion pictures.
I. Title.
PN1995.9.S45P77 2012
791.436538dc23
2011053501

ISBN: 978-0-415-52312-7 (hbk)
ISBN: 978-0-203-11034-8 (ebk)

Typeset in Sabon
by IBT Global.

To feminism and feminists in all their diversity;
my writing is a labor of their love as much as mine.

Contents
Acknowledgements

I wrote this book as a graduate student at the University of California, Santa Cruz, where I was nurtured by a vibrant community of scholars, activists, and friends. Each step of the way, I benefited from their intellectual provocations, rich methodologies, tough questions, and tougher political commitments. For their consistent support, I am especially thankful to the faculty, graduate students, and administrators at the UCSC Department of Sociology.

My deepest gratitude belongs to the patient, committed professors who served on my doctoral dissertation committee: Candace West, Jenny Reardon, Karen Barad, Marshall Leicester, and Andrew Szasz. Many students have dissertation advisors who expect the world of them and set the highest standards. Others have advisors who support, encourage, and inspire them. I had an advisor who did all of this and more. Candace West guided me through five years of graduate school with skill, compassion, and grace. She has been the most dedicated and generous mentor a doctoral student could hope for. The lessons she taught me will last a lifetime, and I can offer only my gratitude in return.

I am also deeply indebted to the UCSC Feminism and Pornography Research Cluster, including Marshall Leicester, Lydia Osolinsky, Allison Day, Katie Kanagawa, Nichole Zlatunich, Lulu Meza, Candace West, Jen Gray-O'Connor, Jin You, and the many feminist activists who came to speak with our group (among them, Diana Russell, Ann Simonton, Susie Bright, Annie Sprinkle, Carol Leigh, and Carol Queen). Our meetingsincluding sometimes-awkward viewing sessions; rich conversations; and open, honest disclosurescreated a space where we could learn from the feminist sex wars without recreating the same battle lines.

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