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Philip G. Hill - Theatre in the Antebellum South, Volume 2

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title Theatre Symposium Vol 2 Theater in the Antebellum South A - photo 1

title:Theatre Symposium Vol. 2, Theater in the Antebellum South / : A Journal of the Southeastern Theatre Conference Theatre Symposium (Tuscaloosa, Ala.) ; V. 2, 1994
author:Hill, Phillip G.
publisher:University of Alabama Press
isbn10 | asin:0817309330
print isbn13:9780817309336
ebook isbn13:9780585336640
language:English
subjectTheater--Congresses.
publication date:1994
lcc:PN2018.T64 1994eb
ddc:792/.05
subject:Theater--Congresses.
Page i
Theatre in the Antebellum South:
Volume 2
A Journal of the Southeastern Theatre Conference
Theatre Symposium
Page 1 EDITORS Editor Phillip G Hill Furman University - photo 2
Page 1
EDITORS
Editor
Phillip G. Hill
Furman University
Associate Editor (Production)
Paul C. Castagno
University of Alabama
Associate Editor (Content)
C. David Frankel
Saint Leo College
Assistant Editor
Patrick Schmitt
Pasco-Hernando Community College
EDITORIAL BOARD
Oscar G. Brockett
University of Texas
Bernard F. Dukore
Virginia Tech
Leo Hecht
George Mason Universtiy
Richard Hornby
University of California (Riverside)
Betty Jean Jones
University of North Carolina (Greensboro)
Phillip C. Kolin
University of Southern Mississippi
Stanley V. Longman
University of Georgia
Thomas W. Stephens
Randolph Macon Woman's College
Carla Waal
University of Missouri
David W. Weiss
University of Virginia
Copyright 1997 The University of Alabama Press
Page 2
THEATRE SYMPOSIUM is published annually by the Southeastern Theatre Conference, Inc. (SETC), and by The University of Alabama Press. SETC nonstudent members receive the journal as a part of their membership under rules determined by SETC. For information on membership, write to SETC, PO. Box 9868, Greensboro, NC 27429-0868. All other inquiries regarding subscriptions, circulation, purchase of individual copies, and requests to reprint material should be addressed to The University of Alabama Press, Box 870380, Tuscaloosa, AL 35487-0380.
THEATRE SYMPOSIUM publishes works of scholarship resulting from a single-topic meeting held on a southeastern university campus each spring. A call for papers to be presented at that meeting is widely publicized each autumn for the following spring. Authors are therefore not encouraged to send unsolicited manuscripts directly to the editor. Information about the next symposium is available from the editor-elect, Paul C. Castagno, Department of Theatre, University of Alabama, Box 870239, Tuscaloosa, AL 35487-0239.
Page 3
CONTENTS
Introduction
5
Some Newspaper Clippings from 1817
27
Part I: The Charleston Theatre Riot
Charleston in the Early Nineteenth Century: Some Background
A. V Huff, Jr.
7
Some Circumstances That Led to the Riot
Nan L. Stephenson
32
Possible Contributing Causes and the Riot Itself
James H. Dormon
36
Historicizing the Charleston Riot
Bruce A. McConachie
40
A Summary of the Charleston Theatre Riot of 1817
Julia Curtis
45
Symposium Discussion
49
Part II: Selected Papers
Staging Gender: Women Audience Members in the Antebellum American Theatre
Rosemarie K. Bank
65
The Black Clown: Strategies of Representation and the Making of Majority Culture in Antebellum America
Patrick Schmitt
74

Page 4
The Rebirth of French Theatre in the Province of Qubec, 17651825: Thc Role of French Actors and Directors from the United States
Andr-G. Bourassa
82
Milestones in the American Career of Mrs. Amelia Holman Gilfert
Nan L. Stephenson
97
A Man of Promise: John Wilkes Booth at Richmond, 18581860
Deirdre Barber
113
The Southern Tour of W. H. Crisp and Anna Cora Mowatt
Jim G. Lewis
130
Contributors
144

Page 5
INTRODUCTION
Although the title of this volume of Theatre Symposium is "Theatre in the Antebellum South," the call for papers encouraged articles on any topic relating to American theatre before the Civil War. As a result, when twenty-three scholars gathered on the campus of the College of Charleston on 27 and 28 March 1993, they were treated to papers on a wide variety of subjects. The symposium itself focused on the Charleston Theatre riot of 12 March 1817, with five experts responding to a packet of primary material related to this riot. Their presentations, as well as the discussion that followed, are printed here as Part I. Thereafter, thirteen other papers were presented, from which the Editorial Board has selected six for publication here as Part II. Although all have at least some connection with the antebellum South (and most specifically cite events in Charleston), several are general in scope, and one focuses primarily on French-speaking Canada.
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