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Susan J. Napier - The Fantastic in Modern Japanese Literature: The Subversion of Modernity (Nissan Institute/Routledge Japanese Studies)

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Modern Japans repressed anxieties, fears and hopes come to the surface in the fantastic. A close analysis of fantasy fiction, film and comics reveals the ambivalence felt by many Japanese towards the success story of the nation in the twentieth century.The Fantastic in Modern Japanese Literature explores the dark side to Japanese literature and Japanese society. It takes in the nightmarish future depicted in the animated film masterpiece, Akira, and the pastoral dream worlds created by Japans Nobel Prize winning author Oe Kenzaburo. A wide range of fantasists, many discussed here in English for the first time, form the basis for a ground-breaking analysis of utopias, dystopias, the disturbing relationship between women, sexuality and modernity, and the role of the alien in the fantastic.

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The fantastic in modern Japanese literature The fantastic brings out the - photo 1
The fantastic in modern Japanese literature
The fantastic brings out the repressed anxieties, fears and hopes of modern Japan. Susan J. Napiers exploration of fantasy in literature, film and comics puts the dark side of Japanese society under the spotlight. She argues that the fantastic reveals the ambivalence felt by many Japanese toward the modernization, economic success and Westernization of Japan in the twentieth century. The bizarre creations of the fantasists produce radically different visions of contemporary Japan from those that stress Japans success story.
Susan J. Napier brings under scrutiny a rich seam of writers, filmmakers and artists: many are discussed here in English for the first time; some are neglected by critics in Japan. Her hunting ground takes in both high and popular culture. Her discussion of fantasy women embraces the enchantresses created by Izumi Kyka at the turn of the century and the grotesque and comic sex fantasies of recent science fiction writer Tsutsui Yasutaka. This book introduces the extraordinary range of Japanese fantasy; it also explores the role of fantasy as a cross-cultural genre.
Susan J. Napier is Associate Professor of Japanese Literature and Culture at the University of Texas at Austin.
The Nissan Institute/Routledge Japanese Studies Series
Editorial Board
J.A.A.Stockwin, Nissan Professor of Modern Japanese Studies, University of Oxford and Director, Nissan Institute of Japanese Studies
Teigo Yoshida, formerly Professor of the University of Tokyo, and now Professor, Obirin University, Tokyo
Frank Langdon, Professor, Institute of International Relations, University of British Columbia, Canada
Alan Rix, Professor of Japanese, The University of Queensland
Junji Banno, Institute of Social Science, University of Tokyo
Leonard Schoppa, University of Virginia
Other titles in the series:
The Myth of Japanese Uniqueness, Pet er Dale
The Emperors Adviser: Saionji Kinmochi and Pre-war Japanese Politics, Lesley Connors
A History of Japanese Economic Thought, Tessa Morris-Suzuki
The Establishment of the Japanese Constitutional System, Junji Banno, translated by J.A.A.Stockwin
Industrial Relations in Japan: the Peripheral Workforce, Norma Chalmers
Banking Policy in Japan: American Efforts at Reform during the Occupation, William M.Tsutsui
Education Reform in Japan, Leonard Schoppa
How the Japanese Learn to Work, Ronald P.Dore and Mari Sako
Japanese Economic Development: Theory and Practice, Penelope Francks
Japan and Protection: the Growth of Protectionist Sentiment and the Japanese Response, Syed Javed Maswood
The Soil, by Nagatsuka Takashi: a Portrait of Rural Life in Meiji Japan, translated and with an introduction by Ann Waswo
Biotechnology in Japan, Malcolm Brock
Britains Educational Reform: a Comparison with Japan, Mike Howarth
Language and the Modern State: the Reform of Written Japanese, Nanette Twine
Industrial Harmony in Modern Japan: the Invention of a Tradition, W.Dean Kinzley
Japanese Science Fiction: a View of a Changing Society, Robert Matthew
The Japanese Numbers Game: the Use and Understanding of Numbers in Modern Japan, Thomas Crump
Ideology and Practice in Modern Japan, Roger Goodman and Kirsten Refsing
Technology and Industrial Development in Pre-War Japan, Yukiko Fukasaku
Japans Early Parliaments 18901905, Andrew Fraser, R.H.P.Mason and Philip Mitchell
Japans Foreign Aid Challenge, Alan Rix
Emperor Hirohito and Showa Japan, Stephen S.Large
Japan: Beyond the End of History, David Williams
Ceremony and Ritual in Japan: Religious Practices in an Industrialized Society, Jan van Breman and D.P.Martinez
Understanding Japanese Society: Second Edition, Joy Hendry
Militarization and Demilitarization in Contemporary Japan, Glenn D.Hook
The fantastic in modern Japanese literature
The subversion of modernity
Susan J. Napier
Picture 2
London and New York
First published 1996
by Routledge
11 New Fetter Lane, London EC4P 4EE
This edition published in the Taylor & Francis e-Library, 2005.
To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.
Simultaneously published in the USA and Canada
by Routledge
29 West 35th Street, New York, NY 10001
1996 Susan J. Napier
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing in Publication Data
A catalogue record for this book has been requested
ISBN 0-203-97463-8 Master e-book ISBN
ISBN 0-415-12457-3 (hbk)
ISBN 0-415-12458-1 (pbk)
To my parents, Julia and Reginald Phelps, who opened the magic casements
Series editors preface
It remains unfortunately true, halfway through the 1990s, that Japan is an underreported country. Despite significant increases in the amount of information available, it is still the case that few aspects of Japan and its people are discussed in comparable depth, or with similar assumptions about familiarity, to discussion of the United States, Britain or other major countries. Differences of language and culture of course constitute a barrier, though less so than in the past. As the patterns of our post-cold-war world gradually consolidate, it is clearer than ever that the regional and global importance of Japan is increasing, often in ways more subtle than blatant. To borrow a phrase from Ronald Dore, we really should start taking Japan seriously.
The Nissan Institute/Routledge Japanese Studies Series seeks to foster an informed and balanced, but not uncritical, understanding of Japan. One aim of the series is to show the depth and variety of Japanese institutions, practices and ideas. Another is, by using comparison, to see what lessons, positive and negative, can be drawn for other countries. The tendency in commentary on Japan to resort to outdated, ill-informed or sensational stereotypes still remains, and needs to be combated.
The year 1995 began with a devastating earthquake in and around the city of Kbe, in western Japan, killing over 5,000 people. A little later in the year, the underground railway system of Tokyo was disrupted by the deliberate spilling of toxic chemicals. Several people died and thousands became seriously ill. In the aftermath of this incident, police and media attention focused on a strange new religious sect which dealt in occult beliefs and engaged in bizarre practices. In a sense these events symbolized the unpredictable and turbulent under-currents beneath the normal day-to-day existence of supermodern Japan. Unsurprisingly, the constant tensions of Japanese life have created a fantasy literature of great richness and diversity. If a peoples literature is a mirror of its society, then its fantasy literature reflects, and diffracts through the medium of imagination, the neuroses and tensions of that society. Susan Napiers book introduces us to a world of literary fantasy that, while bearing comparison with much fantasy literature elsewhere, testifies intriguingly to the salient dichotomies of Japan: order with turbulence, delicacy with ugliness, belief in progress with neurotic despair, the assumption of formality in human interaction with the search for freer and wilder worlds.
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