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Michael Mears Bruner - A Subversive Gospel: Flannery OConnor and the Reimagining of Beauty, Goodness, and Truth

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Michael Mears Bruner A Subversive Gospel: Flannery OConnor and the Reimagining of Beauty, Goodness, and Truth
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Conference on Christianity and Literature (CCL) Book of the Year - Literary Criticism The good news of Jesus Christ is a subversive gospel, and following Jesus is a subversive act.These notions were embodied in the literary work of American author Flannery OConnor, whose writing was deeply informed by both her Southern context and her Christian faith. In this Studies in Theology and the Arts volume, theologian Michael Bruner explores OConnors theological aesthetic and argues that she reveals what discipleship to Christ entails by subverting the traditional understandings of beauty, truth, and goodness through her fiction. In addition, Bruner challenges recent scholarship by exploring the little-known influence of Baron Friedrich von Hgel, a twentieth-century Roman Catholic theologian, on her work.Bruners study thus serves as a guide for those who enjoy reading OConnor andeven more sothose who, like OConnor herself, follow the subversive path of the crucified and risen one.The Studies in Theology and the Arts series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

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A SUBVERSIVE GOSPEL FLANNERY OCONNOR AND THE REIMAGINING OF BEAUTY - photo 1
A SUBVERSIVE
GOSPEL

FLANNERY
OCONNOR
AND THE
REIMAGINING
OF BEAUTY,
GOODNESS,
AND TRUTH

Michael Mears Bruner
InterVarsity Press PO Box 1400 Downers Grove IL 60515-1426 ivpresscom - photo 2

InterVarsity Press
P.O. Box 1400, Downers Grove, IL 60515-1426
ivpress.com

2017 by Michael Bruner

All rights reserved. No part of this book may be reproduced in any form without written
permission from InterVarsity Press.

InterVarsity Press is the book-publishing division of InterVarsity Christian Fellowship/USA, a movement of students and faculty active on campus at hundreds of universities, colleges, and schools of nursing in the United States of America, and a member movement of the International Fellowship of Evangelical Students.
For information about local and regional activities, visit intervarsity.org.

Scripture quotations, unless otherwise noted, are from the New Revised Standard Version of the Bible, copyright 1989 by the Division of Christian Education of the National Council of the Churches of Christ in the USA.
Used by permission. All rights reserved.

Scripture quotations on page vii are from the Douay-Rheims Bible.

Excerpts from Introduction, Part I, Part II, Part III, Part IV from The Habit of Being: Letters of Flannery OConnor edited by Sally Fitzgerald. Copyright 1979 by Regina OConnor.

Excerpts from Part I, Part II, Part III, Part IV, Part V, and Part VI from Mystery and Manners by Flannery OConnor, edited by Sally and Robert Fitzgerald. Copyright 1969 by the Estate of Mary Flannery O'Connor. Reprinted by permission of Farrar, Straus and Giroux.

Excerpts from One, Two, and Three The Violent Bear It Away by Flannery OConnor. Copyright 1960 by Flannery OConnor. Renewed copyright 1988 by Regina OConnor. Reprinted by permission of Farrar, Straus and Giroux.

Cover design: David Fassett
Interior design: Beth McGill and Daniel van Loon
Images: Flannery OConnor: Joseph De Casseres/Getty Images
pattern: EnginKorkmaz/iStockphoto

ISBN 978-0-8308-9036-1 (digital)
ISBN 978-0-8308-5066-2 (print)

This digital document has been produced by Nord Compo.

To my wife, Jenna, and my two children,
Arabelle Rose and William Smiley

Tarwater clenched his fist. He stood like one condemned, waiting at the spot of execution. Then the revelation came, silent, implacable, direct as a bullet. He did not look into the eyes of any fiery beast or see a burning bush. He only knew, with a certainty sunk in despair, that he was expected to baptize the child he saw and begin the life his great-uncle had prepared for him. He knew that he was called to be a prophet and that the ways of this prophecy would not be remarkable. His black pupils, glassy and still, reflected depth on depth his own stricken image of himself, trudging into the distance in the bleeding stinking mad shadow of Jesus, until at last he received his reward, a broken fish, a multiplied loaf. The Lord out of dust had created him, had made him blood and nerve and mind, had made him to bleed and weep and think, and set him in a world of loss and fire all to baptize one idiot child that He need not have created in the first place and to cry out a gospel just as foolish.

FLANNERY OCONNOR, THE VIOLENT BEAR IT AWAY

Who hath believed our report? and to whom is the arm of the Lord revealed?

And he shall grow up as a tender plant before him, and as a root out of a thirsty ground: there is no beauty in him, nor comeliness: and we have seen him, and there was no sightliness, that we should be desirous of him:

Despised, and the most abject of men, a man of sorrows, and acquainted with infirmity: and his look was as it were hidden and despised, whereupon we esteemed him not.

ISAIAH 53:1-3

And from the days of John the Baptist until now, the kingdom of heaven suffereth violence, and the violent bear it away.

MATTHEW 11:12

But the sensual man perceiveth not these things that are of the Spirit of God; for it is foolishness to him, and he cannot understand, because it is spiritually examined.

1 CORINTHIANS 2:14
List of Excursuses
Acknowledgments

We are instructed by our limitations, and so it was only with the generous help of those around me, who could see further and delve deeper into the many aspects of this present concern, that this project found its voice.

This book came out of my dissertation, and I am particularly indebted to my first and second mentors, Robert Johnston and William Dyrness, who served as my able guides through the crossdisciplinary labyrinth that this study represents. Bill, my suitemate seven cubicles down on the second floor of the Huntington Library, introduced me anew to Dantes Commedia and, more specifically, to the problem of beauty. He also introduced me to Robert Johnston, whose expertise in theology and literature and steady editorial hand made the pursuit of this project not only possible, but joyfully so. This book would have been considerably weaker without Rob and Bills indispensable help over these many years, and they have my sincerest thanks. I also want to thank Ralph Wood, my third reader, for his unsparingnay, witheringcritique at this projects dissertation stage, which I can only hope helped to improve what you now hold in your hands. His comments, bracing as they were, are the kindest form of flattery.

And then there are those who allowed me the resourcespersonal, spiritual, and financialto pursue this course of study. Film writer, director, and friend Scott Derrickson thrust OConnor into my lap back in 2009 when he, along with another friend, film producer Ralph Winter, invited me to write a screenplay adaptation of OConnors The Violent Bear It Away. The Fraser Fund Scholarship, under the auspices of the First Presbyterian Church of Hollywood and the funds able custodian, Arlene Creitz, funded my entire educational journey. What does one say in the face of such immense indebtednessor, in my case, the lack of it? I wrote the bulk of this study in my home away from home, the Huntington Library in San Marino, where I was given blissful quiet and acres of space, two things much needed to get any good writing done.

I must also thank William Sessions (Requiescat in pace), friend of Flannery OConnors and friend of mine, and Louise Florencourt, OConnors first cousin and manager of the OConnor estate, for their generous time, indispensable help, and kind attention. They showered me with southern hospitality and Christian charity. I am grateful to both of them for their personal insights into their friend and cousin.

The latest addition to this village of collaborators, my editor, David McNutt, gifted me with his patience, encouragement, and, above all, unblinking editorial eye for detail as well as the big picture, all of which allowed me to see this project through to its completion.

As for my family, I can only repeat what they have been hearing for years: thank you, thank you, thank you! My parents, Dale and Kathy Bruner, showed an abiding interest in this journey each step of the way, and their support in every conceivable formfrom daily babysitting and early-morning conversations at the local Starbucks about the various drafts of the project (they read each chapter at least five times!) to prayers offered up on my behalf every eveningwas the glue that kept this whole enterprise together. And words cannot suffice for the countless blessings I received from my wife, Jenna, and my two children, Arabelle Rose and William Smiley, who lived this study from start to finish and whose unbounded patience and good humor saw me through it all. This is how love is made... and how this book was written. So I dedicate this book to them as a humble sign of my deepest gratitude and abiding affection.

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