Richard Payne Knight - An analytical inquiry into the principles of taste
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3. The Cause of corrupt Taste. In Literature.
4. In Art.
5. Abuse of Words.
6. Artists and Authors: how far the Corruptors of,
or corrupted by the Public Taste.
7. Art and Dress connected, but not Literature.
8. Instances and Illustrations.
9- Perfection from the same Source as Corruption. Michael Angelo and Bernini. Ariosto and Marino.
10. Excess of Ornament and false Brilliancy.
11. From unfair Comparison, and
12. The natural Progress of Speech.
13. Novelty and Contrast the Principles of ornamental
Gardening, as hitherto practised.
14. In China.
15. In England.
16. Intricacy and Variety.
1*7. Curiosity, the marvellous.
18. Surprise. Progress of Fiction.
19. Horrible Stories and Events.
20. Avowed Fiction. Novels.
21. Their Effects on the Understanding.
22. On Temper and Disposition.
23. On Morals and Behaviour.
24. On Religion.
25. Their relation to Comedy.
26. Moral Effects of all Narrative and Dramatic
Fiction weak.
27. Self-Importance of Poets, Painters, &c <
28. How far they are really useful to Society
ERRATA.
PAGE LINE
7, 6, for Florintine read Florentine.
53, 24, for accentutation read accentuation.
87, 20, far would read could.
95, 12, for this read the
119, 22, for surely read scarcely.
144,' 5, for yfrnfiwu read ygxtjiixot.
179, 15, for abbies read abbeys.
180, 12, a full stop after employs.
206, 2, for impressive read expressive.
210, 2, for on read or.
236, 23, for theorical read theoretical.
244, 8, for QiXaraTn read piXTain.
247, note, 3, for deliras read daliros.
250, 14, for xuyvt read vvywt.
ib. 17, for auger read augur.
266, note, 7, for pro read prae.
298, 7, for words read works.
330, note, 1, for i%iis read tyts.
385, S, for quern read quam.
396, 5, /or in Pindar and Sophocles though read though in Pindar and Sophocles, with a seraiaolon preceding instead of a full stop.
420, 8, for laudible read laudable.
4S7, note, 2, for hac read hoc.
i INTRODUCTION.
.
oori St ms tvno$i)eou Ga\o/Atiois irgavgya To S/awofiio,ai xu\v:' i yxq usTtfon tiwof/a ^vovs Ti 9rfoTffw onroff*wv Kti Aristot. Metaphys. Lib. III. C. i.
1. Taste is a subject upon which it might Introduc naturally be supposed that all mankind would. f agree; since all know instinctively what pleases, and what displeases them; and, as the organs of feeling and perception appear to be the same in the whole species, and only differing in degrees of sensibility, it should naturally follow that all would be pleased or displeased more or less, according to those different degrees of sensibility, with the same objects.
2. This is, however, so far from being the case, that there is scarcely any subject, upon which men differ more than concerning the objects of their pleasures and amusements; and this difference subsists, not only among individuals, but among ages and nations; almost every
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