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William Desmond - Art and the Absolute: A Study of Hegel’s Aesthetics

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    Art and the Absolute: A Study of Hegel’s Aesthetics
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The book draws on the astonishing scope and depths of Hegels Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegels view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegels understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegels aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegels aesthetic philosophy.

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title Art and the Absolute A Study of Hegels Aesthetics SUNY Series in - photo 1

title:Art and the Absolute : A Study of Hegel's Aesthetics SUNY Series in Hegelian Studies
author:Desmond, William.
publisher:State University of New York Press
isbn10 | asin:0887061508
print isbn13:9780887061509
ebook isbn13:9780585063355
language:English
subjectHegel, Georg Wilhelm Friedrich,--1770-1831--Aesthetics, Aesthetics, Modern--19th century, Art--Philosophy--History--19th century.
publication date:1986
lcc:B2949.A4D47 1986eb
ddc:111/.85/0924
subject:Hegel, Georg Wilhelm Friedrich,--1770-1831--Aesthetics, Aesthetics, Modern--19th century, Art--Philosophy--History--19th century.
Page i
Art and the Absolute
Page ii
SUNY Series in Hegelian Studies
Quentin Lauer. S.J., Editor
Page iii
Art and the Absolute
A Study Of Hegel's Aesthetics
William Desmond
State University of New York Press
Page iv
TO MARIA AND WILLIAM G
Published by
State University of New York Press, Albany
1986 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews.
For information, address State University of New York
Press, State University Plaza, Albany, N.Y., 12246
Library of Congress Cataloging in Publication Data
Desmond, William, 1951
Art and the absolute.
(SUNY series in Hegelian studies)
Bibliography
1. Hegel, Georg Wilhelm Friedrich, 17701831
Contributions in aesthetics. 2. Aesthetics, Modern
19th century. 3. ArtPhilosophyHistory19th century.
I. Title. II. Series.
B2949.D47 1986Picture 2 111'.85'0924Picture 3Picture 4Picture 5 859886
ISBN 0-88706-150-8
ISBN 0-88706-151-6 (pbk.)
10 9 8 7 6 5 4 3 2 1
Page v
Contents
Preface
vii
Introduction
xi
Chapter One. Art, Imitation and Creation
1
Picture 6
Imitation: Art and the Metaphysics of Image and Original,
1
Picture 7
Creation: Art and Sensuous Self-Knowledge,
5
Picture 8
Art and Philosophy: Openness and Subordination,
10
Chapter Two. Art, Philosophy and Concreteness
15
Picture 9
The Tension of Image and Concept,
15
Picture 10
The Question of Concreteness,
18
Picture 11
Concreteness and the Art Work,
21
Picture 12
Concreteness and the Philosophical Concept,
23
Picture 13
Art and Philosophy as Complementary Modes of Concrete Articulation,
29
Chapter Three. Art, Religion and Absoluteness
35
Picture 14
Art, Religion and Absolute Spirit,
35
Picture 15
Art as "Aesthetic,"
37
Picture 16
Art as "Religious": Symbolical, Classical and Romantic Art,
40
Picture 17
Art as "Religious": Creativity and Geist,
44
Picture 18
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