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Merleau-Ponty Maurice - The Barbarian Principle: Merleau-Ponty, Schelling, and the Question of Nature

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Merleau-Ponty Maurice The Barbarian Principle: Merleau-Ponty, Schelling, and the Question of Nature

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Essays exploring a rich intersection between phenomenology and idealism with contemporary relevance.
Toward the end of his life, Maurice Merleau-Ponty made a striking retrieval of F. W. J. Schellings philosophy of nature. The Barbarian Principle explores the relationship between these two thinkers on this topic, opening up a dialogue with contemporary philosophical and ecological significance that will be of special interest to philosophers working in phenomenology and German idealism.
The Barbarian Principle is an excellent contribution to the study of Schelling and Merleau-Ponty. For the Schelling scholar or student, it opens a new horizon for reconsidering Schellings influence on twentieth-century continental philosophy in general, and phenomenology in particular (where much interest has been paid to Heidegger). For the Merleau-Ponty scholar or student, this volume demonstrates that Merleau-Pontys engagement with German idealism extends well beyond the interrogation of Hegel or Kant. Devin Zane Shaw, author of Freedom and Nature in Schellings Philosophy of Art

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The Barbarian Principle SUNY series in Contemporary Continental Philosophy - photo 1

The Barbarian Principle

SUNY series in Contemporary Continental Philosophy

Dennis J. Schmidt, editor

The Barbarian Principle

Merleau-Ponty, Schelling,
and the Question of Nature

Edited by

Jason M. Wirth

with

Patrick Burke

The Barbarian Principle Merleau-Ponty Schelling and the Question of Nature - image 2

Published by State University of New York Press, Albany

2013 State University of New York

All rights reserved

Printed in the United States of America

No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.

For information, contact State University of New York Press, Albany, NY www.sunypress.edu

Production by Diane Ganeles
Marketing by Michael Campochiaro

Library of Congress Cataloging-in-Publication Data

The barbarian principle : Merleau-Ponty, Schelling, and the question of nature / edited by Jason M. Wirth with Patrick Burke.

pages cm. (SUNY series in contemporary continental philosophy)

Includes bibliographical references and index.

Summary: Essays explore a rich intersection between phenomenology and idealism with contemporary relevanceProvided by publisher.

ISBN 978-1-4384-4847-3 (alk. paper)

1. Philosophy of nature. 2. Merleau-Ponty, Maurice, 19081961. 3. Schelling, Friedrich Wilhelm Joseph von, 17751854. I. Wirth, Jason M., 1963 editor of compilation.

BD581.B355 2013

113dc23

2012047515

10 9 8 7 6 5 4 3 2 1

For Elizabeth Bledsoe Sikes,
the principle in Barbarian Principle

Contents

Part I
Orientations

CHAPTER ONE
The Reawakening of the Barbarian Principle

CHAPTER TWO
Prefatory Meditations

Part II
Schelling and the Question of Nature

CHAPTER THREE
Unfolding the Hidden Logos (Or: Much Ado about Nothing)

CHAPTER FOUR
Schelling on Platos Timaeus

CHAPTER FIVE
On the Relation Between Nature and History in Schellings Freedom Essay and Spinozas Theologico-Political Treatise

CHAPTER SIX
Eternal Times: Schelling on Creation, Contemporaneity, and the Unconscious

Part III
Merleau-Ponty and Schelling in Conversation

CHAPTER SEVEN
tre sauvage and the Barbarian Principle: Merleau-Pontys Reading of Schelling

CHAPTER EIGHT
tre brut or Nature: Merleau-Ponty Surveys Schelling

CHAPTER NINE
Freedom as the Experience of Nature: Schelling and Merleau-Ponty on the Open Space in Nature

CHAPTER TEN
Finding the Bodys Place in Nature: Merleau-Ponty on Schellings Phenomenology of Pre-Reflective Being

CHAPTER ELEVEN
Nature and Self-Knowledge: On Schellings Ambiguous Role in Merleau-Pontys The Concept of Nature

CHAPTER TWELVE
Reading the Barbarous Source: Merleau-Pontys Structural History and Schelling

CHAPTER THIRTEEN
Natures Inside

CHAPTER FOURTEEN
Listening for the Voice of the Light: Mythical Time through the Musical Idea

CHAPTER FIFTEEN
The Eye and the Spirit of Nature: Some Reflections on Merleau-Pontys Reading of Schelling Concerning the Relationship between Art and Nature

CHAPTER SIXTEEN
The Art of Nature: On the Agony of the Will in Schelling and Merleau-Ponty

Acknowledgments

We would like to raise a glass of Brunello in thanks to our colleagues and friends at both Seattle University and Gonzaga University in Florence for their ongoing support. We also would like to express our gratitude to Chiasmi International where an earlier version of Robert Valliers essay appeared as tre Sauvage and the Barbaric Principle: Merleau-Pontys Reading of Schelling (Chiasmi International, vol. 2 [2000], 83107). Finally, at a time of unprecedented global rage against our earth, we would like to offer this volume as a small and properly barbarian contribution to what Gary Snyder felicitously dubbed a practice of the wild.

Sigla

Frequently cited works by Merleau-Ponty and Schelling adhere to the following sigla. Less frequently used editions by these authors, as well as all other works by other authors, are cited in the respective endnotes.

Maurice Merleau-Ponty

French citations

AD1Les aventures de la dialectique. Paris: Gallimard, 1955.
EPloge de la philosophie. Paris: Gallimard, 1953.
N1La nature: Notes, cours du Collge de France. Edited by Dominique Sglard. Paris: Seuil, 1995.
NCNotes des cours, 19591961. Edited by Stphanie Mnas. Paris: Gallimard, 1996.
OLoeil et lesprit. Paris: Gallimard, 1964.
PP1Phnomnolgie de la perception. Paris: Gallimard, 1945.
RCRsums de cours, Collge de France 19521960. Paris: Gallimard, 1968.
SNS1Sens et non-sens. Paris: Nagel, 1948; reprint: Paris: Gallimard, 1996.
S1Signes. Paris: Gallimard, 1960.
SCLa structure du comportement. Presses universitaires de France, 1942.
VI1Le visible et linvisible. Edited by Claude Lefort. Paris: Gallimard, 1964.

English translation citations

AD2The Adventures of the Dialectic. Translated by Joseph Bien. Evanston: Northwestern University Press, 1973.
EMEye and Mind. Translated by Carleton Dallery. In: The Primacy of Perception. Evanston: Northwestern University Press, 1964, 159190.
IPPIn Praise of Philosophy. Translated by John Wild and James M. Edie. Evanston: Northwestern University Press, 1963. Includes Themes from the Lectures at the Collge de France, 19521960.
MPAThe Merleau-Ponty Aesthetics Reader: Philosophy and Painting. Edited by Galen Johnson. Evanston: Northwestern University Press, 1993. This collection includes the new translation of Eye and Mind by Michael Smith.
N2Nature: Course Notes from the Collge de France. Translated by Robert Vallier. Evanston: Northwestern University Press, 2003.
PP2The Phenomenology of Perception. Translated by Colin Smith. London: Routledge & Kegan Paul, 1962; New York: Humanities Press, 1962.
PRPThe Primacy of Perception. Edited and translated by James Edie. Evanston: Northwestern University Press, 1964.
PWThe Prose of the World. Translated by John ONeill. Evanston: Northwestern University Press, 1973.
S2Signs. Translated by Richard C. McCleary. Evanston: Northwestern University Press, 1964.
SNS2Sense and Non-Sense, trans. Hubert L. Dreyfus and Patricia Allen Dreyfus. Evanston: Northwestern University Press, 1964.
SBThe Structure of Behavior. Translated by Alden Fisher. Boston: Beacon, 1963. Reprinted: Pittsburgh: Duquesne University Press, 1983.
VI2The Visible and the Invisible. Translated by Alphonso Lingis. Evanston: Northwestern University Press, 1968.
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