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Gerber - A Primer on Parallel Lives

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Gerber A Primer on Parallel Lives
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    A Primer on Parallel Lives
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A Primer on Parallel Lives: summary, description and annotation

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Dan Gerbers poetry is influenced by Zen attentiveness, childhood memories, and deep connections with nature.;ONE; In Praise of Umberto Tapia; Tracking the Moment; Bodhisattva; Doing Nothing; Realism; Times Alone; Fledgling; Six Miles Up; A Small Dark Thing; Out Walking in Early November; A Theory of Wind; In the Shade of the Oaks; Getting It Right, or Wrong; Autumn on the Plains of Idaho; There Is No Self That Suffers Rebirth; Madam Wei Remembers; Once in Nineveh; Candor Seeks Its Own Unforeseeable Occasions; The Call; Revenant; Late Summer; Just before Sunset; The Changes in Santa Ynez; TWO ; Eclipse; Fears of Childhood; Mommas Boy; One Sunday Night; WWII; Christmas Eve 1944.

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Note to the Reader Copper Canyon Press encourages you to calibrate your - photo 1
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Note to the Reader Copper Canyon Press encourages you to calibrate your settings by using the line of characters below, which optimizes the line length and character size: Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesqu Please take the time to adjust the size of the text on your viewer so that the line of characters above appears on one line, if possible. When this text appears on one line on your device, the resulting settings will most accurately reproduce the layout of the text on the page and the line length intended by the author. Viewing the title at a higher than optimal text size or on a device too small to accommodate the lines in the text will cause the reading experience to be altered considerably; single lines of some poems will be displayed as multiple lines of text. If this occurs, the turn of the line will be marked with a shallow indent. Thank you.

We hope you enjoy these poems. This e-book edition was created through a special grant provided by the Paul G. Allen Family Foundation. Copper Canyon Press would like to thank Constellation Digital Services for their partnership in making this e-book possible. For Deb Every sudden heightening of intensity brought you into a gods sphere of influence. And, within that sphere, the god in question would fight against or ally himself with other gods on a second stage alive with presences.

From that moment on, every event, every encounter occurred in parallel in two places. To tell a story meant to weave those two series of parallel events together, to make both worlds visible. Roberto Calasso

Contents
ONE
I am not I. I am this onewalking beside me... J.R. JIMNEZ
In Praise of Umberto Tapia
I cup my hands around the last bright speck and blow gently to keep it alive, an ember of oak log, pared from a tree Umberto Tapia rescued with his artful pruning, from stifling mistletoe and Spanish moss, and the unleavened abundance that drags it down, a life like my own from which too little has been let go.

Now I see this coal as a fallen star, one bright thing in a field of night, curious about the darkness and the world kneeling down to it, using its breath to keep it glowing.

Tracking the Moment
The place where I stopped last night is far away; and tomorrow, tonight will be last night. YANG WAN-LI (11271206) A million starsmade by sun and windon the water of a pondwhere I stood onceand gazed from a house no longer standingwith a woman no longer living, both so clear to me now, remembering light on the waves of Lake Michiganwhere my seven-year-old feetmade tracks in the sandtoward waterwhere all tracks dissolvetill the stars return with sunlight and memoryas the breeze rises. Weather comes up easily here in the mountains. This day, darkening before noon with ominous clouds, and then, as if to mock them, a shaft of sun comes through. Setting off up the valley with no destination other than this place from which I began, I suppose its finally the story of our lives, an innocence nothing can equal.

Turning north to the edge of a hayfield, skirting its border of scrub oak and pine leaving the mysterious forest unentered a dense sandwich of years, my shoes kick up echoes and dust. Picture 3 Aimless motorcycle rides through canyons and vineyards with roses at the ends of the vine rows, great rolling plains and dark mountain passes, steeped in wild rosemary, with hayfields ready for cutting, or just cut, old cow dung and green cow dung, a whiff of petroleum and yeast, slowing through a block-long Main Street, passing an abandoned gas station and a bar airing out on Sunday morning, smells almost forgotten, the dark, freshly turned soil, where two workmen are digging at the edge of the road, copper smell of a crushed cat in the grass on the shoulder, and the smell of the virga, a silhouette of rain, a scent of pure promise, like the promise of our breath, falling, yet never coming to the ground. God, is that you tapping on my shutters this morning, your redheaded herald, the flicker, opening small cracks in the roof Ive spent so much to maintain, breaching the insulation of the phone lines so the rains, now come, make them bristle and pop, your language my arrogance wont let me decipher? Picture 4 Fog settles on my hair and glasses while I wait for traces of the view to reemerge. How little we see even on the best days, a few details, broken grass stalks along the deer trail, oaks swept eastward from the wind off the sea, a few fragments of bone and feathers, the intrigue of a life interrupted, now that the hills have wrapped themselves in clouds. Picture 5 Stars go on watching through this long afternoon while I breathe in the sky and am still not filled. The sun, a galaxy of blood through my eyelids; wind now a river of smoke through the long grass over the hills.

I am always returning to the edge of water, lapping at the loam of a bank under pine needles, and slapping at the bellies of dock planks. Or Im looking into one of those still, black ponds, which seems to me like a pupil of the planet, through which it watches the other stars and finally our own silent faces, gazing down to its ever-intensified heart. Picture 6 Our boatman tells us hes rowed this passage over three thousand times, the distance around the Earths waist, in this nine-mile stretch of river. Today an autumn wind holds us a moment in stasis against the flow as we squint through the rain toward a glint of sun a mile downstream. Three elkcow, calf, and bull trot into the pines as we approach, only to put a few boughs, like another language, between us. Picture 7 And what do the animals really know about our lives? It seems they look on with unclouded ambition to simply be more what they are while we go on longing for their kind of grace.

Every night for three months, the fox came to my bedroom window and, in the wildness of her call, I heard something so certain it stunned my heart with what I once was, and may yet be. To stones on the riverbed the current is a constant breeze, the wind of the Earths turning we cant feel anymore. I lift my fly through moving air for the joy of laying it down in seams and eddies where a fish might be. In the last light the deer come closer; their long shadows give them courage. I press my dogs forehead to my own and hold it till I feel her calmness seep through, till the restless equation Ive made of the world is simply the world again.

Doing Nothing
When I passed him near the bus stop on Union Square while the cops cuffed his hands behind his back, while he said, I didnt do anything, I didnt, either, do anything but look away, a little afraid they might cuff me if I paid too much attention, and walked on still wondering what he mightve done and still more what I mightve done.
Realism
When he tells me how terribly he misses his dead wife, I diminish his grief by recounting my own.
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