Spufford - Red Plenty
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Acclaim for Red Plenty from the United Kingdom
Like no other history book I have ever read Spuffords book is almost impossible to categorise. In many ways it reads like a collection of stories, and yet it is hard to believe that there could be a better and more rigorous evocation of that brief, illusory moment when Soviet communism seemed poised to transform the world. [I] finished it in awe, not merely at Spuffords Stakhanovite research, but at his skill as a novelist, his judgement as a historian and his sheer guts in attempting something simultaneously so weird and yet so wonderful.
The Sunday Times
Readers of novels often recoil from the limited range of human emotions and the drearily functional style evident in most works of nonfiction where one battle becomes much like another and any old queen a surrogate for the rest. Francis Spuffords extraordinarily inventive venture into factionif we must attach a label to his remarkable Red Plenty should be a welcome antidote to that. One can scarcely think of a recent book that conveys the everyday textures of life in the Soviet Union so well. This is a thrilling book that all enthusiasts of the Big State should read.
The Sunday Telegraph
Strange, risky and compelling the audacity of the subject and the superb craftsmanship of the writing won me over.
The Observer
Everyone knows that economic central planning in the Soviet Union was a failure. Many people can make a stab at saying why. Few will expect to pick up a longish book on the topic by a non-economist and devour it almost at a sitting. But that is what you have in store with Red Plenty. It is part detective storywho or what is killing the Soviet economy?and part a brilliantly clear explanation of some very intricate history and economics.
The Economist
Strange and wonderful. Spufford cunningly maps out a literary genre of his ownor rather a set of artfully interwoven genresin which he can make the most recondite intellectual inquiry into something freewheeling and fabulous.
The Times
Spufford, who has succeeded in turning possibly the least promising fictional material of all time into an incredibly smart, surprisingly involving and deeply eccentric book, a hammer-and-sickle version of Altmans Nashville, with central committees replacing country music. I am not alone in thinking that he has one of the most original minds in contemporary literature.
Nick Hornby, The Believer
Francis Spuffords new book is a virtuoso piece of storytelling. Red Plenty is peopled by both real and fictional characters: brilliant young scientists and economists, low-level Party members and factory managers. Each one, even the most corrupt, is drawn with such a generous understanding that I found myself stalling at the end of every chapter, regretting already that I would soon be leaving their company. This is not a novel it is a fairy tale, Spufford claims in his prologue and there really is something magical, almost uncanny, in his ability to create such a marvellously satisfying, technicolour world.
The Daily Telegraph
Spuffords narrative can be read as a sort of reverse magic realism. Given the absurdities inherent in so much of Soviet life, this is an effective and convincing way to proceed. Much of the writing is elegant and precise, with delightful and original turns of phrase.
The Independent
Id never have believed anybody claiming that an account of shadow prices, and the formal equivalence in a general equilibrium model of a centrally planned economy and a market economy, would make for a gripping read. But here is that book, which I devoured in a couple of sessions.
Diane Coyle, enlightenedeconomics.com
Heed me, tovarishchi! Francis Spuffords half-novel/half-history Red Plenty is by far the best popular account of the Soviet utopian experiment I have readand Ive read a few. It is neatly conceived and brilliantly realised, an enormously pleasurable and instructive book. The cumulative effect is little short of breathtaking. Red Plenty is a master class in the expert control of a canvas and theme that, in a lesser writer, could very easily have sprawled out of control. Its an extraordinary achievement.
Strangehorizons.com
by the same author
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Francis Spufford
Graywolf Press
Copyright 2010 by Francis Spufford
First published by Faber and Faber Ltd, London
This publication is made possible in part by a grant provided by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature from the Minnesota general fund and its arts and cultural heritage fund with money from the vote of the people of Minnesota on November 4, 2008, and a grant from the Wells Fargo Foundation of Minnesota. Significant support has also been provided by the National Endowment for the Arts; Target; the McKnight Foundation; and other generous contributions from foundations, corporations, and individuals. To these organizations and individuals we offer our heartfelt thanks.
Published by Graywolf Press
250 Third Avenue North, Suite 600
Minneapolis, Minnesota 55401
All rights reserved.
www.graywolfpress.org
Published in the United States of America
ISBN 978-1-55597-604-0
Ebook ISBN 978-1-55597-041-3
2 4 6 8 9 7 5 3 1
First Graywolf Printing, 2012
Library of Congress Control Number: 2011942042
Cover design: Alvaro Villanueva
Cover photo: Triumphant Youth, USSR circa 1960. The Dmitri Baltermants Collection/Corbis
For my mother
in order of first appearance
CAPITALS indicate the part of a name most often used in the book
* indicates a real person
(I.2, IV.1, etc) indicates the part and chapter numbers of further scenes in which the person appears
On the tram in Leningrad
* LEONID VITALEVICH Kantorovich, a genius (I.1, II.1, III.1, VI.2, VI.3)
Visiting the United States
* Nikita Sergeyevich KHRUSHCHEV, First Secretary of the Communist Party of the Soviet Union and Chairman of the Council of Ministers (I.2, III.2, V.1, VI.3)
* NINA PETROVNA Khrushcheva, his wife (I.2, VI.3)
* Andrei GROMYKO, Soviet Foreign Minister (I.2)
* Oleg TROYANOVSKY, Khrushchevs interpreter (I.2)
* Dwight D. EISENHOWER, President of the United States (I.2)
* Henry Cabot LODGE, US Ambassador to the United Nations (I.2)
* Averell HARRIMAN, a millionaire acting as EastWest liaison (I.2)
At the American Exhibition in Sokolniki Park
GALINA, a student at Moscow State University and Komsomol member (I.3, V.3)
VOLODYA, ditto, her fianc (I.3, III.2)
KHRISTOLYUBOV, a minor apparatchik (I.3) FYODOR, a Komsomol member from an electrical factory (I.3, V.2)
ROGER TAYLOR, an African-American guide at the exhibition (I.3)
Walking to the Village
EMIL Arslanovich Shaidullin, a well-connected young economist (I.4, II.1, III.1, V.2, VI.2)
MAGDA, his fiance (I.4)
Her FATHER (I.4)
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