Taṅkappā Ma. Ile - Red Lilies and Frightened Birds

That Tamil is a classical language is now a commonplace in the scholarly world. However, its living and unbroken literary tradition of over two millennia remains unrecognized to a large extent. Widely anthologized and translated, Tirukkural and Sangam poetry have come to stand for the entire corpus of classical Tamil poetry and didactic wisdom. In truth, the Tamil poetic tradition has much more to offer. With its brilliance and variety Muttollayiram presents an ideal text from which to launch further poetic forays into the landscape of Tamil poetic imagination.

Literally, Muttollayiram could mean either three nine-hundreds (of poems) or nine hundred (poems) on the three (monarchs). Unfortunately, given the fact that only some 130 of them survive, the numbers themselves are a subject of another debate, and even the meaning of the ambiguous title has evoked considerable controversy. For a long time it was thought that Muttollayiram consisted of 2,700 poems with 900 on each monarchan erroneous view that some hold on to even now. However, even by the standards of Tamils bad luck where a large corpus of writings has been wiped out by calamities such as tsunamis, bigotry, and apathy, it is somewhat far-fetched that only about a hundred out of 2,700 should survive. The confusion about the actual numbers was ultimately cleared by S. Vaiyapuri Pillai, the enormously erudite if controversial scholar, who cited two grammatical texts, Ilakkana Vilakka Pattiyal and Prabandha Deepikai, which refer to a genre called Thollayiram that consists of 900 poems.

Therefore, it is now clear that Muttollayiram consists of 900 poems in all, with 300 each devoted to a monarch hailing from one of the three Tamil dynastiesCheras, Cholas and Pandyas. The bulk of them (108 plus an invocatory poem) come from a fifteenth-century anthology of puram poems, Purathirattu; quotations from medieval commentaries account for the rest. Poems from Muttollayiram have been cited or quoted in a variety of pre-colonial commentaries of mostly grammatical texts, indicating its continued importance in Tamil literary culture. It is evident that Muttollayiram is not an anthology but a unified work by a single author who, however, is anonymous, with neither written record nor even oral tradition to throw a single shaft of light upon his identity. Like all Tamil literary texts, the dating of Muttollayiram is a subject of debate. Based on internal and external evidence, S. Vaiyapuri Pillai dated it to the early part of the ninth century CE while T.V. Sadasiva Pandarathar dated it to the sixth century. As we shall see below the earlier date is more plausible.

It was not until 1905 that these poems were first culled from Purathirattu by Ra. Raghavaiyangar and published separately. The credit for drawing attention to the exquisite poetic qualities of Muttollayiram and celebrating it should go to T.K. Chidambaranatha Mudaliar (18811954), the renowned connoisseur of poetry. Since then, despite their meagre quantity, these poems have captured the hearts of the cognoscenti and been frequently reprinted and glossed. Muttollayiram has also been translated at least twice into EnglishP.N. Appuswami (1977) and A.V. Subramanian (1984); into SanskritA.V. Subramanian (1993); and into HindiS. Subramanian (1996). There is also a German study of the text by Ulrike Niklas (1987).

Why should this book of hundred-odd poems, admittedly incomplete, capture the fancy of Tamil readers and warrant a new English translation? Readers familiar with Sangam poetry will easily recognize the setting and the themes of