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Mary Jane Appel - Russell Lee: A Photographers Life and Legacy

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Russell Lee, a contemporary of Walker Evans and Dorothea Lange, now emerges from the shadows as one of the most influential documentary photographers in American history.The most prolific photographer of the Great Depression, Russell Lee has never been canonized for his iconic images. With this compulsively readable and definitive biography, historian and archivist Mary Jane Appel finally uncovers Lees rebellious life, tracing his journey from blue-blood beginnings to intrepid years of activism and pioneering creativity, through the incredible body of work he left behind.Born in the quintessential turn-of-the-century small town of Ottawa, Illinois, in 1903, Lee grew up in a wealthy family riddled with tragedy. He trained in college to become a chemical engineer, but was quickly drawn to Greenwich Village, where he developed an interest in social change and the arts. In 1935, the charismatic bohemian picked up a camera and a year later walked into the office of Roy Stryker, head of the Historical Section of the Resettlement Administration, later renamed the Farm Security Administration (FSA), setting in motion a new life trajectory.The Historical Section aimed to capture rural poverty and the New Deal programs designed to abolish it. But Stryker imagined a much broader pictorial sourcebook for America, and no one on his legendary teamincluding Dorothea Lange, Walker Evans, and Gordon Parks, among otherswould be more dedicated to reaching this goal than Russell Lee. As Appel demonstrates, Stryker and Lee developed a fascinating symbiotic relationship that resulted in a massive and complex breadth of work.Living out of his car from the fall of 1936 to mid-1942, Lee crisscrossed Americas back roads more than any photographer of his era. During this time, he shot 19,000 negatives that were captioned and printedmore than twice that of any other FSA photographer. He captured arresting images of sweeping dust storms and devastating floods, and chronicled the World War II home front and the last gasp of a small-town America that was inexorably vanishing?all the while focusing prophetically on issues like segregation and climate change, decades before they became national concerns.Meticulously weaving previously uneen letters and diaries, Appel brilliantly reveals why Lees profile has remained obscured, while his contemporaries became broadly celebrated. With more than 100 images spread throughout, Russell Lee speaks not only to the complexity of a pioneering documentary photographers work but to a seminal American moment captured viscerally like never before.100 black-and-white illustrations

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RUSSELL LEE A Photographers Life and Legacy - photo 1

RUSSELL LEE A Photographers Life and Legacy MARY JANE APPEL - photo 2

RUSSELL LEE

A Photographers Life and Legacy

MARY JANE APPEL

Picture 3

LIVERIGHT PUBLISHING CORPORATION

A Division of W. W. Norton & Company

Independent Publishers Since 1923

Russell Lee A Photographers Life and Legacy - image 4

Copyright 2021 by Mary Jane Appel and Library of Congress

All rights reserved
First Edition

For information about permission to reproduce selections from this book, write to Permissions, Liveright Publishing Corporation, a division of W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110

For information about special discounts for bulk purchases, please contact W. W. Norton Special Sales at specialsales@wwnorton.com or 800-233-4830

Jacket design: Jared Oriel

Jacket photographs: (front) Secondhand tires displayed for sale. San Marcos, Texas, March 1940, by Russell Lee / Library of Congress; (spine) Russell Lee, c. 194245, courtesy of the Wittliff Collections, Texas State University

Book design by Ellen Cipriano

Production manager: Lauren Abbate

The Library of Congress has cataloged the printed edition as follows:

Names: Appel, Mary Jane, author. | Hayden, Carla Diane, 1952 writer of foreword. | Library of Congress, issuing body.

Title: Russell Lee : a photographers life and legacy / Mary Jane Appel.

Other titles: Russell Lee (Liveright Publishing Corporation)

Description: First edition. | New York, NY : Liveright Publishing Corporation, a division of W.W. Norton & Company ; [Washington, D.C.] : Library of Congress, [2021] | Introduction by Carla D. Hayden, Librarian of Congress. | Includes bibliographical references and index.

Identifiers: LCCN 2020027626 | ISBN 9781631496165 (hardcover) | ISBN 9781631496172 (epub)

Subjects: LCSH: Lee, Russell, 19031986. | PhotographersUnited StatesBiography. | United States. Farm Security AdministrationHistory.

Classification: LCC TR140.L438 A77 2021 | DDC 770.92 [B]dc23

LC record available at https://lccn.loc.gov/2020027626

Published by Liveright Publishing Corporation, a wholly owned subsidiary of W. W. Norton & Company, in association with the Library of Congress

Liveright Publishing Corporation, 500 Fifth Avenue, New York, N.Y. 10110

www.wwnorton.com

W. W. Norton & Company Ltd., 15 Carlisle Street, London W1D 3BS

FOR STEVE

CONTENTS

1 Sign painter Sioux City Iowa December 1936 I N 1963 almost two de - photo 5

1. Sign painter, Sioux City, Iowa, December 1936.

I N 1963, almost two decades after compiling the largest visual record in American history, under the auspices of the Farm Security Administration (FSA), Roy Stryker recalled, I was pretty unsophisticated when I took that job as far as how to pick a photographer. . . . I began to realize it was curiosity, it was a desire to know, it was the eye to see the significance around them. Stryker had an inherent knack for recognizing talent and hired individuals who would become some of the twentieth centurys most famous photographers, including Dorothea Lange, Walker Evans, and Gordon Parks. But it was a less well-known photographerRussell Leewho would most closely share Strykers vision for creating a thorough pictorial record of America through these photographs.

Out of almost 15 million photographs in the Librarys collections, those in the Farm Security AdministrationOffice of War Information Collection stand out as some of the most powerful and enduring. Originally conceived as a public relations effort for New Deal government programs aimed at helping agricultural workers, the archive morphed into a massive study of America and Americans, eventually numbering about 175,000 black and white negatives.

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