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Olga Curado - A Magical Journey

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For Motomichi Anno Sensei Motomichi Anno Sensei and the author at the Funada - photo 1
For Motomichi Anno Sensei Motomichi Anno Sensei and the author at the Funada - photo 2

For Motomichi Anno Sensei

Motomichi Anno Sensei and the author at the Funada Dojo in Mie Kumano 26 - photo 3

Motomichi Anno Sensei and the author at the Funada Dojo, in Mie, Kumano, 26 April 2018.

Table of content
Acknowledgements

This book is the result of many peoples help.

Throughout the years of training on the tatami mats of Aikido, in the company of fellow practitioners and instructors, I have enjoyed many of the mysteries of this martial art. I am grateful to all those who have shared the training with me. I am particularly indebted to the women who have not given up the training: Maria Luiza Serzedello; Lila Sensei, for dedicating her life and her perseverance in sharing her knowledge; and Tica Lemos Sensei, for her fearlessness and coherence in the practice of Aikido beyond the tatami mat. Many thanks to Ioshico Fushimi Hannari ,Yoko Sensei, for her presence and conversations.

The apprenticeship that I glimpsed in my many daily practices made sense when the door of master Motomichi Annos Funada Dojo , in Kumano, Japan opened to me thanks to the generosity of Sensei Linda Holiday, to whom I am deeply grateful. Her gesture was decisive in bringing about an encounter that gave meaning to a long quest on my part. My good fortune would not, however, have been possible without the support of John Kepford, a disciple of Anno Sensei and tireless translator of the teachings that I have received from the master. John played a decisive role in helping me find the thread of my narrative.

I am also grateful for the time that Emerson Couto devoted to reading this book, as well as his shrewd observations, which helped to refine the manuscript. Any incorrect decisions that may come to light regarding the concept of the book or the final draft are entirely my own. The artistic sensitivity, attention, finesse and astute observations provided by Sandra Espilotro shaped the final draft and I am deeply grateful to her.

I have nothing but praise for the talent and creativity of Suely Shiba, an ink wash (sumi-e) artist, who translated into images moments in the text that required more than words.

I am grateful to my daughter Camila and my sister Maria Paula for their patience in accompanying me on this journey, listening to my stories and encouraging me not to stray from my aim.

I thank the Lama Padma Samten for his encouragement, attention, guidance and teachings.

I am immensely grateful to Motomichi Anno Sensei, to whom this book is dedicated, for maintaining and passing on with joy, immense lovingness and profound respect the teachings of the founder of Aikido, Morihei Ueshiba Sensei, whom he was a first-hand student of for almost fifteen years, preserving in the sacred mountains of Kumano, alongside Kiichi Hine Sensei Suzuki Sensei and surrounded by students who make pilgrimage to the Funada Dojo , from all four corners of the globe , the words, spirit and teachings of the art of Great Love.

Preface

I thoroughly enjoyed reading the authors words about her experiences, visions and Aikido.

It is a very precious text. A living, breathing experience. The richest of content, with great depth, containing methods and knowledge for life.

There is complementarity between the various methods, the sum being even greater than the parts, even when they seem contradictory.

NOT RELIGIOUS, BUT RELIGIOUS A PATH, DO.

I do not practise Aikido, but I can see how it can help practitioners.

The author manages to apply the profound nature of Aikido directly to life events, as a way of dealing with what life constantly throws at us. It enriches the path of the Buddhist practitioner. It offers direct challenges for the release of karmic regions at all levels. It offers an axis to cultivate a centredness that stands up to challenges.

Buddha invoked Mara to reach enlightenment, the practices of Aikido directly present the challenges of the six kingdoms and the six bardos and instructions about how to maintain the lucid mind as a reference point during all this. Enlightenment is not achieved via isolation, but by facing challenges at every level.

Presenting her work in three parts and twenty chapters, the author follows a chronological order, from her initial visionary experiences to her recognition of the depths of Aikidos vision. She candidly reveals her life as a living laboratory of the lucidity of Aikido at work.

She reveals her fragilities, the search for the master in life, the immeasurable support of universal wisdom that protects our lineage, the convergence of unexpected situations, her intense training, the subtle and blatant challenges posed by her gender, examples of accidents, illnesses and cures, magical convergences, joys and disappointments, and her growing maturity. The book culminates with her meeting her master, Motomichi Anno Sensei, and her training in the Funada Dojo in Mie, Kumano, Japan, her recognition of the profound nature of what Aikido achieves, and the blessing she receives from her master to create her own Dojo at the CEBB Caminho do Meio, the AME NO IWAYA DOJO Celestial Cave Dojo.

A magical journey led by the gods of Aikido and their surprising powers. A magical vision and at the same time straightforward practical advice for dealing with life, energy, intense activity inseparable from fear, fearlessness, certainty without rigidity or a yoga guru.

Aikido is a path. A way of life whose apprenticeship begins on the tatami mat in the form of waza and katas a collection of techniques and blows. On the tatami mat, we invariably compare ourselves to each other (...). Aikido provides resources for us to confront another kind of battle. (...) a tool for removing barriers between people, helping them understand that we are all part of Kami (the divine force of the universe, nature).

Aikido (...) is the art of peace. Ai means harmony, ki , energy, and do , path. (...) It does not promote competition or harming ones partner. (...) It is the art of communication and peaceful engagement, of exchange.

Women, in a traditionally masculine space, like that of martial arts - although in Aikido the presence of women is theoretically celebrated - are treated like second-class citizens. (...) Centuries of differentiating on the basis of gender can manifest themselves almost unconsciously, yet this does not diminish the scope for oppression. (...) It is important to note that even in the sacred spaces of self-development and of the quest for the divine there are political dimensions (...). Overcoming these abysses with art (...) and at the same time taking control of ones own being with integrity is a huge challenge (...) but it is not acceptable to give up on this undertaking.

The path, Anno Sensei constantly repeats, to be achieved demands a Suano heart simple, honest, pure, clear, transparent. Being open for understanding and receiving new things. This is satori revelation, a state of awareness, for the acceptance of the mystery.

Aikido has secret powers. Gods have secret powers. Secrets are revealed only to those who are initiated into the mysteries and allow the gods to lead them on the journey.

At the heart of the Sensei Olga Curado the journey continues, not the journey of a single person. It is the magical and mysterious journey in time beyond time, in space beyond space without a beginning or an ending.

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