Copyright 2018 Joan Gelfand.
Published by Mango Publishing Group, a division of Mango Media Inc.
Cover Design: Roberto Nunez
Layout & Design: Roberto Nunez
Back Inside Flap Photo: Adam Hertz
Mango is an active supporter of authors rights to free speech and artistic expression in their books. The purpose of copyright is to encourage authors to produce exceptional works that enrich our culture and our open society.
Uploading or distributing photos, scans or any content from this book without prior permission is theft of the authors intellectual property. Please honor the authors work as you would your own. Thank you in advance for respecting our authors rights.
For permission requests, please contact the publisher at:
Mango Publishing Group
2850 Douglas Road, 3rd Floor
Coral Gables, FL 33134 USA
For special orders, quantity sales, course adoptions and corporate sales, please email the publisher at or +1.800.509.4887.
You Can Be a Winning Writer: The 4 Cs Approach of Successful Authors Craft, Commitment, Community, and Confidence
Library of Congress Cataloging-in-Publication Number: 2018944497.
ISBN: (paperback) 978-1-63353-742-2, (ebook) 978-1-63353-743-9
BISAC category code: LAN002000 LANGUAGE ARTS & DISCIPLINES / Authorship
Printed in the United States of America
For all the dreaming writers of the world
and for Adam, my rock.
Contents
As I sat reading Joan Gelfands You Can Be a Winning Writer in preparation for writing this foreword, I decided that I needed to stop and get on with writing it. But fascinated, I couldnt. Instead, I found myself nodding yes, yes, yes at every paragraph, and often stopping to jot down especially meaningful lines to share with the women and sometimes men in the Zona Rosa Writing and Living Workshops Ive led for thirty-seven years.
In this book, Gelfand beautifully and concisely addresses the four seemingly contradictory parts of every successful writers life: Craft, Commitment, Community and Confidencethe first two we hone in solitude, our butt in a chair or our nose in book after book; the second two when we put ourselves out into the world to join forces with our literary peers and heroes (who, as she mentions, sometime become friends and supporters). Over and over, she nails the myth of the solitary artist, and rarely has an author described so succinctly what we need as writersfrom initial inspiration to the long haul of publication.
As I read, memories of my own early years as a writer flooded through me, and I realized afresh how fortunate I had been to have had all four of Gelfands requirements on my side. As a mother of three, a woman afflicted with post-partum depression, and a high school dropout who had never heard of Emily Dickinson or T.S. Eliot, after I took a class in Modern Poetry at Emory University and the professor read work from great modern poets, I was evangelized in a way I never had been in the Bible Belt Baptist Church Id grown up in. Next, I took a poetry workshop, and while my kids were in nursery school each day, I wrote and rewrote the poems that had begun pouring out of me and copied poems I loved into notebooks, analyzing how their authors had written them. Craft and Commitment by then became my obsession.
Shortly after, my teachera grad student destined to become a well-known poet himselfinvited me to join a writing workshop. The workshop ended up being made of Emory professors and their wivesPhDs who laughed when I could neither pronounce nor spell Nietzsche, enunciated Oedipus Rex as O-ped-ius Rex, and when I explained why Id put an ejaculation point at the end of each line. Nevertheless, they supported my work, providing Community and Confidence. Indeed, I was the perfect example of Samuel Clemens (a.k.a., Mark Twains) words, With ignorance and confidence, success is certain.
Thereafter, and many times during my decades as a writer, Gelfands Four Cs for being a winning writer have played themselves out in my life. For example, when I bought my first manual typewriter (on time, and yes, it was that many years ago!) and a typewriter table, and then, twelve years later, when I rented a room away from home in which to finish my first collection of poems (Craft and Commitment again). If youre good enough, youll be published, my first editor Jennifer said to me, inspiring me to work harder.
Several years later, published in both memoir and fiction, I gave myself over to the excitement and pleasure of promoting my second, third, and other books on book tours. The same book tours that put meafter years spent in solitude at my deskon national television and at large literary venues, calling again on the need for Community and Confidence. While reading You Can Be a Winning Writer , I realized afresh what a large partand how constantly, as though in a rhythmic danceGelfands Four Cs have played in my writing life. (And a special note: Gelfand, like me, was a poet first. And she, like me, recommends writing and/or reading poetrythe most concise literary formto every writer, whatever his or her chosen genre may be.)
Dense with great examples, bountiful in its outpouring of concrete advice, and full of the joy of being part of a special tribe, You Can Be a Winning Writer is the book I wish I had when I first fell in love with the art of writing. It is a book in which every writer will find the help and inspiration they needwherever they may be on their writing journeyand I will recommend it time and time again.
Rosemary Daniell
ROSEMARY DANIELL is the founder and leader of Zona Rosa, a series of writing workshops attended by thousands of women, and some men, with events in Atlanta, Savannah, and other cities, as well as in Europe, which has been featured in People and Southern Living . She is also the award-winning author of nine books of poetry and prose, including Secrets of the Zona Rosa: How Writing (and Sisterhood) Can Change Womens Lives and The Woman Who Spilled Words All Over Herself: Writing and Living the Zona Rosa Way , and is the recipient of two National Endowment for the Arts fellowships in writing, poetry, and fiction. Rosemarys work has been featured in many magazines and papers, including Harpers Bazaar , New York Woman, Travel & Leisure , The New York Times Book Review , Newsday , The Chicago Tribune , The Philadelphia Inquirer and Mother Jones . She has also been a guest on many national radio and television shows, such as The Merve Griffin Show , Donahue , The Diane Rehm Show , Larry King Live and CNNs Portrait of America. Early in her career, she instigated and led writing workshops in womens prisons in Georgia and Wyoming, served as program director for Georgias Poetry in the Schools program, and worked for a dozen years in Poetry in the Schools programs in Georgia, South Carolina, and Wyoming . In 2008, she received a Governors Award in the Humanities for her impact on the state of Georgia. She is profiled in the book Feminists Who Changed America, 19631975 . For further information, write Rosemary at .
Tribe
By Rosemary Daniell
A poem written after the Associated Writers Conference in Tampa, Florida, 2018.
We meet on 13th Street
in this city were not familiar with
poets, novelists, memoirists, academics.
So good to see you, we say again and again
the air thick with ego, desire, aspiration
thousands upon thousands of us
the weird ones who spendsome would say, waste
our lives putting words, ideas, truths in order.
Next page