David Sinclair - Spice Girls Revisited
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The Spice Girls phenomenon was a genuine pop music landmark. No group since The Beatles had commanded as much media attention. Ginger, Baby, Posh, Sporty and Scary became international stars and, whether they were adored or ridiculed, they became the ultimate expression of global media fame in the Nineties.
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Copyright Omnibus Press
This edition Omnibus Press
(A Division of Music Sales Limited, 14-15 Berners Street, London W1T 3LJ)
ISBN: 978-0-85712-111-0
The Author hereby asserts his / her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages.
Every effort has been made to trace the copyright holders of the photographs in this book, but one or two were unreachable. We would be grateful if the photographers concerned would contact us.
A catalogue record of this book is available from the British Library.
Visit Omnibus Press on the web at www.omnibuspress.com
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To Faith & Jack
By the same author
Tres Hombres: The Story of ZZ Top
(Virgin, 1986)
Rock On CD The Essential Guide
(Kyle Cathie, 1992, updated 1993)
Davids story of the Spice Girls is a fascinating and illuminating read for anyone with a passing interest in pop music. Ten years on it is easy to forget the impact that Geri, Victoria, Mel B, Emma and Mel C made when Wannabe was first released in 1996.
It was an era that was dominated by boy bands. British music was for the most part inward looking and geared towards traditional means of marketing music.
My first impression of them when they bounded into my office was of an abundant energy and optimism that couldnt be ignored.
Their naivet was their strength they feared nothing and challenged everything. Self-doubt was a luxury they refused to allow themselves.
As to their motivation, it was, in Victorias famous phrase, to be as famous as Persil washing powder.
It was my challenge to harness this chaotic, undisciplined energy, develop their musical talent and steer them through an industry which is notoriously fickle and unforgiving, in which they would either sink or swim.
But they were nobodys fool and Girl Power was no empty slogan. Every strategy was discussed and argued over at great length. They had to understand the purpose of each decision before they would agree to it. But once they gave their commitment, it was total and they worked harder than any other group I have known. It was like going into battle with a crack regiment of the SAS behind me, albeit wearing short skirts, cropped tops and stack heeled boots.
The Spice Girls demonstrated how powerful entertainment can be in capturing the attention of a huge global audience. They appealed to all ages and nationalities. They were genuinely inspiring to a whole generation of music fans.
The girls were very different and sometimes tensions erupted and it became a real challenge to keep the show on the road. In the end it was these conflicts that led to the break-up of the group.
But in the short time they were around, they certainly made an indelible impression on the music industry. They went beyond celebrity and its no exaggeration to say that they did change the face of pop music.
Davids book is a record of the moments that helped make the band into a truly great British pop act.
As the saying goes, The star that burns twice as bright burns for half as long and the Spice Girls were a very bright star.
Simon Fuller, May 2005
I remember exactly when I decided to write a book about the Spice Girls. I was in a shop called Helter Skelter in the West End of London in the summer of 2000, and I thought I would see if there was a book about the Spice Girls I could buy for my then 11-year-old daughter, Faith. Helter Skelter was the rocknroll bookshop; perhaps the only shop in London dedicated entirely to selling books about popular music. If you wanted to find a book about a pop group, this was surely the place to go. Except I couldnt find one about the Spice Girls. Nothing. So I asked the guy on the counter.
We dont do books like that, he said, sniffily. Its not that kind of shop.
Next to the counter, hot off the presses, was a pile of copies of
Clinton Heylins newly updated biography Dylan Behind The Shades (Take Two). I looked across at a shelf already groaning under the weight of publications dedicated to the life and music of Bob Dylan and I thought, How on earth is this guy going to fit any more books on there? And who is going to buy, let alone actually read, yet another massive tome about Bob Almighty Dylan?
I looked around for something a bit more modern, a book that might appeal to an intelligent teenager, or perhaps address a subject that hadnt been chewed over dozens of times already. But surprisingly few of the items on offer fitted this description. I did, however, find about six books promising to tell the inside story of Oasis in amongst the retrospectives and reappraisals of Jimi Hendrix and The Doors and the entire sections devoted to The Beatles and the Stones.
So, no one had written a book about the Spice Girls or at least no one had written a book about the Spice Girls that would find shelf space in that kind of shop. What was going on? The Spice Girls were the biggest British popular music act of the Nineties and probably the biggest selling pop act in the world during the latter half of that decade. Not only that, their influence extended way beyond the selling of vast quantities of records. Ginger, Posh, Baby, Sporty and Scary were the most widely recognised group of individuals since John, Paul, George and Ringo. They were a social phenomenon that changed the course of popular music and popular culture. And yet their achievements had gone unrecognised and unchronicled by the army of self-appointed biographers and historians which has attached itself like a barnacle to the pop industry over the years. Shouldnt someone have been keeping an eye on this stuff?
It occurred to me that for Faith and her friends, Helter Skelter would have seemed more like a museum than a bookshop. If this place couldnt find a Spice Girls book that they could bear to stock, perhaps Id better write one for them, before the world and a new generation of readers had completely passed them by. After all, how hard could it be?
I quickly discovered that one reason why no one had written a sensible book about the Spice Girls was because very few people believed such a book could be written or was worth writing. The songwriter Biff Stannard, who co-wrote Wannabe and many other hits with the Spice Girls, told me that when he went to a dinner party, or met people socially, he would try his best to avoid the subject of what he did for a living not because he was ashamed in any way, but for exactly the opposite reason.
Whenever you get on to the Spice Girls thing, he said, you end up getting into a two-hour discussion, and I get quite heated about it.
I soon found out what he meant. To announce that you were writing a book about the Spice Girls was to be forced, ipso facto, to defend both the groups honour and, pretty quickly, your own. Why write a book about the Spice Girls? I was asked time and again, although curiously, never once, anywhere in the world, did I have to explain to anyone who the Spice Girls actually were. Such was the level of prejudice that had taken root against them, it was simply assumed that unless I was going to reveal some salacious details about their sex lives or pen a worthy polemic condemning them and everything they stood for, then I must be slightly bonkers.
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