Eleo Gordon and Tony Lacey
The Really Useful Grandparents Book
Foreword by Nanette Newman
Illustrations: Julia Connolly
VIKING
an imprint of
PENGUIN BOOKS
C ONTENTS
Foreword by Nanette Newman
Authors Introduction
Outings
Easy Options
Ancient Egypt
Football
Card Games
Nursery Rhymes
Lets Make Something
Reading is Fun
Family Stories
All Kinds of Poems
Collecting Things
Stamp Collecting
Ancient Stones
Spring
Birds and Bees
Cricket
Easter
Ancient Greece
All About Gorillas
Australia
Captain Cook
Playing Music Together
Virginia Ironside
Ancient Rome
Card Tricks
Magic Tricks
Natural Wonders of the World (Part One)
Classic Stories
The Rattle of Hastings
Cooking
Picnics
Summer
The Seaside
Films
Castles
Ancient China
Canada
Modern Poems
Cards for All Occasions
Athletics
Henry VIII
Camping
Singing Round a Campfire
Rugby
Pirates of the Caribbean
Looking At Paintings
Natural Wonders of the World (Part Two)
Elizabeth I
Shakespeare
Antonio Carluccio
The Great Fire of London
The Deadliest Animals in the World
Potato Printing and Marbling
Sewing
The English Civil War
Rules for Draughts, Chess and Backgammon
Fun and Games
The French Revolution
Slavery
Autumn
London Bridges
All About Birds
Natural Disasters
The Industrial Revolution
Railways
Lucy Lambton
Native Americans
The Wild West
Simple Science
Famous Scientists
Disasters At Sea
Queen Victoria
Fishing
The First World War
Carpentry
Russia
The Second World War
Nelson Mandela
Secret Messages
Famous Explorers
From Carriage to Car
The Olympic Games
Exploring Space
Modern America
Winter
Christmas
Games for Christmas or Other Celebrations
All About Planes
Listening to Music
I Dont Feel Well
Source List and Acknowledgements
VIKING
Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL , England
Penguin Group (USA) Inc., 375 Hudson Street,
New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East,
Suite 700, Toronto, Ontario, Canada M4P 2Y3
(a division of Pearson Penguin Canada Inc.
Penguin Ireland, 25 St Stephens Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pry Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre,
Panchsheel Park, New Delhi 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale,
North Shore 0632, New Zealand
(a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd,
24 Sturdee Avenue, Rosebank,
Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R 0RL , England
www.penguin.com
First published in 2008
Copyright Eleo Gordon and Tony Lacey, 2008
Nanette Newmans introduction copyright Bryan Forbes Ltd, 2008
Illustrations copyright Julia Connolly, 2008
The moral right of the authors has been asserted
Illustration credits: Library of Congress Catalog for 16-18, 20, 70, 77, 98,105,136, 139,142-3, 170-73, 176,184, 211, 213, 222-3, 233, 235, 245, 247, 258-9, 27072, 2756, 288, 293, 297. Schenectady Museum; Hall of Electrical History Foundation/ CORBIS for 98. Imperial War Museum for 2778. NASA for 294, 313. Beatrix Potter, The Tale of Mr Tod, copyright Frederick Warne & Co., 1912, 2002; Eric Hill, Spot Visits His Grandparents, copyright Eric Hill, 1995: both reproduced by permission of Frederick Warne & Co.
Michael Rosen, On the Train, from Quick, Lets Get Out of Here (copyright Michael Rosen, 1983), reproduced by kind permission of PFD (www.pfd. co.uk) on behalf of Michael Rosen. Roger McGough, The Writer of This Poem, from Sky in the Pie (copyright Roger McGough, 1983), reproduced by kind permission of PFD on behalf of Roger McGough. Allan Ahlberg, Scissors, from Please Mrs Butler (copyright Allan Ahlberg, 1983); Benjamin Zephaniah, Health Care, from Funky Chickens (copyright Benjamin Zephaniah, 1996): both reproduced by permission of Penguin Books Ltd.
Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors or omissions and would be grateful to be notified of any corrections that should be incorporated in future editions of this book.
All rights reserved
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book
978-0-14-188982-5
F OREWORD
by Nanette Newman
The first time I heard I was going to become a grandmother it came as quite a shock. Now, having been one five times over, Im an old hand, but the first time it happens, if youre anything like me, youll run through a gamut of emotions: joy, anxiety, anticipation, anxiety, excitement, anxiety and, lastly, relief. There is this small being, incredibly wonderful, your grandchild. It finally sinks in, and somewhere in your brain you start worrying about what sort of grandparent you will be. You so want to be a good one of course you do!
Nanette with her daughters Sarah and Emma, and granddaughters Tilly, Lily and India
When I was small I thought all grandparents were fantastically OLD, drinking endless cups of tea and, in my grandmothers case, knittingtea-cosies or, worse, odd-shaped jumpers I desperately hoped werent for me. (They usually were.)
I dont remember my grandparents playing games with me often, or taking me places, but I do recall my mother telling me to behave and watch my manners when I went to visit them. That said, I loved them and knew they loved me; they were a fixture, a secure and accepted part of the fabric of my growing years.
If, as a child, I had ever been asked to describe my visits to my grandparents, Id probably have said boring but now, in retrospect, I think being bored when youre young is underrated. Im convinced a healthy dose of boredom can trigger a childs imagination. I know it encouraged me to create my own amusements make up games for myself and at times inhabit a private world of fantasy. Perhaps today we parents and grandparents feel vaguely guilty if were not providing non-stop entertainment so are too full-on in supplying ready-made fun.