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Rosamund Hodge - Gilded Ashes

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A romantic and fantastical reimagining of the classic Cinderella tale, is a novella by Rosamund Hodge set in the same world as the authors debut novel, . Orphan Maia doesnt see the point of love when it only brings pain: Her dying mother made a bargain with the evil, all-powerful ruler of their world that anyone who hurt her beloved daughter would be punished; her new stepmother went mad with grief when Maias father died; and her stepsisters are desperate for their mothers approval, yet she always spurns them. And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else theyll all be struck dead by the curse. Anax, heir to the Duke of Sardis, doesnt believe in love eithernot since he discovered that his childhood sweetheart was only using him for his noble title. Whats the point of pretending to fall in love with a girl just so shell pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife. As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesnt believe in love. Anax cant help wishing to see her againand when he does, he cant help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mothers deadly bargain? HarperTeen Impulse is a digital imprint focused on young adult short stories and novellas, with new releases the first Tuesday of each month.

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Gilded Ashes

Rosamund Hodge

Chapter 1

My mother loved me more than life itself. Thats how everything went wrong.

I wake with fear prickling at my skin.

I sit up, knuckling the sleep out of my eyes. The kitchen looks the same as usual: garlic and rosemary hang in neat bunches from the ceiling. The pots I scoured last night sit gleaming on the stove. From over the doorway, the little miniature portrait of Mother smiles down at me. Everything is peaceful and safe. I begin to stretch.

And then.

From the corner of my eye, I see them: shadows clustered around the coal scuttle. Too many shadows.

And one thought burns through my body: there is a demon in the kitchen.

Even before my heart slams against my rib cage, my hands fly to cover my eyes. To see a demon is to go mad. Every child knows that. Every child knows the prayer. Apollo all-healer, Apollo light-bringer, Apollo Invictus: deliver us from the eyes of demons. I remember Mother whispering it to me when I was little and she was still alive; I remember how she stroked the hair back from my face and explained why I must never look too long at the shadows.

But I dont say the prayer. Because I am no longer a child. And my mother is not alive.

Mother, I whisper instead. Please. Send away the demon.

Suddenly my skin no longer feels like the taut surface of a drum; my heartbeat slows, and the pressure in my chest eases. The kitchen gapes chill and empty about me. Im alone again.

The air stirs against my shoulder, half a sigh and half a kiss. I swallow convulsively, then smile, because Im never alone.

My mothers ghost is always with me.

Thank you, Mother, I say.

I am the only girl in the world whose mother can protect her from demons.

The clock chimes seven thirty. Fear hurtles me to my feet, sharp and cold as when the demon huddled by the coal scuttle. Stepmother always comes down to breakfast at eight, and if it isnt steaming on the table when she walks into the room, then shes angry. If shes angry, then she punishes me. If she punishes me, then Mother will get angryand if Mother gets angry, as she did with my nurse

Dont think it, dont think it. I slam the pots into position, because if I think about what happened to my nurse, then I will cry, and I cant cry. I cannot ever, ever cry.

That airy caress again, this time against my cheek. I smile; my body is trained even when my mind is awhirl.

My mother will never stop loving me, so I can never stop lying.

Its a beautiful morning, Mother. Im glad I can get up early enough to see the dawn. Sausages are in the pan. Time to start the porridge. And cooking breakfast makes it even better. Of course, I wish I could cook it for you, but cooking it with you for Stepmother and Kor and Thea is still delightful.

The sausages start to sizzle. Their thick, greasy scent turns my stomach, but Ive found my rhythm now, and the lies dance easily between my teeth. Poor Kor and Thea, never allowed in the kitchen! Stepmothers awfully hard on them, but I suppose she knows best. And I get to be alone with you. I set the coffeepot on the stove and twirl. She likes it when I twirl. It makes her think that I am happy.

I catch myself against the countertop and smile at the painting over the doorway. Im so happy to be with you, I say, and the lie comes out smooth and sweet as fresh butter. Im so very, very happy.

Its not exactly a lie. I am always happy. I have to be.

Because Im the only girl in the world who can protect anyone from my mother.

Serving breakfast is a relief. In the kitchen, I must smile and sing and dance through my tasks, because if I dont like my tasks, Mother may get angry at the ones who set them. In the breakfast room, I need only stand silent in the corner, hands clasped and head bowed, because Stepmother gets angry if I am too cheerful.

I nestle into the curtains. They used to be stiff and scratchy, but last year Stepmother squandered nearly a months income to buy cascades of soft, frothy white lace. We had to eat bread and pickled fish for a week. And I watch my family from under my lashes.

Stepmother sits at the head of the table, wrapped in a moth-eaten dressing gown that was crimson once but has faded to a dirty purple. She spears her sausage with a fork, then holds it up and sniffs, her eyes half-lidded. I think shes trying to show she has demanding and refined taste, but she only looks like a pampered lapdog trying to decide if a table scrap is worth the bother of chewing.

Maia, she says, setting the sausage down again, you know I dont like them cooked this crisp.

Im sorry, my lady, I murmur.

Thea looks up from her plate, where shes cut her sausages into twelve pieces and pushed them around without eating a bite. She doesnt like heavy food in the morning any more than I do.

Its my fault, Mother, she says. I asked Maia to make them crisp. I love them this way. She stuffs four pieces into her mouth, then looks pained.

Thea is kind and impulsive and very stupid. Im not sure, sometimes, why she is still alive. Or why she thinks she can love and be loved by everyone in this house. She even thinks that the two of us can be friends, and she is forever trying to drag me from my chores and make me drink tea or practice dancing. No matter how much either of us gets punished, she never learns.

Youre too kind to her, says Kor. Shes the older of my stepsistersseventeen, like meand even eating breakfast, she manages to look like a statue carved by a master artist. Partly its her perfect posture, but theres no denying the gods gave her beautywide dark eyes and high cheekbones, a face of pure symmetry framed by night-black hair. She looks worthy of a hundred statues, and its a testament to Stepmothers foolishness that shes never had a single suitor.

But I love them, says Thea through the mouthful of sausage she still hasnt managed to swallow. It makes her look like shes only ten instead of fourteen. It also makes her look even more like a lackluster imitation of Kor than she usually does: she has all her sisters lovely features, but smudged and softened from beauty down to mere prettiness.

You are making excuses for that girl like you always do. Stepmothers voice is suddenly thin and harsh with loathing. The honor of our house demands She pauses, wincing, and puts a hand to her forehead.

Without either of us meaning to, Kor and I meet each others eyes grimly across the table. Its never a good sign when Stepmother starts talking about the honor of our house. Stepmother loved my father more than reason; this ramshackle building and our half-disgraced name are all she has left of him. When she starts talking about the honor of our house, at best it means that shes going to squander more money on curtains and silverware, and be more strict than usual with the three of us. At worst

Dont just stand there, you lazy girl, says Kor. Go check the morning post.

The morning post never brings us anything except letters from creditors, and those are not going to calm Stepmother. I go anyway. Someone has to smile and desperately placate Stepmother, and better Kor than me. Kor actually wishes that Stepmother would love her. For all her attempts to look dignified, shes just as foolish as Thea. As foolish as Stepmother, as my own mother, as everyone whos ever lived in this crumbling, dusty house where demons crawl through the laundry chutes and nothing ever changes.

But today something changes.

When I open the front door and reach into the letterbox, theres a big envelope of thick, velvety paper. Its addressed in flowing cursive with extra loops and curls:

Lady Parthenia Alastorides

The Misses Alastorides

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