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Mark Galer - Adobe Photoshop Elements 10: Maximum Performance: Unleash the Hidden Performance of Elements

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Mark Galer Adobe Photoshop Elements 10: Maximum Performance: Unleash the Hidden Performance of Elements
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Adobe Photoshop Elements 10: Maximum Performance: Unleash the Hidden Performance of Elements: summary, description and annotation

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Master the most powerful photo editing tools and techniques that Elements has to offer! Using step-by-step projects, Mark Galer will have you creating stunning images in no time at all. Whether you want to create impressive, seamless montages, optimize your photos for perfect print quality, or simply enhance your images for maximum impact, Maximum Performance will give you the skills and know-how you need to create professional quality results.

Featured projects teach you how to work with multilayered 16 bit/channel files, as well as convert to black and white using Adobe Camera Raw, create High Key images, work with image borders and textures, and create tilt-shift and cross-process effects.

Three movie tutorials featuring specific techniques from the book are available for free online, and a supplemental package of images and movies can be purchased with an easy one-time download from the authors website, www.elements-maxperformance.com. Find everything you need to unleash the power of Elements with Max Performance, or for a more interactive learning experience, download the supplemental images and movies for comprehensive, hands-on learning.

  • Get professional, Photoshop-quality results with affordable, Elements-priced software
  • Create amazing images using advanced, little-known techniques to achieve results you never thought possible
  • Learn and master advanced techniques using step-by-step, project-based tutorials that are intuitive and easy to follow.

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Front matter
Adobe Photoshop Elements 10: Maximum Performance
Unleash the hidden performance of Elements
Mark Galer
Dr. Abhijit Chattaraj
Copyright Focal Press is an imprint of Elsevier The Boulevard Langford Lane - photo 1
Copyright
Focal Press is an imprint of Elsevier
The Boulevard, Langford Lane, Kidlington, Oxford OX5 1GB, UK
225 Wyman Street, Waltham, MA 02451, USA
First edition 2012
Copyright 2012 Mark Galer and Abhijit Chattaraj. Published by Elsevier Ltd. All rights reserved.
The right of Mark Galer and Abhijit Chattaraj to be identified as the authors of this work have been asserted in accordance with the Copyright, Designs and Patents Act 1988
No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher's permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions
This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein).
Notices
Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary.
Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Control Number: 2011939002
ISBN: 978-0-2405-2379-8
For more information on all Focal Press publications visit our website at: www.focalpress.com
Printed and bound in Canada
12 13 14 15 10 9 8 7 6 5 4 3 2 1
Dedication for Dorothy and Cathy Picture Credits Dorothy Connop - photo 2
Dedication
for Dorothy and Cathy
Picture Credits
Dorothy Connop, www.iStockphoto.com, Shane Monopoli, Ed Purnomo, Victoria Verdon-Roe.
All other images by the authors.
Cover Design: Namrata Chattaraj, www.wagdesign.net
Preface
The creative projects in Adobe Photoshop Elements 10 Maximum Performance are designed to provide you with the essential techniques for professional quality editing without the need to upgrade to the full version of Photoshop. The projects are designed to unleash the hidden potential of the budget software through a series of workarounds, advanced techniques and loadable presets. Each creative project is supported by a QuickTime movie tutorial and high-resolution images all available from the supporting website (www.markgaler.com). This website contains all of the project images together with full and comprehensive movie support. Each project is designed to build the skills required so that any photographer can attain the status of imaging guru. The magic is deconstructed using a series of easyto-follow step-by-step projects using large clear screen grabs and jargon-free explanations. Completed multilayered project files are also available from the supporting website for those users who like to have access to the completed project for comparison and analysis.
This book will act as your guide to some of Elements' less well-known and more powerful post-production editing techniques. It will enable you to attain the same high-quality images as professionals using the full version of Photoshop. This book makes Elements a viable alternative to the full version of Photoshop for imaging professionals and enthusiasts looking to extract the maximum performance from their software.
This book is primarily concerned with the post-production stage of the creative process and demonstrates how this part of the creative process can optimize and enhance the original capture or create an entirely new image out of several images (the creation of a composite photograph or photomontage). Where appropriate the book will discuss measures that can be taken by the photographer in pre-production or production to enable the highest-quality outcome as a result of the post-production stage. To ensure the best quality image from our sophisticated and professional post-production techniques we should make certain that we access quality raw materials whenever possible quality in, quality out. The vast majority of the JPEG images from the supporting website were processed from either Camera Raw files or high- quality 16 Bits/Channel scans. Many of the images featured in this book were captured using budget digital SLR and fixed-lens digital cameras, affordable cameras used to capture information-rich images.
The techniques used in this book promote a non-destructive approach to image editing wherever possible. The term non-destructive image editing refers to the process of editing an image whilst retaining as much of the original information as possible and editing in such a way that any modifications can usually be undone or modified. Editing on the base layer of the image can often mean that modifications to the pixel information cannot be undone easily or at all, e.g. sharpening an image file cannot be undone once the file has been saved and flattened. It is, however, possible to sharpen non-destructively in post-production so that the amount of sharpening can be altered when the file is opened at a later date. This latter approach would be termed non-destructive. When capturing images with a digital camera many users do not realize that if the JPEG file format is used image processing starts in the camera. Color correction, contrast adjustment, saturation levels and sharpening all take place in the camera. If maximum quality is to be realized the Raw format should be chosen in preference to the JPEG format, if possible. The post-production decisions can then be left to the Adobe software, allowing the user many more options.
Photoshop Elements replaced Photoshop LE (limited edition as in limited function and not availability); both of these software packages share something in common they offer limited elements of the full version of Photoshop. Adobe limits the access to some of the features that would be the first port of call for some professional image editors and photographers, but this does not mean that the same level of control cannot be achieved when using the budget software. Professional post-production image editing does NOT have to be compromised by using Photoshop Elements. When editing images there is usually more than a single way to reach the destination or required outcome. With a good roadmap the Elements user can reach the same destination by taking a slightly different course. These roads are often poorly signposted, so are often inaccessible to the casual user of the software. This book will act as your guide to enable you to attain a broad range of sophisticated post-production image-editing skills through a series of creative projects designed to circumnavigate the missing features.
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