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Fyodor Dostoevsky - Crime and Punishment (Oxford World’s Classics)

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Fyodor Dostoevsky Crime and Punishment (Oxford World’s Classics)

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oxford worlds classics

CRIME AND PUNISHMENT

Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821, the second in a family of seven children. His mother died of tuberculosis in 1837, and his father, a generally disliked army physician, died in apparently suspicious circumstances on his estate two years later. In 1843 he left the College of Military Engineering in St Petersburg and devoted himself to writing. Poor Folk (1846) met with great success from the literary critics of the day. In 1849 he was imprisoned and sentenced to death on account of his involvement with a group of utopian socialists, the Petrashevsky circle. The sentence was commuted at the last moment to penal servitude and exile, but the experience, described in Memoirs from the House of the Dead (18612), radically altered his political and personal ideology. In 1857, while still in exile, he married his first wife, Maria Dmitrievna Isaeva, returning to St Petersburg in 1859. In the early 1860s he founded two new literary journals, Time and The Epoch, and proved himself to be a brilliant journalist. He travelled in Europe, which served to strengthen his anti-European sentiment. Both his wife and his much-loved brother, Mikhail, died in 1864, the same year in which Notes from the Underground was published; Crime and Punishment and The Gambler followed in 1866, and in 1867 he married his stenographer, Anna Snitkina, who managed to bring an element of stability into his frenetic life. His other major novels, The Idiot (1868), Devils (1871), and The Brothers Karamazov (1880) met with varying degrees of success. In 1880 he was hailed as a saint, prophet, and genius by the audience to whom he delivered an address at the unveiling of the Pushkin memorial. He died seven months later in 1881; at the funeral thirty thousand people accompanied his coffin and his death was mourned throughout Russia.

Nicolas Pasternak Slater is the translator of several works by Boris Pasternak, including Family Correspondence 19211960 (2010) and Doctor Zhivago (appearing 2019). He has also published translations of stories by Lermontov, Pushkin, Tolstoy and Chekhov.

Sarah J. Young is Associate Professor of Russian at the School of Slavonic and East European Studies, University College London. She has written extensively on Dostoevsky.

oxford worlds classics

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OXFORD WORLDS CLASSICS

Picture 1

FYODOR DOSTOEVSKY

Crime and Punishment

Crime and Punishment Oxford Worlds Classics - image 2

Translated by

NICOLAS PASTERNAK SLATER

With an Introduction and Notes by

SARAH J. YOUNG

Crime and Punishment Oxford Worlds Classics - image 3

Crime and Punishment Oxford Worlds Classics - image 4

Great Clarendon Street, Oxford, ox2 6dp , United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Translation Nicolas Pasternak Slater 2017

Editorial material Sarah J. Young 2017

The moral rights of the authors have been asserted

First published 2017

First published as an Oxford Worlds Classics paperback 2019

Impression:1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Cataloging in Publication Data

Data available

ISBN 9780198709718

ebook ISBN 9780191019753

Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A.

Contents

Readers who do not wish to know details of the plot may prefer to read this Introduction as an Afterword.

A hundred and fifty years after its first publication, Crime and Punishment continues to fascinate readers. It was the first of Fyodor Mikhailovich Dostoevskys long novels to feature not only profound debate on the most pressing philosophical and spiritual questions of the day, but also a murder plot and a level of intrigue and tension associated more commonly with popular fiction than high literature. It established the authors reputation as both a philosophical and a psychological novelist, generated huge levels of debate about contemporary Russian society and ideology, and exerted a degree of influence on subsequent Russian culture that is perhaps comparable only to the position of Shakespeare within British culture. From its role as an inspiration for Andrey Belys 1913 modernist masterpiece Petersburg, to its absurdist rewriting in Daniil Kharmss short story The Old Woman (1939) and its postmodern transformation in Viktor Pelevins novel Chapayev and Void (1996, also translated as The Clay Machine Gun), Raskolnikovs story has become a ubiquitous part of St Petersburg lore. Visitors to the city can follow in the anti-heros footsteps with guided tours of Crime and Punishments locations, taking in the plaque on the tenement where he lived and graffiti pointing out the moneylenders flat. Dostoevsky Day, celebrated in the city on the first Saturday in July with exhibitions, street theatre, and processions, coincides not with the authors anniversaries, but the novels opening. Crime and Punishment is a permanent fixture on lists of the worlds greatest novels, and has inspired almost forty film and television adaptations in over a dozen languages, as well as countless theatre productions. There are graphic novel and manga versions, even Raskolnikov transformed into a superhero. And although a whydunnit rather than a whodunnit, it has influenced the portrayal of numerous fictional detectives, most famously American TVs Columbo.

Why does this story of an impoverished student who commits murder in the grip of an idea, the wily detective who pursues him, the saintly prostitute who wants to save him, and the sinister libertine who encourages him to embrace his dark side, speak to so many cultures, and continue to resonate so strongly today? One of the reasons is that Raskolnikovs psychic and family drama, followed in compellingly claustrophobic detail by a narrator who remains very close to the protagonist, turns a supposedly cold-blooded killer into a sympathetic hero. He may wish to be a Napoleon, capable of overstepping all obstacles on his way to greatness (the Russian word for crime,

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