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Peter Flueckiger - Imagining Harmony: Poetry, Empathy, and Community in Mid-Tokugawa Confucianism and Nativism

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Peter Flueckiger Imagining Harmony: Poetry, Empathy, and Community in Mid-Tokugawa Confucianism and Nativism
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Many intellectuals in eighteenth-century Japan valued classical poetry in either Chinese or Japanese for its expression of unadulterated human sentiments. They also saw such poetry as a distillation of the language and aesthetic values of ancient China and Japan, which offered models of the good government and social harmony lacking in their time. By studying the poetry of the past and composing new poetry emulating its style, they believed it possible to reform their own society. Imagining Harmony focuses on the development of these ideas in the life and work of Ogyu Sorai, the most influential Confucian philosopher of the eighteenth century, and that of his key disciples and critics.This study contends that the literary thought of these figures needs to be understood not just for what it has to say about the composition of poetry but as a form of political and philosophical discourse. Unlike other scholars of this literature, Peter Flueckiger argues that the increased valorization of human emotions in eighteenth-century literary thought went hand in hand with new demands for how emotions were to be regulated and socialized, and that literary and political thought of the time were thus not at odds but inextricably linked.

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Imagining Harmony poetry empathy and community in mid-tokugawa - photo 1
Imagining Harmony
poetry, empathy, and community in mid-tokugawa confucianism and nativism

Peter Flueckiger

stanford university press stanford, california

Stanford University Press Stanford, California

2011 by the Board of Trustees of the Leland Stanford Junior University. All rights reserved.

No part of this book may be reproduced or transmitted in any form or by any means, elec tronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press.

Printed in the United States of America on acid-free, archival-quality paper

Library of Congress Cataloging-in-Publication Data

Flueckiger, Peter, 1970

Imagining harmony : poetry, empathy, and community in mid-Tokugawa Confucianism and nativism / Peter Flueckiger.

p. cm . Includes bibliographical references and index . isbn 978 - - 8047 - 6157 - (cloth : alk. paper )

. Japanese poetry th centuryHistory and criticismTheory, etc. . Literature and societyJapanHistory th century. . Nativism in literature. . Culture in literature.

. Philosophy, Confucian. I. Title. pl733 . . f58 2011 895 . ' 13209355 dc

2010013338

Typeset by Bruce Lundquist in / Adobe Garamond

In memory of my father

Content s
Acknowledgmentsix
Introduction
Nature,Culture,andSocietyinConfucianLiterary
Thought:ChineseTraditionsandTheirEarly
TokugawaReception
TheConfucianWayasCulturalTransformation:
OgySorai
PoetryandtheCultivationoftheConfucianGentleman:
TheLiteraryThoughtofOgySorai
TheFragmentationoftheSoraiSchoolandtheCrisis
ofAuthenticity:HattoriNankakuandDazaiShundai
KamonoMabuchiandtheEmergenceof
aNativistPoetics
MotooriNorinagaandtheCulturalConstruction
ofJapan
Epilogue
Character List
Notes
Bibliography
Index
Acknowledgment s

IwouldliketothankfirstofallHaruoShiraneatColumbia,whoencour agedmetopursuepremodernJapaneseliterarystudies,andguidedthis projectateverystage.IalsoreceivedinvaluableguidancefromKurozumi MakotoattheUniversityofTokyo,whosharedhisbroadknowledgeof OgySoraiandTokugawaintellectualhistorythroughhisseminarsand countlesspersonalconversations.MyunderstandingofSoraiisdeeplyin debted aswelltoHiraishiNaoakisrigorousseminarson Bend and Benmei attheUniversityofTokyo.SeminarswithNagashimaHiroaki,attheUni ve rsityofTokyo,andSuzukiJun,attheNationalInstituteforJapanese Literature,contributedtomyknowledgeofeighteenth-centurywakaand literaticulture.IhavelearnedmuchaboutDazaiShundaifrommydiscus sionswithKojimaYasunoriofInternationalChristianUniversity.

TheperspectivesonmodernJapanthatIhavegainedfromPaulAnderer, KarataniKjin,andTomiSuzukihaveinformedmyinterpretationsofhow TokugawaliteratureandthoughtrelatetovariousmodernJapanesepoliti cal ide ologiesandconceptionsofculturalidentity.Iowemuchaswellto MartinKern,PaulRouzer,andWeiShang,whoprovidedthetrainingin ClassicalChineselanguageandliteraturethatmadeitpossibleformeto pursueresearchonChineseliterarythoughtandTokugawaConfucianism.

SinceIcametoPomonaCollegein 2003 , mycolleaguesintheDepart ment ofAsianLanguagesandLiteraturesandtheAsianStudiesProgram haveprovidedasupportiveenvironmentformydevelopmentasateacher andscholar.IamparticularlyindebtedtoSamYamashitafornotonlybeing avaluablementorandcolleague,butalsosharinghisexpertiseonOgy SoraiandTokugawaintellectualhistory,andpainstakinglyreviewingmy entiremanuscript.

acknowledgments

ThecommentsfromthereadersforStanfordUniversityPresswerevery helpfultomeinrevisingmymanuscript.IwouldalsoliketothankCarolyn Brown,StacyWagner,JessicaWalsh,andtheotherstaffatStanfordwho steeredmethroughthepublicationprocess.EileenCheng,AriLevine,Kiri Paramore,andMorganPitelkaallreviewedportionsofthemanuscriptat variousstages,andIamgratefultothemfortheircandidfeedbackandsug gestionsforimprovement.

Portions ofChapters and appearedinThe Shijing inTokugawa

Anc ientLearning,in Mon umenta Serica ( ).PortionsofChap ter appearedinReflectionsontheMeaningofOurCountry:Kamono

Mabuchis Kokuik , in Monumenta Nipponica ,no. (Autumn 2008 ). Iamgratefultotheeditorsfortheirpermissiontousethismaterial.

ResearchonthisprojectinJapanfrom 2000 to 2002 wasfundedbya FulbrightIIEFellowship.Inthesummerof 2004 Iwasabletoconductfur therresearchinJapanthankstoagrantIreceivedthroughPomonaCollege fundedbytheFreemanFoundation.AJapanFoundationShort-TermRe searchFellowshipmadeitpossibleformetoreturntoJapanagaintowork onthisprojectinthesummerof 2006 .

Introductio n

Adistinctivefeatureofmucheighteenth-centuryJapanesephilosophical andpoliticaldiscourseistheprominentplaceitgavetopoetryinimagin ing theidealsociety.TheoriesaboutpoetryhadlongbeenusedinJapanto talkaboutissuesbeyondthecompositionofpoetryitself,butthistendency becameespeciallypronouncedintheeighteenthcentury.Manywritersof thistimeviewedemotionalityastheessentialtruthofhumannature,and claimedthatpoetryhadauniquecapacitytoexpressandcommunicate authenticemotions.Theyalsovaluedpoetryasavehicleforaccessingthe languagesandculturesofthepast.Theylookedtoidealizedvisionsofan cientChinaorJapanasthesourceofaWay( michi ) thatcouldbeusedto giveordertosociety,andinvestigatedthesehistoricalculturesthroughthe philologicalanalysisofancienttexts.Theysawpoetry,specificallyclassical genresineitherChineseorJapanese,asthepurestformofancientlanguage, makingthestudyandcompositionofsuchpoetryacrucialcomponentof philologicaltraining.Theyvaluedsuchlanguagenotonlyasascholarly tool,butalsoforhowitembodiedaestheticqualitiesandculturalformsthat couldputpeopleofthepresentintouchwithnormativelycorrectcultures fromthepast.Theiremphasisonpoetryasawaytobecomeimmersedin

ancientlanguagesandculturesgaverisetowhatcouldbecalledaneoclassi calapproachtocomposition,inwhichtheycomposedpoetrybyimitating canonicalmodelsfromthepast.

Thisstudyinvestigateshoweighteenth-centuryJapanesewriters,by describingpoetryasbothavehicleforemotionalexpressionandasource oflinguisticandculturalknowledge,integratedpoetryintotheirvisionsof politicalcommunity.ItwasaboveallinthephilosophyoftheConfucian scholarOgySorai( 1666 1728 ) thataninterestinhistoricalcultureswas combinedwithanemphasisonemotionalityinthisway.Sorai,thesubject ofChapters and ,arguedthatConfucianismshouldbeunderstoodasa philosophyofrulership,ratherthanameansforpersonalmoralcultivation, andhenotonlygeneratednovelandinfluentialinterpretationsoftheCon fucianclassics,butalsoformulateddetailedproposalsforpoliticalreform. HesawthestudyandcompositionofclassicalChinesepoetrybythegov erning eliteaskeytothepracticeoftheConfucianWay,andhisviewswere inheritedandmodifiedbyhisdisciples,whomIdiscussinChapter ,such asDazaiShundai( 1680 1747 ), whofurtherdevelopedhisideasonConfu ciangovernment,andHattoriNankaku( 1683 1759 ), whowasmostfamous asapoet.TheSoraischoolsawChinaasthesourceofcultureandciviliza tion,andtheywerecriticizedintheeighteenthcenturybyscholars,often referredtoinEnglish-languagescholarshipasnativists,whoarguedforthe superiorityofancientJapanesecultureandsawChinaashavingcorrupted Japansoriginalvirtues. Thetwomostprominenteighteenth-centurynativ istswereKamonoMabuchi( 1697 1769 ),whomIwriteaboutinChapter , andMotooriNorinaga( 1730 1801 ), thesubjectofChapter ,bothofwhom sharedwithSoraiabeliefintheimportanceofpoetryinachievingaharmo nioussociety,butarguedthatonlyJapanesepoetrycouldplaysucharole.

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