ABOUT THE AUTHOR
Photo by John Marelli
Mike Mayo wrote the original VideoHounds Horror Show, along with Video Premieres and War Films. He also edited three volumes of the DVD Guide, and was the host of the nationally syndicated Movie Show on Radio, also called Max and Mike on the Movies. He has reviewed films for The Washington Post and The Roanoke Times. He is the author of American Murder: Criminals, Crime and the Media and the novel Jimmy the Stick. He lives in Chapel Hill, North Carolina.
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ePub ISBN: 978-1-57859-400-9
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ePub ISBN: 978-1-57859-409-2
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Real Nightmares: Fiends That Want Your Blood (Book 5)
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Managing Editor: Kevin S. Hile
Art Director: Mary Claire Krzewinski
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Front cover images: Jack Nicholson in The Shining (Warner Bros./Kobal Collection), Mia Farrow in Rosemarys Baby (Paramount/The Kobal Collection), The Woman in Black (Hammer Film Productions/The Kobal Collection), Godzilla (Toho/The Kobal Collection), The Exorcist (Warner Bros./The Kobal Collection), Dawn of the Mummy (Harmony Gold/The Kobal Collection). Back cover image: Derek Graf in Zombieland (Pariah Films/The Kobal Collection). Other images: Shutterstock.
Library of Congress Cataloging-in-Publication Data
Mayo, Mike, 1948
The horror show guide : the ultimate frightfest of movies / by Mike Mayo.
pages cm
Includes bibliographical references and index.
ISBN 978-1-57859-420-7 (pbk.: alk. paper)
1. Horror filmsCatalogs. I. Title.
PN1995.9.H6M32465 2013
016.791436164dc23
2012047065
Printed in the United States of America
10 9 8 7 6 5 4 3 2 1
CONTENTS
PHOTO CREDITS
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The Kobal Collection: .
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Poco a poco: .
Shutterstock: .
All other photos are in the public domain.
INTRODUCTION
They say that time flies but it also sneaks up on you.
When I wrote the first VideoHounds Horror Show in 1997, the film business in general and horror in particular were nothing like they are today. The changes, I discovered, were both obvious and subtle, aimed at a new generation of fans who have more experience, if not more sophisticated tastes. An update was needed. This book looks at the most important horror films that have been made in the last fifteen years and combines those reviews with the core pieces from the first book. The result is a mosaic of the horror film from 1910, when the