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Gilbert Murray - A History of Ancient Greek Literature (19061897)

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Gilbert Murray A History of Ancient Greek Literature (19061897)
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A HISTORY OF ANCIENT GREEK LITERATURE

BY GILBERT MURRAY, M.A. PROFESSOR OF GREEK IN THE UNIVERSITY OF GLASGOW SOME TIME FELLOW OF NEW COLLEGE, OXFORD

NEW YORK D. APPLETON AND COMPANY 1897

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COPYRIGHT, 1897, By D. APPLETON AND COMPANY.

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EDITOR'S GENERAL INTRODUCTION

THE vast progress made in all departments of literary scholarship, and the minuteness with which knowledge is now subdivided, threaten to leave the general reader bewildered at the diversity and bulk of what is presented to him. The exact historian of literature concentrates his attention on so narrow a field that he cannot be expected to appeal to a wide class; those who study what he writes are, or must in some measure grow to be, his fellow-specialists. But the more precisely each little area is surveyed in detail, the more necessary does it become for us to return at frequent intervals to an inspection of the general scheme of which each topographical study is but a fragment magnified. It has seemed that of late the minute treatment of a multitude of intellectual phenomena has a little tended to obscure the general movement of literature in each race or country. In a crowd of handbooks, each of high authority in itself, the general trend of influence or thread of evolution may be lost.

The absence of any collection of summaries of the literature of the world has led the Publisher and the Editor of the present series to believe that a succession of attractive volumes, dealing each with the history of

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literature in a single country, would be not less welcome than novel. The Editor has had the good fortune to interest in this project a number of scholars whose names guarantee a rare combination of exact knowledge with the power of graceful composition. He has the pleasure of being able to announce that this interest has taken a practical shape, and that already there is being prepared for the press a considerable series of volumes. most of them composed by men pre-eminently recognised for their competence in each special branch of the subject. If there are one or two names less generally familiar to the public than the rest, the Editor confidently predicts that the perusal of their volumes will more than justify his invitation to them to contribute. Great care will be taken to preserve uniformity of form and disposition, so as to make the volumes convenient for purposes of comparison, and so as to enable the literatures themselves to be studied in proper correlation.

In preparing these books, the first aim will be to make them exactly consistent with all the latest discoveries of fact: and the second, to ensure that they are agreeable to read. It is hoped that they will be accurate enough to be used in the class-room, and yet pleasant enough and picturesque enough to be studied by those who seek nothing from their books but enjoyment. An effort will be made to recall the history of literature from the company of sciences which have somewhat unduly borne her down -- from philology, in particular, and from political history. These have their interesting and valuable influence upon literature, but she is independent of them, and is strong enough to be self-reliant.

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Hence, important as are the linguistic origins of each literature, and delightful as it may be to linger over the birth of language, little notice will here be taken of what are purely philological curiosities. We shall tread the ground rapidly until we reach the point where the infant language begins to be employed in saying something characteristic and eloquent. On the other hand, a great point will be made, it is hoped, by dwelling on the actions, the counter - influences, of literatures on one another in the course of their evolution, and by noting what appear to be the causes which have led to a revival here and to a decline there. In short, we shall neglect no indication of change or development in an adult literature, and our endeavour will be to make each volume a well - proportioned biography of the intellectual life of a race, treated as a single entity. Literature will be interpreted as the most perfect utterance of the ripest thought by the finest minds, and to the classics of each country rather than to its oddities and rather than to its obsolete features will particular attention be directed.

With these words, I venture to introduce the volume in which Professor Gilbert Murray prepares us for the consideration of all modern literature by describing the evolution of prose and verse in the history of Ancient Greece.

EDMUND GOSSE.

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A HISTORY OF ANCIENT GREEK LITERATURE

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PREFACE

To read and re-read the scanty remains now left to us of the Literature of Ancient Greece, is a pleasant and not a laborious task; nor is that task greatly increased by the inclusion of the 'Scholia' or ancient commentaries. But modern scholarship has been prolific in the making of books; and as regards this department of my subject, I must frankly accept the verdict passed by a German critic upon a historian of vastly wider erudition than mine, and confess that I 'stand helpless before the mass of my material.' To be more precise, I believe that in the domain of Epic, Lyric, and Tragic Poetry, I am fairly familiar with the researches of recent years; and I have endeavoured to read the more celebrated books on Prose and Comic Poetry. Periodical literature is notoriously hard to control; but I hope that comparatively few articles of importance in the last twenty volumes of the Herines, the Rheinisches Museunt, the Philologus, and the English Classical Journals, have escaped my consideration. More than this I have but rarely attempted.

If under these circumstances I have nevertheless sat down to write a History of Greek Literature, and have even ventured to address myself to scholars as well as to the general public, my reason is that, after

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all, such knowledge of Greek literature as I possess has been of enormous value and interest to me; that for the last ten years at least, hardly a day has passed on which Greek poetry has not occupied a large part of my thoughts, hardly one deep or valuable emotion has come into my life which has not been either caused, or interpreted, or bettered by Greek poetry. This is doubtless part of the ordinary narrowing of the specialist, the one-sided sensitiveness in which he finds at once his sacrifice and his reward; but it is usually, perhaps, the thing that justifies a man in writing.

I have felt it difficult in a brief and comparatively popular treatise to maintain a fair proportion between the scientific and sthetic sides of my subject. Our ultimate literary judgments upon an ancient writer generally depend, and must depend, upon a large mass of philological and antiquarian argument. In treating Homer, for instance, it is impossible to avoid the Homeric Question; and doubtless many will judge, in that particular case, that the Question has almost ousted the Poet from this book. As a rule, however, I have tried to conceal all the laboratory work, except for purposes of illustration, and to base my exposition or criticism on the results of it. This explains why I have so rarely referred to other scholars, especially those whose works are best known in this country. I doubt, for instance, if the names of Jebb, Leaf, and Monro occur at all in the following pages. The same is true of such writers as Usener, Gomperz, Susemihl, and Blass, to whom I owe much;

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