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Antonio Scurati - M: Son of the Century: A Novel

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Antonio Scurati M: Son of the Century: A Novel

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The massive international bestselleran epic historical novel that chronicles the birth and rise of fascism in Italy, witnessed through the eyes of its founder, the terrifyingly charismatic figure who would become one of the most notorious dictators of the twentieth century, Benito Mussolini.It is 1919, and the Great War that has ravaged Europe is over. In Italy, the people are exhausted. Tired of the political class. Tired of vague promises, inept moderates, and the agonizing machinations of a democracy that has failed ordinary citizens.While elite leaders have sat idly by, achieving nothing, one outsiderthe director of a small opposition newspaper and a tireless political agitatoris electrifying the masses, promising hope for a demoralized nation hungry for change.A former socialist leader ousted by his own party, he is a drifter who knows what it is to feel lost. His voice speaks for the misfits and the outcasts; he is a protector of those who are forgotten. He is Benito Mussolini. And soon Italyand the worldwill be forever remade. In M: Son of the Century, Antonio Scurati tells the story of fascism from within the mind of its founder, the man known to his followers as Il Duce. Steeped in historical detail and interspersed with period documents and sources, this masterful saga explores the seductive power of nationalism and idolatry, revealing how authoritarianism took hold and a nation bent to the will of one ruthless strongman. Provocative and resonant, M is a chilling reminder that the past is never gone, and that it holds urgent lessons for us today.

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M Son of the Century A Novel - image 1
M
SON OF THE CENTURY
Antonio Scurati

Translated by Anne Milano Appel

M Son of the Century A Novel - image 2

4th Estate

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.4thEstate.co.uk

HarperCollinsPublishers

1st Floor, Watermarque Building, Ringsend Road

Dublin 4, Ireland

This eBook first published in Great Britain by 4th Estate in 2021

First published in Italy as M Il figlio del secolo in 2018 by Bompiani

Copyright Antonio Scurati 2018

English translation Anne Milano Appel 2021

Cover photograph Hulton Archive/Stringer/Getty

Antonio Scurati asserts the moral right to be identified as the author, and Anne Milano Appel as the translator, of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

Source ISBN: 9780008363192

Ebook Edition April 2021 ISBN: 9780008363215

Version: 2021-03-10

I am a force of the Past

Pier Paolo Pasolini

CONTENTS
MILAN, PIAZZA SAN SEPOLCRO, MARCH 23, 1919
THE FORMATION OF THE FASCI DI COMBATTIMENTO

W E STAND FACING out over Piazza San Sepolcro. Scarcely a hundred people, all men of little worth. We are few and we are dead.

They are waiting for me to speak, but I have nothing to say.

The set is empty, submerged under eleven million corpses, a tide of cadaversreduced to sludge, liquefiedrising from the trenches of the Carso, Ortigara, the Isonzo. Our heroes have already been killed or will be. We love every last one of them, without distinction. We sit on the sacred mound of the dead.

The reality that follows every deluge has opened my eyes: Europe is now a stage without actors. All gone: the bearded sages, the monumental, histrionic fathers, the whining, magnanimous liberals, the grandiloquent, cultured, florid orators, the moderates to whose common sense we have owed our ruin from time immemorial, the bankrupt politicians who live in terror of imminent ruin, each day pleading to put off the inevitable event. For all of them the bell has tolled. The men of old will be overrun by this huge mass, five million soldiers bearing down on the territorial borders, five million returning veterans. We must get in step, lockstep. The forecast is not about to change, bad times still lie ahead. War is still on the agenda. The world is moving towards two big alignments: those who were and those who will be.

I see it, I see it all clearly in this audience of fanatics and derelicts, and yet I have nothing to say. We are a populace of ex-soldiers, a humanity of survivors, of dregs. On nights of carnage, hunkering in foxholes, we are seized by a sensation similar to the ecstasy experienced by epileptics. We speak in volleys, briefly, tersely, forcefully. We fire out ideas we do not have, then immediately sink back into silence. We are like ghosts of the unburied dead who have yielded the floor to those behind the lines.

Yet these, and these alone are my people. I am well aware of it. I am the misfit par excellence, the protector of the demobilized, the lost drifter searching for the way. But there is business here that must be run. Nostrils flared, in this nearly empty room, I pick up the centurys scent and reach out to feel the crowds pulse, and I am certain that my public is there.

The first rally of the Fasci di Combattimento, trumpeted for weeks by Il Popolo dItalia as a momentous event, had been scheduled to take place at the Teatro dal Verme, with its 2,000-seat capacity. But the vast venue was canceled. Given the choice between an immense desert and a lesser disgrace, we chose the latter. We resorted to this meeting room at the Association of Traders and Merchants. This is where I must now speak. Inside four walls covered in a drab greenish-brown, overlooking the bleakness of a desolate parish square, with gilding that unsuccessfully tries to brighten the dreariness of the Biedermeier armchairs, amidst a few scruffy hairy heads, bald pates, and stumps, emaciated veterans breathing the mild asthma of ordinary trades, age-old circumspections and scrupulous budgetary avarice. At the back of the room, from time to time, a member of the association looks in, curious. A soap dealer, a copper importer, that sort of thing. He glances in, puzzled, then goes back to smoking his cigar and drinking a Campari.

Why should I speak?!

The presidency of the assembly has been assumed by Ferruccio Vecchi, a fervent interventionist, captain of the Arditi, placed on leave for health reasons. Dark-haired, tall, pale, skinny, with sunken eyes: the stigmata of pathological degeneration. An excitable, impulsive tubercular, who preaches violently, without substance or moderation, and at key moments during public demonstrations gets carried away like a man possessed, seized by a demagogic delirium and then then he becomes truly dangerous. The role of secretary of the movement will almost certainly be given to Attilio Longoni, an ignorant former railwayman, as eager and foolish as only an honest man can be. To him, or to Umberto Pasella, born in prison with a jailer as a father, later a business agent, a revolutionary trade unionist, a Garibaldian in Greece, and a juggler with itinerant circuses. The other principals will be chosen at random among those who made the most noise in the front ranks.

Why should I speak to these people?! Because of them events have exceeded anything imaginable. These are men who take life by storm like commandos. I have before me only the trenches, the spume of days, the sphere of combatants, the arena of madmen, the furrows of fields plowed by cannon rounds, rioters, misfits, felons, erratic eccentrics, idlers, petit bourgeois bon vivants, schizophrenics, the neglected, the defeated, the irregulars, fly-by-nighters, ex-convicts, convicted offenders, anarchists, incendiary union leaders, desperate hacks, a bohemian platform of veterans, officers and non-coms, men skilled in the handling of firearms or blades, those who have proved themselves violent on re-entry to normal life, fanatics unable to clearly define their ideas, survivors who, thinking they are heroes committed to death, mistake mistreated syphilis as a sign of destiny.

I know, I see them here before me, I know them by heart: they are the men of war. Of war or of its myth. I desire them, the way a man desires a woman and, at the same time, I look down on them. I scorn them, true, but it doesnt matter: one era is over and another has begun. Debris accumulates, the wrecks call to one another. I am the man for afterwards. And I am determined to be that. It is with this shabby materialwith this human wreckagethat history is made.

In any case, this is what I have before me. And behind me, nothing. Behind me I have October 24, 1917. Caporetto. The death throes of our era, the greatest military defeat of all time. An army of a million soldiers destroyed in a weekend. Behind me I have November 24, 1914. The day of my expulsion from the Socialist Party, the hall of the Societ Umanitaria where the workers who idolized me up until the day before cursed my name and fell all over one another for the honor of attacking me. Now I receive their death wishes every day. They wish it upon me, upon DAnnunzio, upon Marinetti, upon De Ambris, even Corridoni, who perished four years ago in the third battle of the Isonzo. They wish death upon those already dead. At this point they despise us for having betrayed them.

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