Martin Gayford - Constable In Love: Love, Landscape, Money and the Making of a Great Painter

All works are by John Constable unless otherwise stated.

Ramsay Richard Reinagle: John Constable (1799), oil on canvas National Portrait Gallery, London

Maria Bicknell (c. 1809), pencil on paper Tate

Barges on the Stour: Gleams of Light on the Meadows or Scene on the River Stour, Suffolk, engraved by David Lucas after Constable, mezzotint, published 1832

Claude Lorraine: Landscape with Hagar and the Angel (1646), oil on canvas mounted on wood National Gallery, London

An Overshot Water-wheel, from Intact Sketch-book used in Suffolk and Essex from July till October 1814, pencil on paper Victoria and Albert Museum, London

Frontispiece: Paternal Home and Grounds of the Artist, engraved by David Lucas after Constable, mezzotint, published 1832

Golding Constable (1815?), oil on canvas Tate

East Bergholt Common with the Windmill, from Intact Sketch-book used in Suffolk and Essex from July till October 1814, pencil on paper Victoria and Albert Museum, London

Robert Horwood, Map of London, Westminster and Southwark (1799), detail of sheet C3

Samuel Freeman and Matthew Dubourg, after Denis Brownell Murphy: Charles Bicknell, stipple engraving, published 1814 National Portrait Gallery, London

Augustus Pugin and Thomas Rowlandson: The Admiralty: Board Room, hand-coloured aquatint, from The Microcosm of London, published by Rudolph Ackermann 1808 10

David Wilkie: Benjamin Robert Haydon (1815), black and white chalk National Portrait Gallery, London

John Hoppner: Sir George Beaumont (1803), oil on canvas National Gallery, London

Sir Thomas Lawrence: Joseph Farington RA (1796), oil on canvas Bridgeman Art Library

Stoke-by-Nayland Church and Village, from Intact Sketch-book used in Suffolk and Essex from July till October 1814, pencil on paper Victoria and Albert Museum, London

East Bergholt Church (1811), watercolour National Museums of Liverpool

Ann Constable (c. 180005), oil on canvas Tate

Augustus Pugin and Thomas Rowlandson: The Royal Academy: Life Room, hand-coloured aquatint, from The Microcosm of London, published by Rudolph Ackermann 1808 10

Study of Female Nude Lying on her Back (1811), black and white chalk whereabouts unknown

Summer Evening A Homestead, Cattle Reposing, engraved by David Lucas after Constable, mezzotint, published 1831

A Seated Woman from behind, Holding a Child, from Intact Sketch-book used in Suffolk and Essex from July till October 1814, pencil Victoria and Albert Museum, London

Mary Constable (1812), pencil The Samuel Courtauld Trust, The Courtauld Gallery, London

Augustus Pugin and Thomas Rowlandson: The Royal Academy: The Great Room, hand-coloured aquatint, from The Microcosm of London, published by Rudolph Ackermann 180810

J. M. W. Turner: Snow Storm: Hannibal and his Army Crossing the Alps, engraved by J. Cousen, published 185961 Tate

David Pike Watts (1812), oil on canvas Private Collection

Brantham Mill, from Intact Sketch-book used in Suffolk and Essex from July till October 1814, pencil Victoria and Albert Museum, London

Spring: East Bergholt Common, Hail Squalls Noon, engraved by David Lucas after Constable, mezzotint, published 1830

Head of a Lock on the Stour. Rolling Clouds (based on Landscape: Boys Fishing, 1813), engraved by David Lucas after Constable, mezzotint, published 1831

J. M. W. Turner, A Frosty Morning. Sunrise, engraved by R. Brandard, published 185961 Tate

Augustus Pugin and Thomas Rowlandson: The British Institution, hand-coloured aquatint, from The Microcosm of London, published by Rudolph Ackermann 1808 10

Charles Robert Leslie: Joseph Mallord William Turner (1816), pencil National Portrait Gallery, London

Willie Lotts Cottage Seen over the Stour by Moonlight, from Intact Sketch-book used in Suffolk and Essex in 1813, pencil Victoria and Albert Museum, London

Study of Cows, from Intact Sketch-book used in Suffolk and Essex in 1813, pencil Victoria and Albert Museum, London

Dedham Vale from Langham, from Intact Sketch-book used in Suffolk and Essex in 1813, pencil Victoria and Albert Museum, London

Augustus Pugin and Thomas Rowlandson: Covent Garden Theatre, hand-coloured aquatint, from The Microcosm of London, published by Rudolph Ackermann 1808 110

A Summerland, Rainy Day Ploughmen. Noon, engraved by David Lucas after Constable, mezzotint, published 1831

The Village Feast, East Bergholt, from Intact Sketchbook used in Suffolk and Essex from July till October 1814, pencil on paper Victoria and Albert Museum, London

Warwick House, coloured engraving, 1811

The Temple of Concord, Green Park, hand-coloured aquatint, 1814

Rhubarb Leaves, from Intact Sketch-book used in Suffolk and Essex from July till October 1814,