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Adrian Tinniswood - Noble Ambitions: The Fall and Rise of the Post-War Country House

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Adrian Tinniswood Noble Ambitions: The Fall and Rise of the Post-War Country House

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*A Daily Telegraph Book of the Year 2021*
*Longlisted for the William MB Berger Prize for British Art History*
Preposterously entertaining Observer
Brilliant Daily Telegraph
Rollicking Sunday Times
From the bestselling author of The Long Weekend: a wild, sad and sometimes hilarious tour of the English country house after the Second World War, when Swinging London collided with aristocratic values.
As the sun set slowly on the British Empire in the years after the Second World War, the nations stately homes were in crisis. Tottering under the weight of rising taxes and a growing sense that they had no place in twentieth-century Britain, hundreds of ancestral piles were dismantled and demolished. Perhaps even more surprising was the fact that so many of these great houses survived, as dukes and duchesses clung desperately to their ancestral seats and tenants balls gave way to rock concerts, safari parks and day trippers.
From the Rolling Stones rocking Longleat to Christine Keeler rocking Cliveden, Noble Ambitions takes us on a lively tour of these crumbling halls of power, as a rakish, raffish, aristocratic Swinging London collided with traditional rural values. Capturing the spirit of the age, Adrian Tinniswood proves that the country house is not only an iconic symbol, but a lens through which to understand the shifting fortunes of Britain in an era of monumental social change.
Lavishly illustrated in full colour, with over 50 photographs.

Adrian Tinniswood: author's other books


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Footnotes
Chapter Three: I Dont Want to be the: One to Let it Go

The Devonshires had quite a collection of mansions. As well as Chatsworth, Hardwick Hall and Compton Place, they owned Bolton Abbey in North Yorkshire, Lismore Castle in Co. Waterford and a smattering of smaller country houses strewn around their estates. The 9th Duke had sold Devonshire House, Piccadilly, their London residence, in 1920, and their Chiswick House estate, including the famous Palladian masterpiece built for the Earl of Burlington, in 1929. They were men (and women) of property.

Chapter Four: Keeping Up Appearances

The supply of peacocks must have run out by 1941, when Lady Onslow was fined 5 by Guildford magistrates for obtaining twice the households ration of meat from her local butcher.

Chapter Five: Reducing Mansions

The Lansdownes up to and including the 7th marquess used the English spelling of the title. The 8th adopted the Scottish Marquis.

It was re-installed in the new Lloyds Building designed by Richard Rogers and completed in 1986.

Chapter Six: Fit for a Queen

As he became on 22 February 1957, when it was gazetted that he was to be known as His Royal Highness The Prince Philip, Duke of Edinburgh.

Chapter Eight: Modern Movements

After his death he was found to be carrying a loaded revolver. Security was not tight at the Edwardian Old Bailey.

Chapter Nine: The American Dream

Robinson later remembered this being in 1927 or 1928; in fact, the article in question appeared in 1932.

Although America was easily the most popular source of brides for the British aristocracy, the Empire yielded up its share: Canada, Australia, New Zealand, Kenya, Rhodesia, India and Hong Kong were all represented. So were France, Argentina, Sweden, Denmark, Norway, Belgium, Chile, Serbia, Hungary, Latvia, Poland and Austria. The mid century nobility were a cosmopolitan lot.

Chapter Ten: A Rich Interior Life

Known today as Sudbury Yellow. You can buy it from Farrow & Ball.

When Hicks grand engagement was announced, his friend Antony Armstrong-Jones said, Oh, I dont call that grand. A few months later the world found out what he meant.

Chapter Thirteen: How to Run a Stately Home

The 2nd Lord Montagus enthusiasm for motoring extended into his personal life. His secretary and mistress was Eleanor Thornton, the model for the Spirit of Ecstasy, the famous Rolls-Royce bonnet mascot.

Chapter Fourteen: U Meets Non-U

Randolph, whose appetite for strong drink was even greater than his fathers, once dressed up as Father Christmas for a childrens party at Chartwell, before haranguing the bewildered children on the iniquities of Anthony Edens government (Rose, Whos In, Whos Out, 107).

Nico married Georgie Fame in 1972 and the couple had a second son together.

Chapter Fifteen: Almost a Fairy Story

While they waited, Tony decided to stay out of the public gaze and went to stay with his sister Susan, Viscountess de Vesci, at her husbands country house in Co. Laois. While there he photographed Brendan Behan, who took brother and sister to a Dublin bar after the shoot. Seeing a priest of his acquaintance, Behan turned to Susan and said, Do you know what that feckin priest said to me the other feckin day? He said, I want to feck my feckin sister-in-law. So I said to him, Well, its a lot better than feckin your feckin brother-in-law. Susan, who hardly ever drank, asked for a large gin and tonic (De Courcy, Snowdon, ch. 5).

Chapter Seventeen: Bad Behaviour

Valerie Profumo was only too aware of her husbands roving eye, complaining that he flirted in front of her and was always on the lookout for his next conquest, even when they were dancing together. She also complained about his tight trousers: Surely there must be some way of concealing your penis. (Davenport-Hines, An English Affair, 61.)

Chapter Eighteen: Lions Rampant

It was later claimed that the raid took place because Lady Osborne had forgotten to pay off the local police.

Grandeur must be abandoned to be appreciated

B LAISE P ASCAL

One of a series of advertisements run by Schweppes in the late 1950s offering - photo 1One of a series of advertisements run by Schweppes in the late 1950s, offering an ironic take on the stately home business.A LSO BY A DRIAN T INNISWOOD Historic Houses of the National Trust Country - photo 2
A LSO BY A DRIAN T INNISWOOD

Historic Houses of the National Trust

Country Houses from the Air

Life in the English Country Cottage

Visions of Power: Ambition and Architecture

The Polite Tourist: Four Centuries of Country House Visiting

The Arts & Crafts House

The Art Deco House

His Invention So Fertile: A Life of Christopher Wren

By Permission of Heaven: The Story of the Great Fire of London

The Verneys: A True Story of Love, War and Madness in Seventeenth-Century England

Pirates of Barbary: Corsairs, Conquests and Captivity in the

Seventeenth-Century Mediterranean

The Rainborowes: Pirates, Puritans and a Familys Quest for the Promised Land

The Long Weekend: Life in the English Country House Between the Wars

Behind the Throne: A Domestic History of the Royal Household

The Royal Society and the Invention of Modern Science

The House Party: A Short History of Leisure, Pleasure and the Country House

VINTAGE

UK | USA | Canada | Ireland | Australia
New Zealand | India | South Africa

Vintage is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com.

First published by Jonathan Cape in 2021 Copyright Adrian Tinniswood 2021 The - photo 3

First published by Jonathan Cape in 2021

Copyright Adrian Tinniswood 2021

The moral right of the author has been asserted

Front cover: Deborah, Duchess of Devonshire and her two children, 1952 Norman Parkinson/Iconic Images

The author and publishers have made every effort to trace and contact copyright holders.
The publishers will be pleased to correct any mistakes or omissions in future editions.

Designed by Peter Ward

ISBN: 978-1-473-56916-4

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the authors and publishers rights and those responsible may be liable in law accordingly.

For Felicity Bryan

19452020

Introduction

In my beginning is my end. In succession

Houses rise and fall, crumble, are extended,

Are removed, destroyed, restored

T. S. Eliot, East Coker (1940)

B Y THE OUTBREAK OF THE S ECOND W ORLD W AR so many of the nations country houses, whether ornate baroque palaces or picturesque Tudor manor houses, vast neoclassical mansions or battlemented Victorian follies, had been tottering for years under the weight of rising taxes, a dwindling supply of domestic help, and an uncomfortable sense that as a class their owners were surplus to requirements, as anachronistic in twentieth-century Britain as the rusting suits of armour that decorated their dusty halls. In 1939 the golden age of the country house, with its lavish entertaining and its armies of servants, seemed a distant memory and in truth, a memory that had been burnished by the passage of time until it shone more brightly than it ever had in real life. But on one thing, truth and memory were in agreement: the years since the end of the First World War had been a disaster for the country house. Estates had been broken up. Mansions had been emptied of their contents and demolished. Families who had been at the heart of rural communities for generations had been forced to sell up and move away. The country house was in crisis.

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