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Victoria Cosner - Missouris Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine

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Discover the twisted 19th century tale of a respected St. Louis doctor who was also a body snatcher and suspected murderer in this true crime biography.
Though he was never caught in the act, it was widely known among St. Louis locals that Dr. Joseph Nash McDowell routinely stole corpses for strange and illegal experiments. McDowell was so loathed for this practice that he wore body armor in public. Meanwhile, he was so idolized by his anatomy students that they often dug up the bodies for him.
The ghoulish Dr. McDowellwho later served as a Confederate Army surgeonleft a host of fiendish rumors and mysteries behind. Did he ever resort to murder for the sake of a fresh specimen? Did his mothers ghost actually help him escape an angry mob? Did he really hang the corpse of his daughter in the Mark Twain Cave of Hannibal, Missouri? What very real horrors remained in his medical college after Union soldiers took it over? In this grimly fascinating biography, Victoria Cosner dissects a life surrounded by speculation and a legend littered with ghosts.

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Published by The History Press Charleston SC 29403 wwwhistorypressnet - photo 1
Published by The History Press Charleston SC 29403 wwwhistorypressnet - photo 2
Published by The History Press Charleston SC 29403 wwwhistorypressnet - photo 3
Published by The History Press
Charleston, SC 29403
www.historypress.net
Copyright 2015 by Victoria Cosner and Lorelei Shannon
All rights reserved
Images are courtesy of the authors unless otherwise noted.
First published 2015
e-book edition 2015
ISBN: 978.1.62585.612.8
Library of Congress Control Number: 2015946490
print edition ISBN 978.1.46711.888.0
Notice: The information in this book is true and complete to the best of our knowledge. It is offered without guarantee on the part of the authors or The History Press. The authors and The History Press disclaim all liability in connection with the use of this book.
All rights reserved. No part of this book may be reproduced or transmitted in any form whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews.
To my late brother, Bob (Victoria)
To my kids, Fenris and Roxy (Lorelei)
CONTENTS
ACKNOWLEDGEMENTS
Special thanks to Brick Autry and Walt Bush from Battle of Pilot Knob State Historic Site; Henry Sweets of the Mark Twain Boyhood Home Museum complex; Linda Coleberd, CEO and general manager of the Mark Twain Cave; John Maurath at the Civil War Museum at Jefferson Barracks; Dominic Winslow at the First Missouri State Capitol State Historic Site; Dr. David Dean at Grand Canyon University; Troy Taylor of www.prairieghosts.com; Lauren Clontz at the McDowell House Museum; and, as always, our families and fellow VAAMPS for putting up with us all these years.
INTRODUCTION
The two young boys crept through the chill and dark of the cave. They had only one torch between them; the other had gone out when one of the boys dropped it in a puddle on the dank cave floor. The remaining torch guttered, throwing crazy shadows on the cave walls. Water dripped from the ceiling, threatening to douse the feeble light.
It was so quiet. When theyd first come in, they had been laughing and joking, shoving each other, boasting of their bravery. But as the cave got colder and darker, the oppressive atmosphere and the stale air suffocated their good spirits. Now they were alone with the dripping of the water and the occasional rustle of hidden insects scuttling in the darkest shadows.
Shes not in here, said one of the boys, the one whose torch had gone out. Its just a stupid story. Lets go.
Are you scaaaaared? jeered the other. His voice sounded way too loud in the still darkness. As he spoke, he realized that he was, in fact, very scared. His palms were sweaty in the chill cave air. His heart pounded.
Course not! came the shaky-voiced reply. Its just that
The words died in his throat.
What? asked the boy with the torch. There was no reply. His friend slowly raised his hand and pointed into a darkened alcove.
The cylinder was huge, suspended by a heavy chain from the ceiling, a good four feet from the floor. Firelight glinted red on polished copper, reflecting off the heavy rivets that held the thing together. It was perfectly still, but the flickering torch made it seem to sway ever so slightly.
Illustration of Amanda suspended in her cylinder by Cynthia Louise Who - photo 4
Illustration of Amanda suspended in her cylinder, by Cynthia Louise Who Shulman.
As one, the boys took a step forward, torch raised. The cylinder wasnt entirely copper, it seemed. A curved glass window began about halfway up its length. The container appeared to be filled with a murky fluidand something else. A pale shape hovered in the liquid dark.
The boys looked at each other; neither one wanted to get any closer. But more than that, neither one wanted to look like a chicken. They crept forward, holding the torch as high as it would go.
They knew what was supposed to be in there. After all, they had come to see if it was true. But nothing prepared them for what they saw. Suspended in the liquid was the pale face of a young girl, maybe a year or two older than they were. Her eyes were half open. Once bright blue, they were now dead and dull. Her hair drifted around her like a black spider web. Her lips were parted, as if she were about to speak, perhaps to whisper secrets from beyond the veil of death. One hand had drifted up in front of her chest, where it hung like a pale spider.
Slowly, the boys stepped back. The kept their eyes on the girl in the cylinder. They didnt dare look away. One of the boys tripped on the rough cave floor and fell onto his backside with a mostly stifled scream. The other boy grabbed him by the arm and pulled him away from the alcove. Hurrying more than was probably prudent, they went back the way they had come, silent and sweating until they finally saw daylight.
It would be weeks before either of them would speak of what they saw. By then, it had taken on the surreal quality of a nightmare. But it was real.
Or was it?
Missouris Mad Doctor McDowell Confederates Cadavers and Macabre Medicine - image 5
When you visit the Mark Twain Cave, you wont be shown the exact spot where a half-mad father suspended his daughter Amanda McDowells corpse in the hopes of preserving her beauty. Its in a part of the cave that is inaccessible to the public. But the guides all know the stories by heart. Theyll speak of the unrest and horror in Hannibal when the townsfolk realized that the girl hadnt been given a Christian burial. Theyll tell you about the local ruffians who boasted of pulling Amandas corpse out of its suspended tomb to stare into her dead eyes.
Some even claim to have seen Amandas ghost.
Amandas story was well known at the time it happened and has stayed part of the mythology of Hannibal and St. Louis for over 170 years.
Samuel Langhorne Clemens, aka Mark Twain, certainly knew about it. And based on original research that has never before been published, we will reveal the strong connection between Samuel Clemenss family and that of Dr. Joseph Nash McDowell, the father of Amanda McDowell, legendary maiden of the cave.
A copy of an original daguerreotype of Dr Joseph Nash McDowell by John H - photo 6
A copy of an original daguerreotype of Dr. Joseph Nash McDowell by John H. Fitzgibbon. Courtesy of the Missouri History Museum, circa 184555.
Chapter 1
MEET THE DOCTOR
In my time the person who owned it [the cave] turned it into a mausoleum for his daughter, age fourteen. The body of this poor child was put in a copper cylinder filled with alcohol, and this suspended in one of the dismal avenues of the cave.
Autobiography of Mark Twain
Visiting the quaint, historic town of Hannibal is a must for any fan of Mark Twains works, especially for fans of Tom Sawyer and Huckleberry Finn. Building after building reminds you of Samuel Clemenss childhood memories. Story after story draws you into 1840s Hannibal. Walking through the streets and landmarks of Clemenss youth, you cant help but feel transported back through time. From painting the picket fence to rafting down the river, you can trace the footsteps of the beloved characters Tom and Huck. But you may not want to follow them everywhere.
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