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William Bell - Fanatics

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A sequel to the very popular Stones, Fanatics is a thrilling story in which the past and present collide in terrifying, riveting ways. Garnet Havelock has just finished his apprenticeship in furniture-making, and has found a workshop for his new business in an old coach house on the isolated estate of recently deceased Professor Eduardo Corbizzi. Garnet signs a contract with the late professors long-time companion, the eccentric and inscrutable Mrs. Valentina Stoppini, who presides over the mansion and is its only occupant. The terms of the deal are excellent, but theres a catch: Garnet has to repair the librarys fire damage and keep all details about the estate confidential. Only after he agrees does Mrs. Stoppini inform him that the professor died of a seizure in the library under mysterious circumstances involving an accident and a small fire. It isnt long before a distressing collision of past and present drags Garnet towards a horrifying truth he could never have imagined.

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William Bell Fanatics Copyright 2011 William Bell For Ting-xing PROLOGUE - photo 1

William Bell

Fanatics

Copyright 2011 William Bell

For Ting-xing

PROLOGUE

A LONG TIME AGO, when my grade eight teacher got so fed up with my behaviour that she kicked me out of class, she had no idea-she was so knotted with anger she wouldnt have cared-that her outburst of frustration would lead to a crime.

Mrs. Sykes was cursed with wide, wet rubbery lips. When she talked, water gathered in the corners of her mouth and her lips shone with moisture. If she was irritated, as she was that day, the spit machine went into high gear and produced a tiny rainstorm that made you feel as if youd stuck your head out a car window on a drizzly day.

Go away! she shouted.

The classroom door slammed in my face. I shrugged my shoulders, wiped my cheeks and forehead on my sleeve, and ambled down the hall to the library. Mrs. Tanner greeted me with a sour, unsympathetic look and heaved her bulky body from her chair behind the checkout desk. Muttering that this was the third time in a month, she thrust an old book with a blue cloth cover into my hands and ordered me to sit in the corner farthest from her desk but still in her line of vision.

Read, she commanded. Quietly.

The collection of ancient Greek myths hooked me right away. I read until the end of the day, then checked out the book and took it home. I renewed it so many times that Mrs. Tanner eventually gave up trying to get it back. When I graduated and went on to high school, the blue volume remained on the shelf in my room.

I guess you could say that I stole the book, but since Sykes and Tanner were accomplices the theft wasnt my fault. If Sykes hadnt kicked me out of class, I wouldnt have gone to the library. If Tanner had pressed a different, less interesting choice into my hands, I would have left it on the library chair when the end-of-day bell rang. You could say I was fated to read the book and like it enough to re-read it many times. Maybe Sykes, Tanner, and I were committing acts according to a plan we had no control over. We were like train cars pulled helplessly along tracks laid down by the gods long before we were born.

I found this notion in the blue book of myths. There were three old misshapen hags with ragged clothes and hearts as cold and spiky as icicles. They were called the Moirae, or Fates, and they controlled the destiny of every being on earth. The ancient Greeks seemed to swallow this idea calmly.

Not me. Even in grade eight I saw through the shabby excuse that the events in our lives are decided by semi-divine beings. I knew I had ended up in the library that day because I had pushed the grumpy Mrs. Sykes too far. I was bored by her tedious vocabulary exercises, and bugging her was a way to pass the time. I, not a warty trio of half-demented old crones, was responsible.

Its true-life has its surprises. Sometimes the first link in a chain of events youd never have imagined is forged by an ordinary routine action-like walking down Mississauga Street one morning, stepping into a cafe, and ordering a cup of coffee.

PART ONE

Flee, flee from those who speak in the name of God.

Eduardo Corbizzi

One

I

IT STARTED ON A MONDAY MORNING in early summer. As usual, I pushed through the alley door into the cramped room at the back of Olde Gold Antiques and Collectibles-the Mississauga Street store owned by my parents-where I was the official restorer, refinisher, and repairer of furniture. The store was closed the first day of the week, so I could toil away without being distracted by the tinkle of the doorbell.

I slid an autorickshaw CD into the player and began to repair an antique birds-eye maple chest. Somehow the upper-right drawer had been smashed-it takes a mighty blow to break a dovetailed pine drawer-and Dad had asked me to make a new one. He had sold the chest and promised delivery in a couple of days.

Soon I was lost in the fragrance of pine shavings and sawdust, the rasp of steel teeth on wood, the familiar vibration in the saws handle as the blade cut kerfs along the lines I had scribed to mark the dovetails. An up-to-date cabinetmaker would have used an electric router to make the dovetails, but I preferred hand tools.

When the dovetails were done, I chiselled out the slots that the drawer bottom would rest in, cleaned up the edges with a bit of sandpaper, then painted the corner joints with glue and fitted the drawer sides to the front. After I slid the bottom into its grooves-without glue-I eased the back into place and clamped the completed drawer, setting it aside to let the adhesive dry. Good for another hundred years or so.

I hung my apron on a hook beside the curtain that separated the shop from the showroom, brushed sawdust off my sleeves, and left by the front door, crossing the street to the sunny side to get a good view of Olde Golds display window and the small walnut cabinet I had designed and made myself. On the stores sign, OLDE GOLD ANTIQUES AND COLLECTIBLES, there was room for another line of print: Fine Custom Furniture.

With the ink on my high school diploma barely dry I had spent most of the past year as unofficial apprentice to Norbert Armstrong, a well-known local cabinetmaker. I wanted to design and make furniture, not spend my life working only for my parents, and although it had taken Mom a while to come around, they supported my ambition. When I graduated-the ceremony was a picnic of ham sandwiches, potato salad, and Norberts foul-tasting homemade beer on the patio behind his shop in Hillsdale-Norbert had grumbled good-naturedly that for the first time in many years he might have some competition. I took his remark as a compliment.

I headed down Mississauga Street, bought a copy of the local paper from a box outside the Shepherds Crook pub, and re-crossed the road where it began its descent to the park on the shore of Lake Couchiching. The Mariposa Princess, a double-decker sightseeing boat, was backing away from the pier to begin its morning tour of the lake.

I stepped into the Half Moon Cafe, with its fragrance of ground coffee and fresh baking. It was a popular place, with maybe a dozen wrought-iron tables, the original plank floor, and a stamped-tin ceiling painted light grey and crisscrossed with pipes and ducts.

I took a table near the coffee bar and opened the paper to the classified ads.

Hey, Garnet, I heard from behind the bar.

Marco Grenoble was not a good advertisement for the famous homemade pizzas he concocted in the little kitchen at the back of the restaurant or the tasty Italian pastries displayed in tiers along the bar. Tall, reed thin with a concave abdomen, he wore a T-shirt and an apron stained with pizza sauce.

Hi, Marco.

The usual?

Sure. Thanks.

Ill bring it myself.

I went back to the ads for property rentals. It didnt take long to see there was nothing there for me. Id try some online sources later.

You lookin to move away from home? Marco asked, placing a mug of latte on the table and then, beside it, a plate with three tiny lemon tarts in the middle.

Thanks, Marco, but I only ordered the coffee.

You gotta eat somethin. Youre too thin.

I folded up the paper and put it aside. Well, thanks.

Marco nodded toward the paper. So

Im trying to find space to rent, I explained. The shop at the back of our store isnt big enough for the business I hope to start up.

I went on to describe what I was after. I needed room for a few large work and layout tables, machines like saws and planers, a booth for spray staining, and an electricity supply that would take the strain of all that equipment. I didnt have the machines lined up yet, or the money to buy or lease them, but I could at least search for a place.

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