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Declan Taggart - How Thor Lost His Thunder: The Changing Faces of an Old Norse God

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Declan Taggart How Thor Lost His Thunder: The Changing Faces of an Old Norse God
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How Thor Lost His Thunder: The Changing Faces of an Old Norse God: summary, description and annotation

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How Thor Lost his Thunder is the first major English-language study of early medieval evidence for the Old Norse god, Thor. In this book, the most common modern representations of Thor are examined, such as images of him wreathed in lightning, and battling against monsters and giants. The origins of these images within Iron Age and early medieval evidence are then uncovered and investigated. In doing so, the common cultural history of Thors cult and mythology is explored and some of his lesser known traits are revealed, including a possible connection to earthquakes and volcanic eruptions in Iceland.

This geographically and chronologically far-reaching study considers the earliest sources in which Thor appears, including in evidence from the Viking colonies of the British Isles and in Scandinavian folklore. Through tracing the changes and variety that has occurred in Old Norse mythology over time, this book provokes a questioning of the fundamental popular and scholarly beliefs about Thor for the first time since the Victorian era, including whether he really was a thunder god and whether worshippers truly believed they would encounter him in the afterlife.

Considering evidence from across northern Europe, How Thor Lost his Thunder challenges modern scholarships understanding of the god and of the northern pantheon as a whole and is ideal for scholars and students of mythology, and the history and religion of medieval Scandinavia.

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First published 2018

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 Declan Taggart

The right of Declan Taggart to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Names: Taggart, Declan, author.

Title: How Thor lost his thunder : the changing faces of an Old

Norse God / Declan Taggart.

Description: Milton Park, Abingdon, Oxon ; New York, NY :

Routledge, 2017. | Series: Routledge research in medieval

studies | Includes bibliographical references and index.

Identifiers: LCCN 2017029203 | ISBN 9781138058194

(hardback : alkaline paper) | ISBN 9781315164465 (ebook)

Subjects: LCSH: Thor (Norse deity) | Mythology, NorseHistory. |

FolkloreScandinavia. | ScandinaviaSocial life and customs. |

ScandinaviaReligion.

Classification: LCC BL870.T5 T34 2017 | DDC 293/.2113dc23

LC record available at https://lccn.loc.gov/2017029203

ISBN: 978-1-138-05819-4 (hbk)

ISBN: 978-1-315-16446-5 (ebk)

Typeset in Sabon

by Apex CoVantage, LLC

Dan Danish Ger German Lat Latin MnE Modern English Norw Norwegian - photo 1
Dan.Danish
Ger.German
Lat.Latin
MnEModern English
Norw.Norwegian
OEOld English
OHGOld High German
OIOld Icelandic
ONOld Norse
OSOld Saxon
OSwOld Swedish
PGmcProto-Germanic
PIEProto-Indo-European
Swed.Swedish
Note

Abbreviations to the titles of primary and secondary literature are expanded in the bibliography.

Routledge Research in Medieval Studies

6 The Jewish-Christian Encounter in Medieval Preaching

Edited by Jonathan Adams and Jussi Hanska

7 Forensic Medicine and Death Investigation in Medieval England

Sara M. Butler

8 Wonder and Skepticism in the Middle Ages

Keagan Brewer

9 Medieval Hostageship c.700-c.1500

Hostage, Captive, Prisoner of War, Guarantee, Peacemaker

Edited by Matthew Bennett and Katherine Weikert

10 New Studies in Medieval and Renaissance Poland and Prussia

The Impact of Gdansk

Edited by Beata Moejko

11 The Colonies of Genoa in the Black Sea Region

Evolution and Transformation

Evgeny Khvalkov

12 The Plow, the Pen and the Sword

Images and Self-Images of Medieval People in the Low Countries

Rudi Knzel

13 Family, Work and Household in Late Medieval Iberia

A Social History of Manresa at the Time of the Black Death

Jeff Fynn-Paul

14 How Thor Lost His Thunder

The Changing Faces of an Old Norse God

Declan Taggart

Contents
Guide

Formal thanks are due to the editors of Scripta Islandica and Saga-Book for their permission to reproduce material modified from my articles All the Mountains Shake ( Scripta Islandica , 67 [2017]) and Stealing his Thunder: An Investigation of Old Norse Images of rr ( Saga-Book , 41 [2017]). I am also grateful to the various organisations who funded and supported me in various crucial ways during the PhD that this book is based upon: the College of Arts and Social Sciences at the University of Aberdeen, the Viking Society for Northern Research, the Royal Historical Society and the Spalding Trust. More recently, I am obliged to the Royal Gustavus Adolphus Academy and Stockholm Universitys Department of Ethnology, History of Religions and Gender studies, who funded and hosted me respectively during the productive and happy stay in 2016 when I began work on this book. And I would like to thank Laura Pilsworth and Morwenna Scott, my editor and her assistant at Routledge, who have been unfailingly gracious and supportive.

When I finished my PhD, my acknowledgements were already lengthy. Now that I have re-worked my thesis, too many people to mention are due my gratitude for their advice, friendship and good humour. Needless to say, this books defects and errors are my responsibility.

I remain enormously indebted to my doctoral supervisors at the University of Aberdeen, Stefan Brink, Tarrin Wills and Karen Bek-Pedersen, who have not stopped sharing with me stories of bovine resurrection, metaphorically walking me through arcane poetic structures and literally walking me through Scandinavias sacral landscapes, even though theyre not getting paid for it any more. I owe almost as much to my many unofficial supervisors and proofreaders at the Centre for Scandinavian Studies in Aberdeen. Many of the ideas of this book arose in conversation with them, and I have learned so much more from their friendships about dvergr sexuality, jtunn emancipation, magical bishops, medieval Eucharistic rites and the domestic lives of goats than I ever thought possible or probably desirable.

I am newly indebted to Olof Sundqvist, my mentor at Stockholm University and one of the nicest people I have ever met. His insights into Old Norse religion have become a great influence. The same is true of the thoughts of Lisa Collinson and Alaric Hall, my PhDs examiners, without whom this book would be much inferior. I have been lucky enough to receive assistance and friendship from a number of scholars. In particular, it is a pleasant duty to thank David Braine (greatly missed), Terry Gunnell, Carolyne Larrington, Maths Bertell, Edith Marold, Peter Jackson, Egil Asprem, Erik stling, Torun Zachrisson, Gunnar Ternhag, Ingrid Lyberg, Filip Missuno, Jens Peter Schjdt, Jesper Srensen, the attendees of the Comparing the Medieval North workshop, Johnni Langer, PhD students and post-doctoral researchers at Aarhus University, and Connor and Leithan Organ. Without my earliest teachers in Old Norse literature, John McKinnell, David Ashurst and Matthew Townend, I would never have considered this career path. They are among the small number of people who I have found truly inspirational.

Thank you too to the friends I grew up with, like Damian Maguire, Michael McLaughlin, John Bradley, Niall McEnhill, Stephen Maguire and Patrick Griffin, and to newer friends and family, like Francisco Garca, Consuelo Losquio, Elena Garca and Fidel Tobas, for making up some of the rest of that number.

Finally, I owe much to Irene Garca Losquio, who is still the same precious source of creative thinking, energy and advice on how to be kinder in criticism that she was when I finished my PhD, and to my parents, siblings and wider family members, who no matter where I have travelled, have always remained my home. I cant imagine how difficult it would be to do this or anything else without all of them.

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