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Gatto-White - Italian Canadians at table: a narrative feast in five courses

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Gatto-White Italian Canadians at table: a narrative feast in five courses
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The persistence of misconceptions about Italian-Canadian food culture raises many questions for us. Are we gluttonous, inebriate and too loud? Do we force-feed guests? Are we in fact food-obsessed? How many grains of truth can a stereotype hold? We had to know, so we asked articulate and thoughtful Italian-Canadian writers and simpatico friends from British Columbia to Newfoundland. The responses were surprising, thoughtful, entertaining and often touching, making my co-editor, Delia De Santis, and I very glad we asked, as every piece which streamed over the internets ether was a gift and a joy to read. And the result is Italian Canadians at Table, a passionate literary feast of poetry and prose.

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ESSENTIAL ANTHOLOGIES SERIES 3

Italian Canadians at Table:

A Narrative Feast in Five Courses

Italian Canadians at table a narrative feast in five courses - image 1

Edited by

Loretta Gatto-White & Delia De Santis

GUERNICA

TORONTO BUFFALO BERKELEY LANCASTER (U.K.)

2013

Introduction A bite of Canadas culinary minestra might taste like smoked salmon - photo 2
Introduction

A bite of Canadas culinary minestra might taste like smoked salmon stuffed perogies, on a bed of curried lentil couscous layered with foie gras quenelle, garnished with a crackling of pemmican prosciutto and a dusting of dulse in a pool of ginger, lemon grass and sake reduction, followed by a molten butter tart a la mode; a feast to which every culture calling Canada home has contributed.

Canadas rich food culture has run the gamut from old world culturally diverse commercial and domestic artisan products avail able wherever predominantly working-class ethnic peoples settled, such as Torontos Ward, Montreals The Main and Vancouvers Chinatown, to post-war, French-inspired haute cuisine, or as I call it the grand hotel, country club scoff of smugly prosperous1950s Canada.

Prosperity also created the new world fast-food nation purveying a distinctly American cuisine and bastardized old world ethnic dishes where Aunt Jemima and Betty Crocker duke it out for shelf space with Mama Bravo and Chef Boyardee. In our twenty-first century, we see a return to old world artisan products and the slow-food cultural values attached to their production, sale and consumption, now ironically the purview of the privileged class.

The progressive acculturation of Italian cuisine into Canadas national culinary identity is a testament to this social phenomenon. At the turn of the century, Torontos Italian bakeries vied for supremacy, some even resorting to branding their loaves to ensure the customer quality and authenticity,in Muskoka, family-run macaroni factories produced artisan pasta extruded from bronze-dies. Socially ambitious Italian families fed the gentrys hunger for fine European comestibles, opening wholesale and retail gourmet food emporia throughout our urban centres.

Still, Italian cuisine, especially that from the Mezzogiorno , the origin of a large share of Canadas Italian migrs, was disdained by restaurant patrons who regarded French haute cuisine as being truly refined, even though it was usually cooked and served by Italians. The economic turmoil of the Depression devastated many Italian family-owned food businesses which, being reliant on a labyrinthine system of community banks, precursors to credit unions, failed early and hard taking the Italian communities entrepreneurial house of cards with it. This interruption lasted until the boys came home when Italian cuisine was once again relegated to behind the kitchen doors, except for its new canned and frozen incarnations, whose stereotyped public face was represented by Mama Bravo then signora Michelina, et al.

Greasy spoons and restaurant chains served-up giant bowls of gluey, over-cooked spaghetti drowning in an acrid pool of canned tomato sugo graced by polpette as hard as bocce balls and crowned with a sprinkling of ersatz parmesan, washed down with domestic red plonk from gallon jugs, or worse, if it was a festive occasion something sparkling like Spumante Bambino.

The publics concept of sophisticated five star cuisine was still solidly French with few exceptions, until the 1980s when Northern Italian cuisine, by little stretch of the culinary palate, became trendy with its focus on butter, cream, truffles, risotto, polenta and veal, and a notable absence of strong tastes and colours. Its soft and velvety textures were an easy segue from central France to Italy.

But something has happened to our palates, arteries and social aspirations between then and now. We want to eat food that is as sustaining of our bodies as it is of our environment. We want the rustic produce and products directly out of the farmers field or the artisans hand, to gather-up our families generations on Sunday and share boldly coloured and flavourful food from big steaming majolica platters. Well plant heritage tomatoes amongst the genteel delphiniums in our urban courtyards, challenge city hall for our right to raise chickens and wood-roast peppers in midtown backyards, forage in city parks for spring cicoria, and take courses on how to cure and hang our own Berkshire Pork prosciutto in downtown lofts.

In short, Canadians have begun a risorgimento of homey, predominantly southern Italian cuisine which resonates beyond the domestic kitchen to the gregarious communal restaurant table, the bustling boisterous farmers markets, the clang and clatter of outdoor cafs, the weekend line-ups at the deli counters of the few remaining mom and pops Italian grocers where you can run a tab and delivery is free. As the cheekily chauvinistic saying goes: it seems there are only two kinds of people, Italians and those who wish they were. Melanzane, spaghetti, polpette, rapini, oregano, peperoncini, baccal, tripe, anchovies, bottarga, pecorino Romano, the yin yang of agro-dolce verdure and the deep dark red of Nero dAvola bring it on! cries Canada. The cucina casalinga and cucina povera are the new haute cuisines.

Theres no poverty of taste, history or tradition in the rich cultural heritage of our Italian Canadian cuisine; its bon gusto and piquancy is served-up in these entertaining narratives. Tutti a tavola a mangiare.

Loretta Gatto-White

I dedicate this book to the memory of my late beloved husband,

Jim White, whose passion for life, art, good food and all things Italian inspires me still, and to my late father, Gary Gatto, the best cook

and raconteur in the family. Mi mancate entrambi.

Loretta Gatto-White

Italian Canadians at table a narrative feast in five courses - image 3

To my late parents, Antonia and Saverio, and to my husband,

Ercole and our loving family.

Delia De Santis

First Course:

Antipasto

Italian Canadians at table a narrative feast in five courses - image 4

Menu

Introduction

First Course: Antipasto

Italian Canadians at table a narrative feast in five courses - image 5

Plump Eggplant

Marisa De Franceschi

tomatoes

Domenico Capilongo

Summer and Figs

Joseph Ranallo

An Extra Helping

Loretta Di Vita

The Kitchen Table

Carlinda DAlimonte

The Birth and Rebirth of Biscotti

Dosolina Cotroneo

Coffee Envy

Loretta Di Vita

Giant Rabbits and the Best Way to Barbeque

Loretta Gatto-White

Grocery Stories

Jim Zucchero

muskoka pasta

Domenico Capilongo

al dente

Domenico Capilongo

Pasta is magic, the rest is life

Loretta Gatto-White

Second Course: Primo

Italian Canadians at table a narrative feast in five courses - image 6

This is Sunday Lunch

Angela Long

Learning to Cook with Dante and Mia Suocera

Caroline Morgan Di Giovanni

My Authentic Italian Cooking Experience: in Edmonton

Debby Waldman

My Mothers Tomato Sauce

Venera Fazio

Crostoli, Intrigoni, Bugie

Genni Gunn

Excerpt from Made Up of Arias

Michelle Alfano

Making Olives and Other Family Secrets

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