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Julia Laite - The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice

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Lydia Harvey was meant to disappear. She was young and working class; shed walked the streets, worked in brothels, and had no money of her own. In 1910, politicians, pimps, policemen and moral reformers saw her as just one of many girls who disappeared. But when she took the stand to give testimony at the trial of her traffickers, she ensured shed never be forgotten.Historian Julia Laite traces Lydias extraordinary life from her home in New Zealand to the streets of Buenos Aires and safe houses of London. She also reveals the lives of international traffickers Antonio Carvelli and his mysterious wife Marie, the policemen who tracked them down, the journalists who stoked the scandal, and Eilidh MacDougall, who made it her lifes mission to help women whod been abused and disbelieved.Together, they tell an immersive story of crime, travel and sexual exploitation, of lives long overlooked and forgotten by history, and of a world transforming into the 20th century.

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The Disappearance of Lydia Harvey A True Story of Sex Crime and the Meaning of Justice - image 1

THE DISAPPEARANCE OF LYDIA HARVEY

THE
DISAPPEARANCE OF LYDIA HARVEY

A T RUE S TORY OF S EX , C RIME AND THE M EANING OF J USTICE

JULIA LAITE

The Disappearance of Lydia Harvey A True Story of Sex Crime and the Meaning of Justice - image 2

First published in Great Britain in 2021 by

Profile Books Ltd

29 Cloth Fair

London

EC1A 7 JQ

www.profilebooks.com

Copyright Julia Laite, 2021

The moral right of the author has been asserted.

All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book.

A CIP catalogue record for this book is available from the British Library.

ISBN 9781788164429

eISBN 9781782836544

Audio ISBN 9781782838432

To Will

RESEARCH NOTE

The lives in this book were found in fragments, and they have been reconstructed using a large number of very small details. These include birth, marriage, death and migration records from digitised genealogical web sites; character-searched information from digitised newspapers; and police, court and institutional records from archives around the world. These scraps, glimpses and clues, often little more than a tiny detail in a margin, have been carefully contextualised using both broad and local histories, which have helped me place these historical actors in their time and place.

I have stitched these details together with threads of imagination, but this imagining has followed careful rules. There is no detail offered here for which I do not have historical evidence. The weather columns of local newspapers have told me if it was sunny, cold or raining. Historical photographs, novels and travel stories have helped me re-create scenes. Three major archival case files and dozens of other related ones from four different countries have been carefully interlaced to form a picture of almost-forgotten lives.

There are thousands of missing pieces to this puzzle evidence that has been lost, destroyed or never written down in the first place. Perhaps there are bit and pieces still lying in an archive somewhere: uncatalogued, un-indexed, as yet unfound. In the places where I cannot know or even glimpse what happened or why, I have carefully deployed the historians tool of maybe, perhaps and must have. There are places where the accounts conflict, and where it is difficult to say which clue is more convincing. I have left these moments unreconciled.

This is a true story. But it is also a story that insists we think carefully about who gets to do the telling.

HISTORICAL ACTORS

Ernest Anderson: A detective inspector with the Criminal Investigation Department, Scotland Yard

Emily Louisa Badeley: A piano teacher from Oamaru, New Zealand; Lydia Harveys mother

Marie Balandras: A French landlady in North Soho who had a habit of renting rooms to criminals.

Alex/Alexander Berard: A pseudonym of Alessandro di Nicotera

Marguerite Bescanon: A young French woman who was brought from Paris to London by traffickers

Victoria Bricot: A young French woman who was brought from Paris to London by traffickers

Frederick Bullock: Metropolitan assistant police commissioner and central authority on the white slave traffic

Walter Burmby: A Metropolitan Police sergeant, C Division, Soho

Marguerite Carl: A young woman who boarded a steamship in London bound for New Zealand in May 1910; may be the same person as Florrie

Antonio Carvelli: An Italian man alternatively known as Aldo Cellis, Anton Courrier, Anthony Coty, etc.; a musician, indent agent, translator, Latin teacher, bookmaker, thief and trafficker

Luigi Carvelli: A maestro and classical composer from Calabria who played first horn in the Brighton Municipal Orchestra; Antonio Carvellis father; Serenata Napoleatana is his most well-known surviving work

Aldo Cellis: A pseudonym of Antonio Carvelli, and the name by which Lydia Harvey knew him

William Coote: A well-known anti-trafficking campaigner; general secretary of the National Vigilance Association and the International Bureau for the Suppression of the White Slave Traffic

Anthony Coty: A pseudonym of Antonio Carvelli

Anton Courrier: A pseudonym of Antonio Carvelli

Alec Denis: A pseudonym of Alessandro di Nicotera

Florrie: A young woman who was trafficked from New Zealand to Buenos Aires, and possibly on to London; may be synonymous with Marguerite Carl

William Hall-Jones: The New Zealand high commissioner in London

Harry George Cannon Harvey: A solicitor in Dunedin, Oamaru and Christchurch, New Zealand; Lydia Harveys father

Lydia Rhoda Harvey: A young woman who was trafficked from New Zealand to Buenos Aires and London in 1910; sometimes used the pseudonym Doris Williams

Mireille Lapara: A young French woman who was brought from Paris to London by traffickers

Marguerite Leroy: A young French woman who was brought from Paris to London by traffickers and was later deported

Eilidh MacDougall: A social worker in London and lady assistant to the Metropolitan Police

William Mead: A Metropolitan Police constable at C Division, Soho with an eye for illicit opportunities

George Nicholls: A Metropolitan Police detective sergeant working for the head of the Criminal Investigation Department; fastidious, discreet, with a talent for speaking French

Alessandro di Nicotera: An Italian man alternatively known as Alex/Alexander Berard and Alec Denis; a mechanic, army deserter, waiter, bookmaker and trafficker

Herbert Ockenden: A merchant mariner, based in Australia

Charles Peneau: A French teenager with respectable parents, who was charged with pimping in April 1910

Camelia Rae: A French woman working at a one-woman brothel in Wellington, New Zealand, also known as Tit; a close friend and/or business associate of Antonio Carvelli and Veronique White

Annie Sawyer: A woman known as the wife of Alexander Berard, aka Alessandro di Nicotera

Guy Hardy Scholefield: The New Zealand Press Association correspondent in London

Tit: A pseudonym of Camelia Rae

Marie Vernon: A pseudonym of Veronique White

Joseph Ward: The prime minister of New Zealand in 1910

Veronique Sarah White: A well-travelled Australian woman, who made her living in the sex industry; also known as Vanda Williams, Marie Vernon and Kathleen Williams

Doris Williams: A pseudonym of Lydia Harvey

Kathleen/Vanda Williams: Pseudonyms of Veronique White

Vera Wilson: An English woman much maligned by the parents of her pimp, Charles Peneau; a police informant

The problem is one of infinite complexity. In a word those who constitute it are human beings.

Maude Royden, The Problem of the Undesirables, 1916

PROLOGUE

In January 1910, just a few months shy of her seventeenth birthday, Lydia Harvey disappeared. She bade farewell to the motley crew at Mrs Logans boarding house in downtown Wellington, New Zealand, where young men and women, new arrivals to the city, took their meals together in a threadbare dining room after long days of work. She wrote to her mother, who had her hands full of children back home in the small provincial town of Oamaru, telling her that she had taken a job as a nursemaid to a rich couple, who were bringing her with them to London. She gave notice to Mr Harlow at the photography studio where she had recently got a job, where families in nice clothes and lines of orderly children came to buy Kodak cameras and develop pictures of their travels. Then she boarded a brand-new steamship, with 500 third-class berths and a triple-expansion steam engine, which could cut through the waves of the Pacific and land her in Buenos Aires in less than a months time. Then, she seemed to disappear.

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