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Zainab Salbi - Between two worlds: escape from tyranny : growing up in the shadow of Saddam

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    Between two worlds: escape from tyranny : growing up in the shadow of Saddam
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Zainab Salbi was eleven years old when her father was chosen to be Saddam Husseins personal pilot and her familys life was grafted onto his. Her mother, the beautiful Alia, taught her daughter the skills she needed to survive. A plastic smile. Saying yes. Burying in boxes in her mind the horrors she glimpsed around her. Learn to erase your memories, she instructed. He can read eyes. In this richly visual memoir, Salbi describes tyranny as she saw it - through the eyes of a privileged child, a rebellious teenager, a violated wife, and ultimately a public figure fighting to overcome the skill that once kept her alive: silence. Between Two Worlds is a riveting quest for truth that deepens our understanding of the universal themes of power, fear, sexual subjugation, and the question one generation asks the one before it: How could you have let this happen to us?

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Table of Contents Praise for Between Two Worlds freshly poignant and - photo 1
Table of Contents

Praise for Between Two Worlds:
... freshly poignant and newly galling.... a personal, intimate look at the soul-crushing impact of Husseins Iraq.... Salbi deploys a straightforward, easy prose that is powerful in its simplicity.... Now, with her chilling memoir, the lies end.
The Washington Post

Salbi has direct personal knowledge of Hussein that is both insightful and disturbing.... There are secrets her mother never reveals, but [she] recognizes the importance of letting her mothers generation decide how much of their own stories they are willing to tell.Ms. magazine

... a torrent of vividly recalled memories [that] reads with the sort of artless verve that can come only from one whos been unshackled from a lifetime of repression. Vogue

[Between Two Worlds is] a stomach-churning memoir ...
Marie Claire

[S]ometimes a painful experience, this memoir ... is also [Salbis] hopeful vision, both for her own life and for the future of her native country.... a remarkable tale of emotional and mental resilience. Bookpage

... engrossing... a unique insider perspective.... [A]n evocative and haunting memoir that proves that one courageous woman can rise above her own painful past in order to make a difference in the lives of others.bookreporter.com

... provides very important observations about Saddams character and his ability to intimidate even close friends. [Salbi] vividly describers her late liberation from his charm... Through a journey colored with loss and hope, readers encounter a story of self-awakening and of realizing the will to live and survive. Library Journal
[A] steadfast visionary spirit prevails, rendered with remarkable literary skill and complex personalities. Bust

[An] engrossing memoir... riveting.... This may be the most honest account of life within Saddams circle so far.... an enlightening revelation of how, by barely perceptible stages, decent people make accommodations in a horrific regime.
Publishers Weekly (starred review)

... a powerful portrait of an ordinary Iraqi family reluctantly entangled in Saddam Husseins world.... Zainabs inspiring story is a gripping combination of fear, humanity, and personal strength.Jean Sasson, author of the #1 internationally bestselling Mayada, Daughter of Iraq
Zainab Salbi is the founder and president of Women for Women International - photo 2
Zainab Salbi is the founder and president of Women for Women International (www.womenforwomen.org), a nonprofit organization providing women survivors of war with resources to move from crisis to stability and build peace one woman at a time. She holds degrees from George Mason University and the London School of Economics. She is often interviewed in the media, including frequent appearances on Oprah. She lives in Washington, DC.

Laurie Becklund is an award-winning Los Angeles journalist and author. This is her third collaboration. A former Los Angeles Times reporter, she wrote the first story about Salbi in 1991, when Zainab was a young woman stranded in America due to the Gulf War.
To My Mother PROLOGUE I STAND ON THE balcony of the old house with the - photo 3
To My Mother
PROLOGUE
I STAND ON THE balcony of the old house with the courtyard on the Tigris where my mother spent her childhood. I take in the sea-gulls as their shadows scatter-fly the clay-colored water. I hear the overamplified call to prayer from a mosque near the ancient shrine of Elijah and think of the simpler voice at Pigs Island. Across the river, near the place the boatmen can moor once again, is one of the worlds oldest universities. Downstream a wisp of smoke rises as the remains of another of Amos monuments falls in upon itself. How many cities on earth are so old, and yet still unborn?
I keep returning to Rumis poem about the three fish.
The first fish was wise. When he saw the men and their nets, he said, Im leaving. He became a moving footprint and finally made it to the edgeless safety of the sea. The second fish, the semi-intelligent fish, said, My guide has gone. I ought to have gone with him, but I didnt, and now Ive lost my chance to escape. So he played dead, floating belly up to avoid being eaten. The third fish, the dumb one, thrashed about as the net closed around him. As he lay in the pan, he thought, If I get out of this, Ill never live again in the limits of a lake. Next time, the ocean! Ill make the infinite my home.
Except for the bearded old haggi playing backgammon on the floodwall beneath me, I can see few faces from where I stand. Clearer are the faces in my mind, the faces of my mom and dad and our friends whose families Amo cracked neatly apart like pistachios. All of us faced an asynchronous choice: home or future. But Amo commanded fish to swim in his lakes and reduced the ancient Tigris to a trickle. When did our choosing time come?

Baghdad
May 2003
THE ABBASID COIN
MY MOTHER GREW up in a house on the Tigris River that must have been grand then, with its courtyard and sixteen rooms. The house belonged to my grandfather, who died before I was born. Mama inherited from him a modest fortunea share of the house and his factories, a quantity of gold, and a family name that means something still. But the one physical object of his that I ever really cared about was a gold coin forged a thousand years ago by Abbasid caliphs who moved the political and cultural center of the Islamic empire from Damascus eastward to Baghdad. Baghdad yields its secrets reluctantly, to those who dig, and a friend of my grandfathers discovered a bag of the coins in the course of demolishing an old building. He gave three to my grandfather, who gave one to each of his three young daughters. Mama, the youngest, designed a frame for it in the shape of a small chain and wore it around her neck always. It had a dent on one edge I can still visualize because I so often wondered what sort of blow might have caused it.
She was a teacher when I was little and when she came home from school she would take a nap on the sofa. She had the gift of being able to fall asleep almost instantly, and she radiated utter peace as she slept. I would squeeze in next to her, take in the slightly sweaty smell of the classroom she brought home with her, and try to make my breaths match hers exactly. Between her full breasts lay the Abbasid coin. I remember breathing to the rise and fall of that ancient coin against her skin, its worn symbols gleaming softly in the afternoon light. I assumed I would wear it when I grew up and became, hopefully, as smart and beautiful as she was. Of course, I also assumed back then that Iraq would always be my home.
Though it is hard to imagine, given all that has happened since, growing up in Baghdad was for me probably not unlike growing up in an American suburb in the 1970s. I spent many hours driving around with my mother, running errands and shopping, driving to and from school, going to piano lessons, ballet lessons, swimming lessons, and just tagging along. She kept a busy social calendar then, and in the car was the place I got to spend time with her. She loved Baghdadshe was of Baghdadand as we drove back and forth along the boulevards lined with palm trees heavy with dates, she would tell me a little about each neighborhood as we passed through it. I took in my city through the passenger-side windowold Baghdad with its dark arcaded souk where men hammered out copper and politics, and the new Baghdad with its cafes and Al-Mansour boutiques. What I learned of my heritage, as was true for almost everything else in the first nine years of my life, I learned through her.
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