Don Nardo - Migrant Mother: How a Photograph Defined the Great Depression
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Migrant Mother: How a Photograph Defined the Great Depression
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In the 1930s, photographer Dorothea Lange traveled the American West documenting the experiences of those devastated by the Great Depression. She wanted to use the power of the image to effect political change, but even she could hardly have expected the effect that a simple portrait of a worn-looking woman and her children would have on history. This image, taken at a migrant workers camp in Nipomo, California, would eventually come to be seen as the very symbol of the Depression. The photograph helped reveal the true cost of the disaster on human lives and shocked the U.S. government into providing relief for the millions of other families devastated by the Depression.
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Florence Owens Thompson is born Florence Leona Christie in Oklahoma.
1918
Lange moves to San Francisco, California.
1929
The U.S. Stock Market crashes, setting in motion the Great Depression.
1933
More than 9,000 U.S. banks fail; Lange begins photographing the poor and homeless.
1934
Thompson moves from Oklahoma to California.
1936
Lange photographs Thompson and her daughters in a migrant workers camp near Nipomo, California.
1939
Writer John SteinbecksThe Grapes of Wrathis published; it captures the plight of migrant workers in the Depression era.
1941
Lange is awarded a Guggenheim Fellowship.
1945
World War II ends.
1952
Lange cofounds a new photography magazine,Aperture.
1960
Lange, in a magazine interview, recalls photographing Thompson.
1965
Lange dies of cancer.
1978
Thompson says in a newspaper article that she is the subject of theMigrant Motherphoto.
1983
Thompson dies of cancer.
1998
The U.S. Postal service issues a stamp showing the famous photo; a copy of the photo is auctioned at Sothebys in New York City for $244,500.
2005
The Nationmagazine puts theMigrant Motherphoto on its cover.
2008
Lange is inducted into the California Hall of Fame.
Additional Resources
Further Reading
Doak, Robin S. Black Tuesday: Prelude to the Great Depression. Minneapolis: Compass Point Books, 2008.
Landau, Elaine. The Great Depression. Danbury, Conn.: Childrens Press, 2007.
Sandler, Martin W. The Dust Bowl Through the Lens. New York: Walker Books for Young Readers, 2009.
Source Notes
: Ibid.
: Ibid.
: Anne W. Spirn, ed. Daring to Look: Dorothea Langes Photographs and Reports from the Field. Chicago: University of Chicago Press, 2009, p. 5.
: Ibid.
: Daring to Look: Dorothea Langes Photographs and Reports from the Field, p. xi.
: Gerald W. Johnston. Franklin D. Roosevelt: Portrait of a Great Man. New York: William Morrow, 1967, pp. 119120.
: Katharine D. Lumpkin and Dorothy W. Douglas. Child Workers in America. New York: Robert M. McBride, 1937, p. 4.
: Studs Terkel. Hard Times: An Oral History of the Great Depression. New York: Random House, 2000, p. 45.
: Ibid., p. 20.
: Brother, Can You Spare a Dime? Words by E.Y. Harburg, music by Jay Gorney. Diane Ravitch, ed. The American Reader: Words That Moved a Nation. New York: HarperCollins, 1990, p. 270.
: William Dudley, ed. The Great Depression: Opposing Viewpoints. San Diego: Greenhaven Press, 1994, p. 36.
: John Steinbeck. The Grapes of Wrath. New York: Viking Press, 1939, pp. 317318.
: Mark Durden. Dorothea Lange. New York: Phaidon, 2006, p. v.
: Daring to Look: Dorothea Langes Photographs and Reports from the Field, p. 3.
: Migrant Mother, 1936.
: Girl from Iconic Great Depression Photo: We were ashamed.
: The Other Migrant Mother.
: James Curtis. Minds Eye, Minds Truth. Philadelphia: Temple University Press, 1991, p. 65.
: Robert Hariman and John L. Lucaites. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2007, p. 55.
: Daring to Look: Dorothea Langes Photographs and Reports from the Field, p. 5.
Depression Mother. Famous Pictures Magazine. 2009. 12 July 2010. www.famouspictures.org/mag/index.php?title=Depression_Mother
Durden, Mark. Dorothea Lange. New York: Phaidon, 2006.
Elliot, George P., and the Museum of Modern Art. Dorothea Lange. Garden City, N.Y.: Doubleday, 1968.
EyeWitness to History. Migrant Mother, 1936. 12 July 2010. www.eyewitnesstohistory.com/migrantmother.htm
Ganzel, Bill. Dust Bowl Descent. Lincoln: University of Nebraska Press, 1984.
Goggans, Jan. Dorothea Lange, Paul Taylor, and the Making of the New Deal Narrative. Berkeley: University of California Press, 2010.
Gordon, Linda. Dorothea Lange: A Life Beyond Limits. New York: Norton, 2009.
Gutierrez, Thelma, and Wayne Drash. Girl from Iconic Great Depression Photo: We were ashamed. 12 July 2010. www.cnn.com/2008/LIVING/12/02/dustbowl.photo/index.html
Hariman, Robert, and John L. Lucaites. No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press, 2007.
Jones, Carolyn. Daughter of Migrant Mother Proud of Story. SFGate/San Francisco Chronicle. 23 Aug. 2009. 12 July 2010. www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/08/22/MN4H18MESA.DTL
Lange, Dorothea. The Assignment Ill Never Forget: Migrant Mother. Popular Photography. Feb. 1960.
Library of Congress. Dorothea Langes Migrant Mother Photographs in the Farm Security Administration Collection: An Overview. 12 July 2010. www.loc.gov/rr/print/list/128_migm.html
Library of Congress. Exploring Contexts: Migrant Mother. 12 July 2010. http://memory.loc.gov/ammem/awhhtml/awpnp6/migrant_mother.html
Maksel, Rebecca. Migrant Madonna. Smithsonian Magazine. March 2002. 12 July 2010.www.smithsonianmag.com/arts-culture/Migrant_Madonna.html
McElvaine, Robert. The Great Depression: America 19291941. New York: Random House, 1993.
McElvaine, Robert. Down and Out in the Great Depression: Letters from the Forgotten Man. Chapel Hill: University of North Carolina Press, 2007.
Ragged, Hungry, Broke, Harvest Workers Live in Squalor. San Francisco News. 10 March 1936.
Rubio, Oliva M., et al. Dorothea Lange: The Crucial Years. New York: La Fabrica, 2009.
Shlaes, Amity. The Forgotten Man: A New History of the Great Depression.
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