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Phaedra Shanbaum - The Digital Interface and New Media Art Installations

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Phaedra Shanbaum The Digital Interface and New Media Art Installations
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This book is about the digital interface and its use in interactive new media art installations. It examines the aesthetic aspects of the interface through a theoretical exploration of new media artists, who create, and tactically deploy, digital interfaces in their work in order to question the socio-cultural stakes of a technology that shapes and reshapes relationships between humans and non-humans. In this way, it shows how use of the digital interface provides us with a critical framework for understanding our relationship with technology.About the AuthorPhaedra Shanbaum is Lecturer in Digital Arts and Media Education at UCL Knowledge Lab, UCL Institute of Education, University College London, UK.

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This book would not have been possible without the ongoing support of my family: Herbert, Melody, Anthe, Elena, and Cassandra Shanbaum.

I want to thank those in Boston who put me on this path: Lynne Adams, Natalie Andrew, George Fifield, Taylor Hayward, Carmin Karasic, Heidi Kayser, Brian Knep, Chuck Lewin, James Manning, Armaghan Rumi Naik, Sean Omeara, Tara Spitzen, Jonathan Singer, David Wildman, and Benjamin Zipkin. I would also like to thank my colleagues and friends in London, Manchester, and Helsinki who have provided me with support and advice: Danah Abdulla, Louise Barkhuus, Sarah Beck, Mihaela Brebenel, Fred Breen, Elinor Carmi, Sean Cubitt, Paju Heinonin, Nicola Hogan, Rachel Holmes, Jacqueline Husary, Hardi Kurda, Mark Plaice, Pedro Ramos Pinto, Varpu Rantala, Paolo Ruffino, Jorge Savaderra Utman, Kevin Sharkey, Aidan Sheridan, Tom Tlalim, Pasi Valiaho, Giannina Warren, Lee Weinberg, and SuAnn Yeo. Joanna Zylinska and Sarah Kember deserve special recognition for nurturing this project in its nascent stages. I owe thanks to my colleagues at the UCL Knowledge Lab and CCM who have provided unwavering support of this project: Andy Ash, Andrew Burn, Diane Carr, Michelle Cannon, Lesley Gourlay, Carey Jewitt, Martin Oliver, Didem zkul, John Potter, and Marquard Smith. Finally, my deepest gratitude is reserved for Jennifer Rode and James Williamson who kindly read and responded to the majority of the ideas in this book.

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