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Jay Caspian Kang - The Loneliest Americans

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Jay Caspian Kang The Loneliest Americans
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A riveting blend of family history and original reportage that exploresand reimaginesAsian American identity in a Black and white world
A smart, vulnerable, and incisive exploration of what it means for this brilliant and honest writera child of Korean immigrantsto assimilate and aspire while being critical of his membership in his community of origin, in his political tribe, and in America.Min Jin Lee, author of Pachinko
In 1965, a new immigration law lifted a century of restrictions against Asian immigrants to the United States. Nobody, including the lawmakers who passed the bill, expected it to transform the countrys demographics. But over the next four decades, millions arrived, including Jay Caspian Kangs parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of Asian America that was supposed to define them. The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents assimilationist goals with membership in a multicultural eliteall while trying to carve out a new kind of belonging for their own children, who are neither white nor truly people of color. Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the countrys racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the citys exam schools is the only way out; the mens rights activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding Yellow Peril Supports Black Power signs. Kangs exquisitely crafted book brings these lonely parallel climbers together amid a wave of anti-Asian violence. In response, he calls for a new form of immigrant solidarityone rooted not in bubble tea and elite college admissions but in the struggles of refugees and the working class.

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Copyright 2021 by Jay Caspian Kang All rights reserved Published in the Unit - photo 1
Copyright 2021 by Jay Caspian Kang All rights reserved Published in the United - photo 2
Copyright 2021 by Jay Caspian Kang All rights reserved Published in the United - photo 3

Copyright 2021 by Jay Caspian Kang

All rights reserved.

Published in the United States by Crown, an imprint of Random House, a division of Penguin Random House LLC, New York.

Crown and the Crown colophon are registered trademarks of Penguin Random House LLC.

Portions of this work originally appeared, in slightly different form, as Noel Ignatievs Long Fight Against Whiteness in The New Yorker (newyorker.com) on November 15, 2019. Reprinted by courtesy of The New Yorker.

Grateful acknowledgment is made to New Directions Publishing Corp. for permission to reprint Pine Tree Tops by Gary Snyder, from Turtle Island, copyright 1974 by Gary Snyder. Reprinted by permission of New Directions Publishing Corp.

Library of Congress Cataloging-in-Publication Data

Names: Kang, Jay Caspian, 1979- author.

Title: The loneliest Americans / Jay Caspian Kang.

Description: First edition. | New York: Crown, 2021. | Includes bibliographical references and index.

Identifiers: LCCN 2021029983 (print) | LCCN 2021029984 (ebook) | ISBN 9780525576228 (hardcover) | ISBN 9780525576242 (ebook)

Subjects: LCSH: Kang, Jay Caspian, 1979 Family. | Kang family. | Korean Americans Cultural assimilation. | Asian AmericansEthnic identity. | United StatesEmigration and immigrationSocial aspects. | Korean AmericansBiography.

Classification: LCC E184.A75 K36 2021 (print) | LCC E184.A75 (ebook) | DDC 305.895/073dc23

LC record available at https://lccn.loc.gov/2021029983

LC ebook record available at https://lccn.loc.gov/2021029984

Ebook ISBN9780525576242

crownpublishing.com

Design by Fritz Metsch, adapted for ebook

Cover design: Donna Cheng

Cover images: Getty Images

ep_prh_5.8.0_c0_r1

Contents
Introduction

During the first days of the Trump administration, when my attention was split between the endless scroll of news on my phone and my infant daughter, who was born five days before the inauguration, I often found myself staring at her eyes, still puffy and swollen from the birth canal. My wife is half Brooklyn Jew, half Newport WASP, and throughout her pregnancy I had assumed that our child would look more like her than me. There was no reason for this outside of a troublesome hope, I guess. When our daughter was born with a full head of dark hair and almond-shaped eyes, the nurses all commented on how much she looked like her father, which, I admit, felt like a surprise. While my wife slept at night, I would stand over our daughters bassinet and compare her face at one week to photos of myself at that delicate, lumpen age. I worried about what it meant to have an Asian-looking baby in America as opposed to one who could either pass or, at the very least, walk around with the confidence of some of the half-Asian kids I had mettall, beautiful, with strange names and a hard edge to their intelligence. In those fragile moments, I hoped she could hide from whatever Trump had planned for us.

The neuroses quickly passedfor better or worse, my talent for cultivating creeping doubts is only surpassed by an even greater talent for chopping them right above the root. The worries were replaced by the normalizing chores of young fatherhood. But sometimes during her naps, I would play the Goldberg Variations on the speakers in our living room and try to imagine the contours of her life to come.

My daughter spent the first two years of her life in a prewar apartment building with dusty sconces and cracked marble steps in the lobby. The hallways had terrible light because the windows, which once overlooked the courtyard, had been glazed over with a paint that in a less enlightened time might have been called flesh tone. These cosmetic problems would improve as more people like us moved in; the shared spaces would begin to look like the buildings gut-renovated apartments, with their soapstone countertops picked out at Scavolini, recessed light fixtures, the Sub-Zero refrigerators bought as an investment for the inevitable sale four to six years down the road.

At the time, it seemed like the other markers of her upper-middle-class lifegrape leaves from Sahadis, the Japanese pagodas of the Brooklyn Botanic Garden, weekends at her grandparents home in Newportwould keep pace with the changes in the building. If she enrolled at Saint Anns or Dalton or P.S. 321 in nearby Park Slope, she would be part of the fastest-growing demographic in New York Citys wealthiest schools, half Asian and half white.

In December 1979, my mother flew back to Korea to give birth to me because she assumed her stay in America would be temporary. Today, my parents live on a farm that sits on five flat acres on an island off the coast of Puget Sound. Two of the acres have been planted with springy, waist-high lavender bushes that bloom in early April and are cut back down at the end of the summer and burned. There are ten rows of grapes, a greenhouse filled with squash and herbs, two orderly rows of wild garlic, an overgrown patch of buckwheat, and an assortment of potatoes and onions. Bald eagles circle over the grounds and, every once in a while, they swoop down with buzzing wings to pick off one of the thousands of rabbits that make their home in the blackberry bramble. I met my wife at the farm. She and her best friend had come to pick lavender to sell at a farmers market, and I made my best effort to help them out.

A couple of houses down the road, theres a retreat for women writers. Every summer, the new class of fellows stops by the farm to pick lavender for the cabins. Gloria Steinem used to come each year and got to know my mother. When Steinem gave a speech at the University of Washington a few years back, she acknowledged my mother in the crowd and told everyone that she was happy that her good friend had come to see her.

All these, I suppose, are the fruits of brute assimilation.


I dont find my familys narrative to be particularly sympathetic, but you might disagree. For your sake, then, lets construct a happy way to tell the story before we get into the mudslinging and betrayals. The starting point could be anywhere, really. You could start with the birth of my mother during General Douglas MacArthurs liberation of Seoul, with all the bombs exploding and some line like On the day my mother was born, the skies over the 38th parallel lit up red. Or you could start with the moment when my parents stepped off a plane at LAX with the requisite two suitcases. Or, if you wanted to trim a bit, you could start in the Rindge Towers, where we spent our first year in Cambridge, Massachusetts. Those three brick slabs rising up over Fresh Pond are pitch-perfect markers of poverty for someone like me, because they are familiar to anyone who went to school around Bostonthe same people who review your books, edit your articles, and cut your checks.

From there, you could construct the following story of a family on the way up.

Act I: We start in that housing project in Cambridge. Some details of our poverty paired with an anecdote about a friendship with a Black kid down the hall. We end with me coming to some nascent realization about race.

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