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Maxine Bedat - The Life and Death of a Garment

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Maxine Bedat The Life and Death of a Garment
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Additional praise for Unraveled The globalization of the fashion industry has - photo 1

Additional praise for Unraveled:

The globalization of the fashion industry has fueled poverty reduction and economic growth in many parts of the world, but it has also left a trail of human suffering and environmental damage in its wake. This fascinating book holds a magnifying glass to the global division of labor to tell us about the full life history of the clothes we wear.

Dani Rodrik, Ford Foundation Professor of International Political Economy at the John F. Kennedy School of Government at Harvard University, author of The Globalization Paradox

You need to read this book. The fashion industry has become one of the great humanitarian crises of our time. Bdat pulls back the curtain on the industry with devastating insight, simultaneously offering a way forward to a future of industry without gross overconsumption and oppression.

John Mark Comer, pastor at Bridgetown Church, author of The Ruthless Elimination of Hurry

Captivating. With vibrant storytelling, Unraveled weaves together the pieces of a complex system that affects us all but that we cant see ourselves. A revolutionary read that captures both the problems and the solutions needed for a more equitable world.

Amber Valletta, supermodel and activist

Portfolio Penguin An imprint of Penguin Random House LLC - photo 2

Portfolio Penguin An imprint of Penguin Random House LLC - photo 3

Portfolio / Penguin

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2021 by Maxine Bdat Penguin supports copyright Copyright fuels - photo 4

Copyright 2021 by Maxine Bdat

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Owing to limitations of space, illustration credits may be found on .

Images by author unless noted in the credits.

Library of Congress Cataloging-in-Publication Data

Names: Bdat, Maxine, author.

Title: Unraveled : the life and death of a garment / Maxine Bdat.

Description: New York : Portfolio, 2021. | Includes bibliographical references and index.

Identifiers: LCCN 2020048296 (print) | LCCN 2020048297 (ebook) | ISBN 9780593085974 (hardcover) | ISBN 9780593085981 (ebook)

Subjects: LCSH: Clothing trade. | Labor and globalization. | Business logistics.

Classification: LCC HD9940.A2 .B433 2021 (print) | LCC HD9940.A2 (ebook) | DDC 338.4/7687dc23

LC record available at https://lccn.loc.gov/2020048296

LC ebook record available at https://lccn.loc.gov/2020048297

Book design by Cassandra Garruzzo, adapted for ebook by Cora Wigen

Cover design: Sarah Brody

Cover image: Maonakub / iStock / Getty Images Plus

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To my father, Keith, and Jennifers father, Kevin, who helped us believe in our own voices

And my daughter, Leontine, and the generations that follow

Contents
Introduction Billed as the Marketplace of the World New Yorks Jacob Javits - photo 5
Introduction

Billed as the Marketplace of the World, New Yorks Jacob Javits Center stood before me like a glass fortress. As a novice in the fashion world, I was intimidated by the prospect of entering the building for the 2013 MRKET menswear trade show, where buyers from across the country were descending to find the goods that would land on their shelves. I grew up in Minnesota, home of the Mall of America, the largest mall in the United States, so I thought I could handle retail on a scale as grand as this. But that morning I felt humbled by what seemed to be the aggregate of all the malls in the world, complete with the familiar convention center aroma of antifreeze and undertones of coffee and pizza grease.

My business partner and I were getting ready to launch our new ecommerce site for clothing and select homewares, Zady. We wanted to present about fifty piecesshirts, pants, and accessories for women and mencurated from brands that aligned with our philosophy and aesthetic. The goal was to unearth beautiful, artisanal products, so that day in September I was on a mission to find possible goods and brands for the site.

Approaching the enormous main atrium, I felt a chill set in, literal and metaphorical. The other buyers I could see were out for the kill, silently judging and scanning the racks of clothing and signage that stretched as far as the eye could see. Not quite knowing where to start, I walked the length of the space, stopping anytime a collection caught my eye. I approached the first sales representative with what I thought was a simple question: Can you tell me where your collection is made? He responded with a blank stare followed by a shrug of the shoulders, then averted his eyes. I couldnt believe it. Why wasnt he answering me? Didnt he know where his own goods were manufactured?

I continued down the aisle until another collection caught my eye. I asked the same question of the woman at the booth. Asia, she responded shortly, seemingly upset. What was with these people? Asia has forty-eight countries and 4.7 billion inhabitants, so while ever so slightly more specific than the first mans grunt, this information was not terribly helpful. I walked on. It didnt get better: Clothes, it turned out, were being made abroad, in the Orient, or to be super precise, China. What the hell? How did the people responsible for selling clothing to the entire US market not know something as basic as where that clothing was made? (Also, the 1960s called and wants its offensive language back.) Even saying something was designed in New York, I soon realized, was often code for made in China. After a long day trudging through Javits with zero business cards and not optimistic for Zadys future, I left frustrated, confused, and skeptical.

Having recently graduated from law school, I was not afraid of research, and quickly applied those skills to find companies that knew who made their clothes. In September 2013, we launched the business with diverse partners, including Imogene + Willie, a company cutting and sewing denim in Tennessee, and Clare Vivier, whose colorful bags were produced in Los Angeles. We interviewed the designers and those responsible for production to tell the story behind every piece we carried, an attempt to give the customer the novel experience of knowing who made their things, down to the individual. We embedded a map on our site to show where the products came from, educating customers more deeply than the brand reps at Javits.

We had thought it would be enough to explain where each article was madeas in, what the label inside the garment would say. But we soon realized that wasnt enough. Our cashmere sweater was Made in Italy, in that it was where the yarn was knit into a sweater. But the yarn was not spun in Italy and the goats whose wool fiber became yarn roamed the steppes of Mongolia (the cold weather of the steppes helps produce soft fibers). Some of the brands knew where they purchased their yarn or finished textiles, but that didnt mean they knew where those companies, in turn, had purchased the leather or cotton, wool or polyester fibers.

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