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Laura B. Rosenzweig - Hollywoods Spies: The Undercover Surveillance of Nazis in Los Angeles

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Finalist, Celebrate 350 Award in American Jewish Studies
Tells the remarkable story of the Jewish moguls in Hollywood who established the first anti-Nazi Jewish resistance organization in the country in the 1930s
In April 1939, Warner Brothers studios released the first Hollywood film to confront the Nazi threat in the United States. Confessions of a Nazi Spy, starring Edward G. Robinson, told the story of German agents in New York City working to overthrow the U.S. government. The film alerted Americans to the dangers of Nazism at home and encouraged them to defend against it.
Confessions of a Nazi Spy may have been the first cinematic shot fired by Hollywood against Nazis in America, but it by no means marked the political awakening of the film industrys Jewish executives to the problem. Hollywoods Spies tells the remarkable story of the Jewish moguls in Hollywood who paid private investigators to infiltrate Nazi groups operating in Los Angeles, establishing the first anti-Nazi Jewish resistance organization in the countrythe Los Angeles Jewish Community Committee (LAJCC).
Drawing on more than 15,000 pages of archival documents, Laura B. Rosenzweig offers a compelling narrative illuminating the role that Jewish Americans played in combating insurgent Nazism in the United States in the 1930s. Forced undercover by the anti-Semitic climate of the decade, the LAJCC partnered with organizations whose Americanism was unimpeachable, such as the American Legion, to channel information regarding seditious Nazi plots to Congress, the Justice Department, the FBI and the Los Angeles Police Department.
Hollywoods Spies corrects the decades-long belief that American Jews lacked the political organization and leadership to assert their political interests during this period in our history and reveals that the LAJCC was one of many covert fact finding operations funded by Jewish Americans designed to root out Nazism in the United States.

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Hollywoods Spies THE GOLDSTEIN-GOREN SERIES IN AMERICAN JEWISH HISTORY General - photo 1

Hollywoods Spies

THE GOLDSTEIN-GOREN SERIES IN AMERICAN JEWISH HISTORY

General editor: Hasia R. Diner

We Remember with Reverence and Love: American Jews and the Myth of Silence after the Holocaust, 19451962

Hasia R. Diner

Is Diss a System? A Milt Gross Comic Reader

Edited by Ari Y. Kelman

All Together Different: Yiddish Socialists, Garment Workers, and the Labor Roots of Multiculturalism

Daniel Katz

Jews and Booze: Becoming American in the Age of Prohibition

Marni Davis

Jewish Radicals: A Documentary History

Tony Michels

1929: Mapping the Jewish World

Edited by Hasia R. Diner and Gennady Estraikh

An Unusual Relationship: Evangelical Christians and Jews

Yaakov Ariel

Unclean Lips: Obscenity, Jews, and American Culture

Josh Lambert

Hanukkah in America: A History

Dianne Ashton

The Rag Race: How Jews Sewed Their Way to Success in America and the British Empire

Adam Mendelsohn

Hollywoods Spies: The Undercover Surveillance of Nazis in Los Angeles

Laura B. Rosenzweig

Hollywoods Spies
The Undercover Surveillance of Nazis in Los Angeles

Laura B. Rosenzweig

Picture 2

NEW YORK UNIVERSITY PRESS

New York

NEW YORK UNIVERSITY PRESS

New York

www.nyupress.org

2017 by New York University

All rights reserved

References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

ISBN : 978-1-4798-5517-9

For Library of Congress Cataloging-in-Publication data, please contact the Library of Congress.

New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Also available as an ebook

Cary, thank you for everything.

This book is dedicated to the memory of Leon Lewis, the men and women of the LAJCC, and the men and women who worked with them to fight Nazism in Los Angeles between 1933 and 1941. Their willingness to step outside the boundaries of their personal lives to combat a political problem far greater than themselves is an inspiration. They remind all of us that democracy is not a spectator sport.

Contents

I usually skim if not skip the Acknowledgments in the front of a book. I feel like these pages are a personal letter from the author to her family, teachers, professional colleagues, and friends to thank them for their support. As a reader, I get it. It takes a village. Having worked on this book for over a decade, I now understand just how compelled an author feels to express publicly this gratitude. Writing a book can be a long and tedious task and for sure a solitary one. So, now, I as the author begin my book by asserting that I could not have written it without the unfailing support and encouragement of my husband, my son, family, and friends; the counsel of scholars; the assistance of the library professionals who worked with me on this project; and the generous support of the philanthropic organizations that made my research possible. Clich? Perhaps, but nevertheless, utterly heartfelt.

My husband has been my life partner for over thirty years. Cary, without your selfless support, I could not have written this book. For twelve years, this project was a daily preoccupation in our lives as academic theories, historiographic analyses, and the challenge of storytelling swirled in my head. Through it all, you shared in the thrill of new discoveries and buoyed my confidence during periods of self-doubt and fatigue. You were my sounding board, editor, chief critic, and cheerleader. My name occupies the space below the title, but this book is a shared accomplishment. Without your clarity, wisdom, devotion, and red pencil, I would not have been able to write this book.

I am grateful to many for their guidance over the years. The history faculty at the University of California at Santa Cruz provided me with the intellectual and moral support I needed to complete this book. I am indebted to Professor Alice Yang, mentor and friend. Professor Barbara Epstein gave so generously of her time and thought, reading and rereading unwieldy rough drafts and providing detailed and thoughtful comments. Her knowledge of Jewish social movements elevated my work to a level of scholarship that I could not have realized without her critical perspective. Professor Marc Dollingers thoughtful comments and persistent reminders not to bury the lead sharpened the focus and structure of each chapter. I am indebted to him and to Professor Fred Astren at San Francisco State for their support over the years. Two other academic colleagues helped to launch and conclude this work. This project started with a phone conversation with Professor Steven Carr of Indiana UniversityPurdue University. It was Steven who told me about the CRC Papers. Professor Ellen Eisenberg of Willamette University stepped up at the end of a long road to read the final draft of the manuscript and shined the light that guided it to completion.

I wish to thank my scholarly friends whose willingness to read, edit, and critique drafts was invaluable. Jackie Gutwirth took a sharp red pencil to my first working draft of this book. Rebecca Landes read the last draft and provided critical feedback, and Sandy Horwich edited the final manuscript with a thoughtful eye.

This book was supported by many funders over the years. A three-year research grant from the Memorial Foundation for Jewish Culture made travel to and from Los Angeles possible. Research grants from the American Jewish Archives in Cincinnati, the Center for American Jewish History in New York City, the Historical Society of Southern California, and the USC/Annenberg Foundation funded research trips, and a fellowship grant from the Institute for Humanities Research at UCSC sustained this project.

The research for this project took me to archives across the country. I am thankful to the professional librarians and archivists who assisted me during the years. I am particularly indebted to David Sigler, the reading room supervisor at the Urban Archives and Special Collections of Oviatt Library, for his attentiveness and outstanding personal service over the years, and to Yolanda Greenhalgh, for her good company in the reading room and for introducing me to Leonard Pitt. Thanks, too, to Kevin Profitt at the American Jewish Archives for his help during the month I spent in Cincinnati, to Charlotte Bonelli for unlocking the secret of the American Jewish Committees 1930s fact-finding operation, and to William Davis at the United States National Archives in Washington, DC, who cut through the complexities of the Dies Committee collection to locate the Los Angelesrelated documents.

One of the most rewarding aspects of conducting recent historical research is the possibility that one might be able to meet the protagonists of his or her research. The historical actors of this story have passed, but it was my pleasure to know Claire Lewis Read and Sherry Slocombe and an honor to share with them stories of their fathers anti-Nazi activism, of which they knew nothing. Remarkably, both women had letters and papers belonging to their fathers, which they both graciously shared along with memories of their fathers. I wish that Claire could have lived to see this book published, but I am confident that somewhere, she and her father, Leon Lewis, are smiling down on this tribute to his work. Thanks, too, to my friend Pam Thompson, whose genealogical expertise located Claire and Sherry.

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