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Geert Lovink and Miriam Rasch - Unlike Us Reader: Social Media Monopolies and Their Alternatives

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Geert Lovink and Miriam Rasch Unlike Us Reader: Social Media Monopolies and Their Alternatives
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Unlike Us Reader: Social Media Monopolies and Their Alternatives: summary, description and annotation

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The Unlike Us Reader offers a critical examination of social media, bringing together theoretical essays, personal discussions, and artistic manifestos. How can we understand the social media we use everyday, or consciously choose not to use? We know very well that monopolies control social media, but what are the alternatives? While Facebook continues to increase its user population and combines loose privacy restrictions with control over data, many researchers, programmers, and activists turn towards designing a decentralized future. Through understanding the big networks from within, be it by philosophy or art, new perspectives emerge.Unlike Us is a research network of artists, designers, scholars, activists, and programmers, with the aim to combine a critique of the dominant social media platforms with work on alternatives in social media, through workshops, conferences, online dialogues, and publications. Everyone is invited to be a part of the public discussion on how we want to shape the network architectures and the future of social networks we are using so intensely.

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Unlike Us Reader Social Media Monopolies and Their Alternatives Editors Geert - photo 1
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Unlike Us Reader

Social Media Monopolies and Their Alternatives

Editors: Geert Lovink and Miriam Rasch

Copy editing: Rachel Somers Miles

Design: Katja van Stiphout

Cover design: Giulia Ciliberto and Silvio Lorusso

ePub development: Silvio Lorusso

Publisher: Institute of Network Cultures, Amsterdam, 2013

ePub ISBN: 978-90-818575-5-0

Printed version ISBN: 978-90-818575-2-9

Contact

Institute of Network Cultures

phone: +31205951866

fax: +31205951840

email:

web: www.networkcultures.org

Order a copy of this book by email:

A PDF of this publication can also be downloaded freely at:

www.networkcultures.org/publications/inc-readers

Join the Unlike Us mailinglist at:

http://listcultures.org/mailman/listinfo/unlike-us_listcultures.org

Supported by: CREATE-IT applied research, Amsterdam University of Applied Sciences (Hogeschool van Amsterdam) and Stichting Democratie en Media

Thanks to Margreet Riphagen at INC, to all of the authors for their contributions, Patrice Riemens for his translation, Rachel Somers Miles for her copy editing, and to Stichting Democratie en Media for their financial support.

This publication is licensed under Creative Commons

Attribution Picture 3 NonCommercial Picture 4 ShareAlike Picture 5 3.0 Unported (CC BY-NC-SA 3.0).

To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/.

Previously published INC Readers:

The INC Reader series is derived from conference contributions and produced by the Institute of Network Cultures. The readers are available in print and PDF form.

INC Reader #7: Geert Lovink and Nathaniel Tkacz (eds), Critical Point of View: A Wikipedia Reader, 2011.

INC Reader #6: Geert Lovink and Rachel Somers Miles (eds), Video Vortex Reader II: Moving Images Beyond YouTube, 2011.

INC Reader #5: Scott McQuire, Meredith Martin and Sabine Niederer (eds), Urban Screens Reader, 2009.

INC Reader #4: Geert Lovink and Sabine Niederer (eds), Video Vortex Reader: Responses to YouTube, 2008.

INC Reader #3: Geert Lovink and Ned Rossiter (eds), MyCreativity Reader: A Critique of Creative Industries, 2007.

INC Reader #2: Katrien Jacobs, Marije Janssen and Matteo Pasquinelli (eds), CLICK ME: A Netporn Studies Reader, 2007.

INC Reader #1: Geert Lovink and Soenke Zehle (eds), Incommunicado Reader, 2005.

All INC Readers, and other publications like the Network Notebooks Series and Theory on Demand, can be downloaded as a PDF for free from www.networkcultures.org/publications.

Or check www.scribd.com/collections/3073695/INC-Readers for print on demand, and www.issuu.com/instituteofnetworkcultures for online reading.

CONTENTS

Geert Lovink

THEORY OF SOCIAL MEDIA

Bernard Stiegler

David M. Berry

Ganaele Langlois

Nathan Jurgenson and PJ Rey

Martin Warnke

Andrea Miconi

Yuk Hui and Harry Halpin

CRITICAL PLATFORM ANALYSIS

Korinna Patelis

Jenny Kennedy

Mercedes Bunz

Caroline Bassett

Ippolita and Tiziana Mancinelli

PLATFORM CASE STUDIES

Mariann Hardey and David Beer

D.E. Wittkower

Leighton Evans

Andrew McNicol

Robert W. Gehl

ARTISTIC INTERVENTIONS

Simona Lodi

Alessandro Ludovico and Paolo Cirio

Louis Doulas and Wyatt Niehaus

Brad Troemel

Tatiana Bazzichelli

ACTIVISM AND SOCIAL MEDIA USES

Marc Stumpel

Pavlos Hatzopoulos and Nelli Kambouri

Tiziana Terranova and Joan Donovan

ALTERNATIVES

Lonneke van der Velden

Sebastian Sevignani

Florencio Cabello, Marta G. Franco and Alexandra Hach

Solon Barocas, Seda Grses, Arvind Narayanan and Vincent Toubiana

APPENDICES

Unlike Us #1 in Limassol

Unlike Us #2 in Amsterdam

A World Beyond Facebook Introduction to the Unlike Us Reader Social - photo 6
A World Beyond Facebook: Introduction to the Unlike Us Reader

/

Social slogans of the day: Das Ich ist nicht zu retten, Ernst Mach I fear the day when the technology overlaps with our humanity. The world will only have a generation of idiots, Albert Einstein I can buy a Ford, Toyota, BMW or Smart car and drive on the same roads and use the same fuel. Everything is interchangeable about them except the key that gets me in and starts the engine. Its a good model for how our communication systems should work, at all levels, Dave Winer Take a position, be an author the European concert of networks I am inspired by the internet, Johan Sjerpstra It is a small step from distributed to dispersion Neither information nor a drug fix ever gives any happiness when you have it, but will make you miserable when you dont, Michel Serres I am traveling a lot, online.

Whether or not we are in the midst of yet another internet bubble, we can all agree that social media dominates the use of the internet and smartphones. The emergence of apps and web-based user-to-user services, driven by an explosion of informal dialogues, continuous uploads, and user-generated content, have greatly empowered the rise of participatory culture. At the same time, monopoly power, commercialization, and commodification are on the rise as well, with just a handful of social media platforms dominating the social web. Tensions are increasing with the question of what to make of the influence and impact of social media? Two contradictory processes both the facilitation of free exchanges and the commercial exploitation of social relationships seem to lie at the heart of contemporary capitalism: empowerment and control, freedom and paranoia. On the one hand new media create and expand the social spaces through which we interact, play, and even politicize ourselves; on the other hand, in most countries they are owned by literally three or four companies that have phenomenal power to shape the architectures of such interactions. Whereas the hegemonic internet ideology promises open, decentralized systems, why do we, time and again, find ourselves locked into closed, centralized environments? Why are individual users so easily lured into these corporate walled gardens? Do we understand the long-term costs that society will pay for the ease of use and simple interfaces of their beloved free services?

The accelerated growth and scope of Facebooks social space is unheard of. As of late 2012, Facebook is said to have more than one billion active users, ranking in the top three first destination sites on the web, worldwide. Its users willingly deposit a myriad of snippets of their social life and relationships on a site that invests in an accelerated play of exchanging information. On the different platforms, from LinkedIn to Google+, we are all busy befriending, ranking, recommending, retweeting, creating circles, uploading photos and videos, and updating our status. Numerous (mobile) applications orchestrate this offer of private moments in a virtual public, seamlessly embedding the online world in the everyday life of users.

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