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Desmond Morris - Owl

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Desmond Morris Owl
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Owl: summary, description and annotation

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The owls are not what they seem. From ancient Babylon to Edward Lears The Owl and the Pussycat and the grandiloquent, absent-minded Wol from Winnie the Pooh to David Lynchs Twin Peaks, owls have woven themselves into the fabric of human culture from earliest times. Beautiful, silent, pitiless predators of the night, possessing contradictory qualities of good and evil, they are enigmatic creatures that dwell throughout the world yet barely make their presence known. In his fascinating new book, bestselling author and broadcaster Desmond Morris explores the natural and cultural history of one of natures most popular creatures.
Morris describes the evolution, the many species, and the wide spread of owls around the world excluding Antarctica, owls are found on every land mass, and they range in size from 28 centimetres (the Least Pygmy Owl) to more than 70 centimetres tall (the Eurasian Eagle Owl). As a result of their wide distribution, owls also occur in the folk-tales, myths and legends of many native peoples, and Morris explores all these, as well as the many examples of owls in art, film, literature and popular culture.
A new title by an acclaimed author, and featuring many telling illustrations from nature and culture, Owl will appeal to the many devotees of this emblematic bird. Despite the fact that many have never seen or even heard an owl, he illustrates through this enticing read that the owls presence is still very real to us today.

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Owl Animal Series editor Jonathan Burt Crow Boria Sax Cat Katharine - photo 1
Owl

Picture 2

Animal

Series editor: Jonathan Burt

Crow
Boria Sax
Cat
Katharine M. Rogers
Spider
Katja and Sergiusz Michalski
Ant
Charlotte Sleigh
Peacock
Christine E. Jackson
Pig
Brett Mizelle
Tortoise
Peter Young
Cow
Hannah Velten
Lion
Deirdre Jackson
Cockroach
Marion Copeland
Swan
Peter Young
Camel
Robert Irwin
Dog
Susan McHugh
Shark
Dean Crawford
Chicken
Annie Potts
Oyster
Rebecca Stott
Rhinoceros
Kelly Enright
Wolf
Gary Marvin
Bear
Robert E. Bieder
Moose
Kevin Jackson
Butterfly
Matthew Brower
Bee
Claire Preston
Duck
Victoria de Rijke
Sheep
Philip Armstrong
Rat
Jonathan Burt
Horse
Elaine Walker
Octopus
Helen Tiffin
Snake
Drake Stutesman
Elephant
Daniel Wylie
Flea
Karin Barton
Falcon
Helen Macdonald
Eel
Richard Schweid
Giraffe
Mark Williams
Whale
Joe Roman
Ape
John Sorenson
Jellyfish
Animal
Parrot
Paul Carter
Snail
Peter Williams
Beetle
Adam Dodd
Tiger
Susie Green
Pigeon
Barbara Allen
Donkey
Jill Bough
Salmon
Peter Coates
ForthcomingBat
Judith Halberstam
Fox
Martin Wallen
Penguin
Stephen Martin
Fly
Steven Connor
Hare
Simon Carnell

Published by
REAKTION BOOKS LTD
33 Great Sutton Street
London EC1V 0DX, UK
www.reaktionbooks.co.uk

First published 2009
Copyright Desmond Morris 2009

All rights reserved

No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers.

Page references in the Photo Acknowledgements and
Index match the printed edition of this book.

Printed and bound in China

British Library Cataloguing in Publication Data Morris, Desmond.

Owl. (Animal)

1. Owls.

2. Owls in literature.

3. Owls in art.

I. Title II. Series

598.97-DC22

eISBN: 9781861897107

Contents

The White Owl a portrait of the barn owl by Eleazar Albin in 1731 The iconic - photo 3

The White Owl, a portrait of the barn owl by Eleazar Albin in 1731. The iconic shape of the owl has been a joy for illustrators for centuries.

Introduction

The owl is a contradiction. It is the best known of birds and the least known of birds. Ask anyone, even a small child, to draw an owl and they will do so without hesitation. Ask them when they last saw an owl and they will pause, think hard and then say they cant remember. As a picture in a book yes; as a bird in a TV documentary probably; as a cage inmate in a zoo possibly. But when did they last see a live owl in the wild, in its natural state? That is a different matter.

How has this contradiction arisen? It is easy enough to understand why we so rarely encounter a live owl, for it is a shy night predator with silent flight. Unless we went out of our way to spot one and made organized nocturnal forays with special equipment, we would have little chance of coming face to face with one. It is harder to understand why we are so familiar with its appearance, if we see so little of it. The answer lies in its unique head shape. Like human beings the owl has a wide, rounded head, with a flat face and a pair of large, wide-set, staring eyes. This gives it an unusually human quality that no other bird can match and in ancient times it was sometimes referred to as the human-headed bird. We call ourselves Homo sapiens, meaning wise man and because the owl has a human-looking head we refer to it as a wise old bird. In reality an owl is not as wise as a crow or a parrot, but we think of it as wise simply because of its superficial resemblance to us.

A childs-eye view: Wise Owl, Sad Owl, Angry Owl by Matilda, age 10, ink and pencil on paper, 2008.

It is this humanoid stare that makes us feel we know the owl And it is the - photo 4

It is this humanoid stare that makes us feel we know the owl. And it is the broad head and the big, forward-facing eyes that make it impossible for us to look at an owl and not feel that we are in the presence of a deep-thinking avian relative. This makes us, at the same time, rather sentimental about owls and rather scared of them. If they are so wise and yet they only come out at dead of night, perhaps they are up to no good? Like burglars they stalk their prey when their victims are at their most vulnerable. Like vampires they only draw blood when the sun has gone down. Perhaps, instead of wisdom, there might be something evil about the owl?

When we examine the history of our relationship with owls we find that it has, indeed, frequently been a symbol of both wisdom and evil. Wise or wicked, wicked or wise, the image of the owl keeps altering. For several thousand years these two iconic values have kept swapping and changing. Another of the contradictory qualities of the much misunderstood owl.

In this book I want to examine both these roles, and others too. For the evil owl can suddenly change into a protective owl if its imagined violence can be harnessed and turned against our enemies. In India it has also been seen as a vehicle for a goddess, swooping down from the sky, and in Europe, by some, as a symbol of obstinacy and by others as an emblem of calm in the face of extreme provocation. In the twenty-first century, when we are at last coming to appreciate the wild fauna of our planet and worry about its dramatic decline, we are also keen to understand the fascinating biology of the owl.

A Bestiary Owl 12th century So there are many owls to be examined here - photo 5

A Bestiary Owl, 12th century.

So there are many owls to be examined here: the wise owl, the evil owl, the protective owl, the transporting owl, the obstinate owl, the calm owl and the natural owl. And there have been many different epochs and cultures in which our interest in owls has led to a fascinating collection of myths, legends and artefacts, all dominated by the owls hypnotic stare.

On a personal note, from my days as a zoo curator I have known many captive owls, and during the days when I wastravelling around making television programmes about animal life, I met many more. But if I am honest, I have like you, I suspect met very few owls in the wild, in their natural habitats. There was, however, one memorable encounter that I still recall vividly in every detail, even though it took place over sixty years ago, when I was at boarding school. I had wandered off into the countryside near the school one summers afternoon, and saw something strange in the corner of a field. I approached slowly and silently because I could see that it was some kind of bird, standing immobile on the ground. As I drew closer, it still did not move. Then, when I was about ten feet away from it, I realized with a sudden jolt of recognition that it was a blood-covered, severely injured owl. It must have been shot, caught up in a trap, entangled in some sort of sharp wiring, or hit by a car in the night. Its injuries were horrific and it was clearly dying slowly and in great pain. It was beyond veterinary help. What was I to do?

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