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Anderson - Renaissance architecture

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Renaissance architecture: summary, description and annotation

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The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history.
Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities -- and architecture provided the public face to these new identities. Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings.
Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general

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Renaissance Architecture

Oxford History of Art

Christy Anderson is an architectural historian with a special interest in the buildings of Renaissance and Baroque Europe. The author of Inigo Jones and the Classical Tradition (2006), she has taught at Yale University, the Courtauld Institute, and MIT, and is currently an Associate Professor at the University of Toronto.

Oxford History of Art

Titles in the Oxford History of Art series are up-to-date, fully illustrated introductions to a wide variety of subjects written by leading experts in their field. They will appear regularly, building into an interlocking and comprehensive series. In the list below, published titles appear in bold.

WESTERN ART

Archaic and Classical Greek Art Robin Osborne Classical Art From Greece to - photo 1

Archaic and Classical Greek Art

Robin Osborne

Classical Art
From Greece to Rome

Mary Beard & John Henderson

Imperial Rome and Christian Triumph

Jas Elsner

Early Medieval Art

Lawrence Nees

Medieval Art

Veronica Sekules

Art in Renaissance Italy

Evelyn Welch

Northern Renaissance Art

Susie Nash

Art in Europe 17001830

Matthew Craske

Modern Art 18511929

Richard Brettell

After Modern Art 19452000

David Hopkins

WESTERN ARCHITECTURE

Roman Architecture Janet Delaine Early Medieval Architecture Roger Stalley - photo 2

Roman Architecture
Janet Delaine

Early Medieval Architecture

Roger Stalley

Medieval Architecture

Nicola Coldstream

Renaissance Architecture

Christy Anderson

Baroque and Rococo
Architecture
Hilary Ballon

European Architecture 17501890

Barry Bergdoll

Modern Architecture

Alan Colquhoun

Contemporary
Architecture
Anthony Vidler

Architecture in the United States

Dell Upton

WORLD ART

Aegean Art and Architecture Donald Preziosi Louise Hitchcock Early Art and - photo 3

Aegean Art and Architecture

Donald Preziosi & Louise Hitchcock

Early Art and Architecture of Africa

Peter Garlake

African-American Art

Sharon F. Patton

Nineteenth-Century
American Art

Barbara Groseclose

Twentieth-Century
American Art

Erika Doss

Australian Art

Andrew Sayers

Byzantine Art

Robin Cormack

Art in China

Craig Clunas

East European Art

Jeremy Howard

Indian Art

Partha Mitter

Islamic Art

Irene Bierman

Japanese Art

Karen Brock

Native North American Art

Janet Berlo & Ruth Phillips

The Pacific Arts of Polynesia and Micronesia

Adrienne L. Kaeppler

WESTERN DESIGN

Twentieth-Century Design Jonathan Woodham Design in the USA Jeffrey LMeikle - photo 4

Twentieth-Century Design

Jonathan Woodham

Design in the USA

Jeffrey L.Meikle

Fashion

Christopher Breward

PHOTOGRAPHY

The Photograph Graham Clarke American Photography Miles Orvell WESTERN - photo 5

The Photograph

Graham Clarke

American Photography

Miles Orvell

WESTERN SCULPTURE

Sculpture 19001945 Penelope Curtis Sculpture Since 1945 Andrew Causey - photo 6

Sculpture 19001945

Penelope Curtis

Sculpture Since 1945

Andrew Causey

THEMES AND GENRES

Landscape and Western Art Malcolm Andrews Portraiture Shearer West - photo 7

Landscape and Western Art

Malcolm Andrews

Portraiture

Shearer West

Eroticism and Art

Alyce Mahon

Beauty and Art

Elizabeth Prettejohn

REFERENCE BOOKS

Renaissance architecture - image 8

The Art of Art History: A Critical Anthology

Donald Preziosi (ed.)

Oxford History of Art

Renaissance Architecture

Christy Anderson

Renaissance architecture - image 9

Renaissance architecture - image 10

Great Clarendon Street, Oxford, OX2 6DP,
United Kingdom

Oxford University Press is a department of the University of Oxford.
It furthers the Universitys objective of excellence in research, scholarship,
and education by publishing worldwide. Oxford is a registered trade mark of
Oxford University Press in the UK and in certain other countries

Christy Anderson 2013

The moral rights of the author have been asserted

First Edition published in 2013

All rights reserved. No part of this publication may be reproduced, stored in
a retrieval system, or transmitted, in any form or by any means, without the
prior permission in writing of Oxford University Press, or as expressly permitted
by law, by licence or under terms agreed with the appropriate reprographics
rights organization. Enquiries concerning reproduction outside the scope of the
above should be sent to the Rights Department, Oxford University Press, at the
address above

You must not circulate this work in any other form
and you must impose this same condition on any acquirer

British Library Cataloguing in Publication Data

Data available

ISBN 9780192842275

Printed in China by
C&C Offset Printing Co. Ltd

Links to third party websites are provided by Oxford in good faith and
for information only. Oxford disclaims any responsibility for the materials
contained in any third party website referenced in this work.

Contents

The first idea for this book seemed straightforward enough: a study that embraced Renaissance architecture in all its diversity and wonder. Those good intentions, however, faced the reality of difficult choices and an ocean of literature on each national tradition. Many friends and colleagues came to my aid.

A number of students have helped with the project: Ellen Chang, Alexis Cohen, H. G. Masters, Katherine Sims, Kimberley Skelton, and Christopher Worme. They sorted slides (back in the day), scanned images (more recently), found bibliography, tracked down images, read sections, and were the audience I always had in mind. For one important summer Jacob Roscoe ably assisted with the research on French and Flemish architecture. Over the years I developed several courses out of this material at Yale University and the University of Toronto. I am grateful to all of my students for their interest and excellent ideas.

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