Thierry Gervais - The Making of Visual News: A History of Photography in the Press
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- Book:The Making of Visual News: A History of Photography in the Press
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The Making of Visual News: A History of Photography in the Press: summary, description and annotation
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The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since.
Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Galle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications.
Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
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of Visual News
For Gabriel.
The Illustrated London News, December 29, 1855, cover, engraving from a photograph by Roger Fenton
Mnchner Illustrierte Presse, July 17, 1932, cover, photograph by Felix H. Man (Dephot)
Life, December 3, 1951, cover, photograph by Gerald Sharland
Paris Match, June 10, 1967, cover, photograph by Charles Harbutt (Magnum)
Charles Franois Thibault, The barricade of rue Saint-Maur [du Faubourg-du-Temple] after the attack by General Lamoricires troops, daguerreotype, 12.7 x 10.4 cm, 1848
LIllustration, July 18, 1948, p. 276 (detail). From a photograph by Charles Franois Thibault
Roger Fenton, Gnral Bosquet and Capitaine Dampierre. Incidents of Camp Life Photographs Taken in the Crimea, salted paper, 18.3 x 15.2 cm, 1855
The Illustrated London News, October 6, 1855, p. 405. From a photograph by Roger Fenton
Le Journal illustr, September 5, 1886, pp. 284 and 288. Photographs by Paul Nadar
The Illustrated American, September 16, 1893, p. 325
LIllustration, September 4, 1909, pp. 1623. Photographs by Lon Gimpel
Lon Gimpel, Projection of color photographs at the Societ franaise de photographie, lantern slide, 9 x 12 cm, February 4, 1908
Colliers Weekly, July 30, 1898, p. 5. Photographs by James H. Hare
Anonymous, Jimmy Hares tent, American photographer, Colliers Weeklyand LIllustrationcorrespondent, on the banks of the Yalu River, gelatin silver print mounted on cardboard and retouched with white gouache, 18 x 24 cm, 1904
LIllustration, August 27, 1904, pp. 1367. Photographs by James H. Hare
LIllustration, December 10, 1904, pp. 41213. Photographs by James H. Hare
La Vie illustre, July 8, 1904, cover. Photograph by George Rogers
La Vie au grand air, September 8, 1904, cover
La Vie au grand air, November 3, 1904, cover
La Vie au grand air, December 24, 1903, p. 963
La Vie au grand air, August 1, 1908, pp. 889
Le Miroir, May 16, 1915, pp. 45
Le Miroir, December 6, 1914, cover
Le Miroir, May 2, 1915, pp. 89
Berliner Illustrirte Zeitung, May 15, 1904, cover
Berliner Illustrirte Zeitung, July 16, 1911, cover
Berliner Illustrirte Zeitung, September 18, 1910, cover. Photograph by Ed. Frankl
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