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Celan Paul Paul Celans encounters with surrealism: trauma, translation and shared poetic space
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Paul Celan (1920-1970), one of the most important and challenging poets in post-war Europe, was also a prolific and highly idiosyncratic translator. His post-Holocaust writing is inextricably linked to the specific experiences that have shaped contemporary European and American identity, and at the same time has its roots in literary, philosophical and scientific traditions that range across continents and centuries surrealism being a key example. Celans early works emerge from a fruitful period for surrealism, and they bear the marks of that style, not least because of the deep affinity he felt with the need to extend the boundaries of expression. In this comparative and intertextual study, Charlotte Ryland shows that this interaction continued throughout Celans lifetime, largely through translation of French surrealist poems, and that Celans great oeuvre can thus be understood fully only in the light of its interaction with surrealist texts and artworks, which finally gives rise to a wholly new poetics of translation. Charlotte Ryland is Lecturer in German at St Hughs College and The Queens College, Oxford.

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PAUL CELANS ENCOUNTERS WITH SURREALISM TRAUMA TRANSLATION AND SHARED POETIC - photo 1

PAUL CELANS ENCOUNTERS WITH SURREALISM TRAUMA, TRANSLATION AND SHARED POETIC SPACE

Legenda

LEGENDA, founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies and the British Comparative Literature Association.

The Modern Humanities Research Association MHRA encourages and promotes - photo 2

The Modern Humanities Research Association (MHRA) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.

Routledge is a global publisher of academic books journals and online - photo 3

Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse and Sartre. Today Routledge is one of the world's leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.

www.routledge.com

Editorial Board

Chairman Professor Colin Davis, Royal Holloway, University of London

Professor Malcolm Cook, University of Exeter (French)

Professor Robin Fiddian, Wadham College, Oxford (Spanish)

Professor Paul Garner, University of Leeds (Spanish)

Professor Andrew Hadfield, University of Sussex (English)

Professor Marian Hobson Jeanneret,

Queen Mary University of London (French)

Professor Catriona Kelly, New College, Oxford (Russian)

Professor Martin McLaughlin, Magdalen College, Oxford (Italian)

Professor Martin Maiden, Trinity College, Oxford (Linguistics)

Professor Peter Matthews, St Johns College, Cambridge (Linguistics)

Dr Stephen Parkinson, Linacre College, Oxford (Portuguese)

Professor Suzanne Raitt, William and Mary College, Virginia (English)

Professor Ritchie Robertson, St Johns College, Oxford (German)

Professor Lesley Sharpe, University of Exeter (German)

Professor David Shepherd, Keele University (Russian)

Professor Michael Sheringham, All Souls College, Oxford (French)

Professor Alison Sinclair, Clare College, Cambridge (Spanish)

Professor David Treece, Kings College London (Portuguese)

Managing Editor
Dr Graham Nelson
41 Wellington Square, Oxford OX1 2JF, UK

legenda@mhra.org.uk
www.legenda.mhra.org.uk

Paul Celan's Encounters with Surrealism

Trauma, Translation and Shared Poetic Space

CHARLOTTE RYLAND

Modern Humanities Research Association and Routledge 2010 First published 2010 - photo 4

Modern Humanities Research Association and Routledge 2010

First published 2010

Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA

LEGENDA is an imprint of the
Modern Humanities Research Association and Routledge

Routledge is an imprint of the Taylor & Francis Group, an informa business

ISBN 978-1-906540-77-7 (hbk)

Modern Humanities Research Association and Taylor & Francis 2010

The following excerpts are ditions Gallimard and are reprinted by kind permission: 'Pablo Picasso' by Paul luard (p. 34); 'Georges Braque' by Paul luard (p. 34); 'Entre Autres' by Paul luard (p. 35); 'La Nuit' by Paul luard (p. 36); 'Les Petits justes' by Paul luard (pp. 3744); 'N'ayez point piti de moi' by Aim Csaire (pp. 7475); 'J'ai tant rv de toi' by Robert Desnos (p. 99); 'Nous avons fait la nuit' by Paul luard (p. 118)

The following excerpts are Suhrkamp Verlag and are reprinted by kind permission: 'Csaire, Habt kein Erbarmen mit mir' by Paul Celan (p. 78); 'Desnos, Das letzte Gedicht' by Paul Celan (p. 105); 'luard, Nous avons fait la nuit' by Paul Celan (p. 122); 'Shakespeare, Sonnette CV' by Paul Celan (p. 155); 'Ich trink Wein' by Paul Celan (p. 184)

'Die Halde' by Paul Celan (p. 152) is
Deutsche Verlags-Anstalt and is reprinted by kind permission

'In Eins' by Paul Celan (p. 15960) is S. Fischer Verlag and is reprinted by kind permission Unpublished letters and drafts by Paul Celan are Eric Celan (Paris) and Suhrkamp Verlag (Frankfurt am Main) and are cited by kind permission

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.

Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Contents
Guide

TO THE MEMORY OF MY GRANDFATHER JACK RYLAND (19232007)

I would like to thank the following organizations and individuals for making this book possible:

The UCL German Department, for the Graduate Teaching Assistantship that enabled me to fund my research, and for the opportunity to be part of such an exceptional department; and my colleagues and friends at UCL for their encouragement and support. The UCL Graduate School, for grants to attend conferences in Belfast and Cincinnati, and for funding my first research trip to the Deutsches Literaturarchiv in Marbach am Neckar. The University of London Central Research Fund and the Deutscher Akademischer Austauschdientst (DAAD), for generous grants to fund research visits to the Deutsches Literaturarchiv and for enabling me to spend extended periods researching in Berlin. The Conference of University Teachers of German, for funding a research visit to Bucharest; and Professor George Guu, who kindly provided me with access to the archives of the Romanian Literary Museum and has readily given help and advice throughout this project. Dr Jochen Meyer, Dr Ulrich von Blow and all the staff at the Deutsches Literaturarchiv for their advice and assistance; and Professor Bertrand Badiou and Eric Celan for granting me access to Celans unpublished manuscripts. The Association for German Studies in Great Britain and Ireland for a generous publication scholarship. My proofreader, Sheridan Burnside, for her keen eye, encouragement and inspiration.

This book originated in my PhD thesis, completed at University College London between 2003 and 2007, and sincere thanks are due to my PhD supervisor, Dr Mererid Puw Davies, and to my secondary supervisor, Dr Judith Beniston, for their guidance, encouragement, advice and invaluable criticism and for the many enjoyable hours spent discussing this project. I am also particularly indebted to my examiners, Professor Leonard Olschner and Professor Karen Leeder, for their advice and support during and after my viva. I wish to thank my friends and housemates in London, Berlin and Oxford for making the years such enjoyable ones, and Lydia for providing a delightful home to complete the project as well as two excellent cats for company. Finally, and most importantly, I owe a great deal to my family, and especially to my parents, whose limitless encouragement, interest, understanding and support have given me the independence and motivation necessary to complete this study.

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