Dane Joseph A. - Material Texts: Out of Sorts: On Typography and Print Culture

ACKNOWLEDGMENTS

appeared in Studies in Bibliography 51 (1998): 4862. I thank their editors for permission to reprint here. I thank also for photo permissions the British Library, the Henry E. Huntington Library, the Doheny Library at the University of Southern California, and especially the William Andrews Clark Memorial Library in Los Angeles. I have received help of various kinds from a number of people, including, but of course not limited to, Amelia Kunhardt, Hoyt Duggan, Svetlana Dyananova, Sidney Evans, Percival Everett, Mac Gatch, Penelope Geng, Alexandra Gillespie, the Greens, Paulina Kewes, Seth Lerer, Randall McCloud, Paul Needham, Phoebe Peacock, Margaret Russett, Sandra Prior, my students, and numerous friends from Maine. I also am most grateful to Jerry Singerman and many others at the University of Pennsylvania Press for their help and support.

PRINCIPAL WORKS CITED

Ackermann, James S. Leonardo's Eye. Journal of the Warburg and Courtault Institutes 41 (1978): 10813.

Aguera y Arcas, Blaise. Temporary Matrices and Elemental Punches in Gutenberg's DK Type. In Kristian Jensen, ed., Incunabula and Their Readers. London: British Library, 2003. 112.

Allen, Gay Wilson. The New Walt Whitman Handbook. New York: New York University Press, 1975.

Ames, Joseph. Typographical Antiquities. London, 1749.

Amico, Moneti E. Giacomo Sardini, patrizio lucchese, erudito e bibliografo. In Miscellanea in memoria di A. Gallo. Florence: Olschki, 1956. 4778.

Andersen, Kirsti. The Geometry of an Art: The History of the Mathematical Theory of Perspective from Alberti to Monge. New York: Springer, 2007.

Andrew, Malcolm, et al. The General Prologue. Variorum Chaucer II, 1. Norman: University of Oklahoma Press, 1993.

Antonetti, Martin. Typographic Ekphrasis: The Description of Typographic Forms in the Nineteenth Century. Word and Image 15 (1999): 4445.

Audin, Maurice. Histoire de limprimerie: radioscopie dune re, de Gutenberg linformatique. Paris: Picard, 1972.

Baatz, Christine. A Strange Collection of Trash? The Re-Evaluation of Medieval Literature in Thomas Percy's Reliques of Ancient English Poetry (1765). In Barbara Korte, Ralf Schneider, and Stefanie Lethbridge, eds., Anthologies of British Poetry: Critical Perspectives from Literary and Cultural Studies. Amsterdam: Rodopi, 2000. 10524.

Bain, Peter, and Pau Shaw, eds. Blackletter Type and National Identity. New York: Princeton Architectural Press, 1998.

Barker, Nicolas. Biblioteca Lindesiana. London: Quaritch, 1977.

______. Reflections on the History of the Book. 1990. Rpt. in Form and Meaning in the History of Books: Selected Essays. London: British Library, 2003.

______. Typography and the Meaning of Words: The Revolution in the Layout of Books in the Eighteenth Century. In Giles Barber and Bernhard Fabian, eds., Buch und Buchhandel in Europa im achtzehnten Jahrhundert. Hamburg: Hauswedell, 1981. 12766.

Bechtel, Guy. Gutenberg et linvention de limprimerie: une enqute. Paris: Fayard, 1992.

Benson, Larry D., ed. The Riverside Chaucer. Boston: Houghton Mifflin, 1987.

Blades, William. How to Tell a Caxton: with some hints where and how the same might be found. London: Sotheran, 1870.

______. Life and Typography of William Caxton. 2 vols. London: J. Lilly, 1861.

Blake, N. F. Aftermath: Manuscript to Print. In Jeremy Griffiths and Derek Pearsall, eds., Book Production and Publishing in Britain, 13751475. Cambridge: Cambridge University Press, 1989. 40332.

Blodgett, James E. Some Printer's Copy for William Thynne's 1532 Edition of Chaucer. The Library ser. 6, 1 (1979): 97113.

Boghardt, Martin. Partial Duplicate Setting: Means of Rationalization or Complicating Factor in Textual Transmission. The Library ser. 6, 15 (1993): 30631.

Bradshaw, Henry. List of the Founts of Type and Woodcut Devices Used by Printers of Holland in the Fifteenth Century. Memorandum 3, June 1871. In Collected Papers. Cambridge: Cambridge University Press, 1889. 25879.

Braudel, Fernand. Histoire et sciences sociales: la longue dure. 1958. Rpt. in crits sur lhistoire. Paris: Flammarion, 1969. 4184.

Brooks, Cleanth, ed. The Percy Letters. Vol. 7, The Correspondence of Thomas Percy and William Shenstone. New Haven, Conn.: Yale University Press, 1977.

Brown, Horatio. The Venetian Printing Press: An Historical Study based upon Documents for the most part hitherto unpublished. New York: G. P. Putnam's Sons, 1891.

Burger, Konrad. Monumenta Germaniae et Italiae typographica: Deutsche und italienische Inkunabeln in getreuen Nachbildungen. Berlin: Reichsdruckerei, 18921913.

Butler, Martin. The Stuart Court Masque and Political Culture. Cambridge: Cambridge University Press, 2008.

Butlin, Martin. Is This a Private War or Can Anyone Join In? A Plea for a Broader Look at Blake's Color-Printing Techniques. Blake: An Illustrated Quarterly 36 (2002): 4549.

______. William Blake, S. W. Hayter, and Color Printing. From Blake: An Illustrated Quarterly. www.rochester.edu/college/eng/blake.

Carter, B. A. R. Perspective. In Harold Osborne, ed., Oxford Companion to Art. Oxford: Oxford University Press, 1970. 84351.

Carter, Harry. A View of Early Typography, up to About 1600. Oxford: Oxford University Press, 1969.

Catalogue of Books Printed in the XVth Century Now in the British Museum. 13 vols. London, 1908.

Clair, Colin. A History of European Printing. London: Academic Press, 1976.

Corsten, Severin. Die Drucklegung der zweiundvierzigzeiligen Bibel: Technische und chronologische Probleme. In Johannes Gutenbergs zweiundvierzigzeilen Bibel: Faksimile Ausgabe nach dem Exemplar der Staatsbibliothek Preuischer Kulturbesitz Berlin.