Ian Moyer - Classicisms in the Black Atlantic
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
General Editors
lorna hardwick james i. porter
Attempts to receive the texts, images, and material culture of ancient Greece and Rome inevitably run the risk of appropriating the past in order to authenticate the present. Exploring the ways in which the classical past has been mapped over the centuries allows us to trace the avowal and disavowal of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.
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Oxford University Press 2020
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First Edition published in 2020
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Published in the United States of America by Oxford University Press
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British Library Cataloguing in Publication Data
Data available
Library of Congress Control Number: 2019945422
ISBN 9780198814122
ebook ISBN 9780192543875
DOI: 10.1093/oso/9780198814122.003.0001
Printed and bound by
CPI Group (UK) Ltd, Croydon, CR0 4 YY
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This volume of essays has its origins in the Classicisms in the Black Atlantic conference, organized by Ian Moyer and Paul Hbert, and held at the University of Michigan on March 14 and 15, 2014. Although the cast of contributors to the volume has changed over time, the stellar presentations and productive discussions at that conference have provided an enduring intellectual stimulus to this project. The contributors to that event were (in order of their appearance in the program) Paolo Asso, Mira Seo, Dan-el Padilla Peralta, Justine McConnell, Emily Greenwood, Margaret Williamson, Michele Valerie Ronnick, Butch Ware, Tracey Walters, Adam Lecznar, and Patrice Rankine. Also participating as session chairs were Amy Pistone and Nick Geller. Hannah Yung provided extraordinary assistance in planning and promotion, and numerous units at the University of Michigan contributed to funding the conference. These include the Contexts for Classics initiative; The College of Literature, Science and the Arts; The Office of the Vice President for Research; The International Institute; The Institute for the Humanities; The Eisenberg Institute for Historical Studies; The Department of History; The Department of Comparative Literature; The Modern Greek Program; The Department of Classical Studies; and The Department of Afroamerican and African Studies.
In preparing this volume for publication, the editors were grateful to have generous and productive comments from the anonymous readers of the book proposal. Throughout the process, the patience, support, and professionalism of our editor, Georgie Leighton, have been extremely valuable. We would also like to thank Hilary OShea and Charlotte Loveridge who steered our proposal through the early stages, the Classical Presences series editors for their support of this project, as well as the excellent production team, led by Bharath Krishnamoorthy. In the final stages, timely, accurate, and efficient copy-editing was provided by Nick Geller and Drew Stanley. Support for the production of the manuscript was provided by the University of Michigan College of Literature, Science and the Arts. Finally, the editors would like to thank all the contributors for their generosity in sharing their insights, and their goodwill and dedication in revising and refining their work at each stage. This volume is a testament to their collaborative efforts.
Introduction
Ian Moyer, Adam Lecznar, and Heidi Morse
Middle Passages: Mediating Classics and Radical Philology in Marlene NourbeSe Philip and Derek Walcott
Emily Greenwood
Nero, the mustard! The Ironies of Classical Slave Names in the British Caribbean
Margaret Williamson
Athens and Sparta of the New World: The Classical Passions of Santo Domingo
Dan-el Padilla Peralta
In Search of Henry Alexander Saturnin Hartley, Black Classicist, Clergyman, and Physician
Michele Valerie Ronnick
Roman Studios: The Black Woman Artist in the Eternal City, from Edmonia Lewis to Carrie Mae Weems
Heidi Morse
Africana Andromeda: Contemporary Painting and the Classical Black Figure
Kimathi Donkor
The Tragedy of Aim Csaire
Adam Lecznar
Bernardine Evaristos The Emperors Babe: An Account of Roman London from the Black British Perspective
Tracey L. Walters
Myth and the Fantastic in the Work of Junot Daz
Justine McConnell
Classics for All? Liberal Education and the Matter of Black Lives
Patrice D. Rankine
Courtesy of The Lewis Walpole Library, Yale University.
Photo by D. Padilla Peralta.
Courtesy of Markus Weber on behalf of artundreise.
Photo by D. Padilla Peralta.
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Smithsonian American Art Museum, Gift of the Historical Society of Forest Park, Illinois.
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
Photographs Kimathi Donkor, 2011.
2011. Graphite on paper.
(Left) 2011. Digital 3D design. (Right) Photograph Kimathi Donkor, 2011.
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