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Ian Moyer - Classicisms in the Black Atlantic

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Ian Moyer Classicisms in the Black Atlantic

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Classical Presences General Editors lorna hardwick james i porter - photo 1
Classical Presences

General Editors

lorna hardwick james i. porter

Classical Presences

Attempts to receive the texts, images, and material culture of ancient Greece and Rome inevitably run the risk of appropriating the past in order to authenticate the present. Exploring the ways in which the classical past has been mapped over the centuries allows us to trace the avowal and disavowal of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.

Classicisms in the Black Atlantic - image 2

Great Clarendon Street, Oxford, OX2 6DP, United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Oxford University Press 2020

The moral rights of the authors have been asserted

First Edition published in 2020

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2019945422

ISBN 9780198814122

ebook ISBN 9780192543875

DOI: 10.1093/oso/9780198814122.003.0001

Printed and bound by

CPI Group (UK) Ltd, Croydon, CR0 4 YY

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

Preface

This volume of essays has its origins in the Classicisms in the Black Atlantic conference, organized by Ian Moyer and Paul Hbert, and held at the University of Michigan on March 14 and 15, 2014. Although the cast of contributors to the volume has changed over time, the stellar presentations and productive discussions at that conference have provided an enduring intellectual stimulus to this project. The contributors to that event were (in order of their appearance in the program) Paolo Asso, Mira Seo, Dan-el Padilla Peralta, Justine McConnell, Emily Greenwood, Margaret Williamson, Michele Valerie Ronnick, Butch Ware, Tracey Walters, Adam Lecznar, and Patrice Rankine. Also participating as session chairs were Amy Pistone and Nick Geller. Hannah Yung provided extraordinary assistance in planning and promotion, and numerous units at the University of Michigan contributed to funding the conference. These include the Contexts for Classics initiative; The College of Literature, Science and the Arts; The Office of the Vice President for Research; The International Institute; The Institute for the Humanities; The Eisenberg Institute for Historical Studies; The Department of History; The Department of Comparative Literature; The Modern Greek Program; The Department of Classical Studies; and The Department of Afroamerican and African Studies.

In preparing this volume for publication, the editors were grateful to have generous and productive comments from the anonymous readers of the book proposal. Throughout the process, the patience, support, and professionalism of our editor, Georgie Leighton, have been extremely valuable. We would also like to thank Hilary OShea and Charlotte Loveridge who steered our proposal through the early stages, the Classical Presences series editors for their support of this project, as well as the excellent production team, led by Bharath Krishnamoorthy. In the final stages, timely, accurate, and efficient copy-editing was provided by Nick Geller and Drew Stanley. Support for the production of the manuscript was provided by the University of Michigan College of Literature, Science and the Arts. Finally, the editors would like to thank all the contributors for their generosity in sharing their insights, and their goodwill and dedication in revising and refining their work at each stage. This volume is a testament to their collaborative efforts.

Contents

Introduction
Ian Moyer, Adam Lecznar, and Heidi Morse

Middle Passages: Mediating Classics and Radical Philology in Marlene NourbeSe Philip and Derek Walcott
Emily Greenwood

Nero, the mustard! The Ironies of Classical Slave Names in the British Caribbean
Margaret Williamson

Athens and Sparta of the New World: The Classical Passions of Santo Domingo
Dan-el Padilla Peralta

In Search of Henry Alexander Saturnin Hartley, Black Classicist, Clergyman, and Physician
Michele Valerie Ronnick

Roman Studios: The Black Woman Artist in the Eternal City, from Edmonia Lewis to Carrie Mae Weems
Heidi Morse

Africana Andromeda: Contemporary Painting and the Classical Black Figure
Kimathi Donkor

The Tragedy of Aim Csaire
Adam Lecznar

Bernardine Evaristos The Emperors Babe: An Account of Roman London from the Black British Perspective
Tracey L. Walters

Myth and the Fantastic in the Work of Junot Daz
Justine McConnell

Classics for All? Liberal Education and the Matter of Black Lives
Patrice D. Rankine

2.1. Johnny Newcome in Love in the West Indies (London, 1808)
Courtesy of The Lewis Walpole Library, Yale University.
3.1. Statue of Fray Antn de Montesinos, Zona Colonial, Santo Domingo, Dominican Republic
Photo by D. Padilla Peralta.
3.2. April 2016 cover of artundreise magazine. Design: Isabel Yepez.
Courtesy of Markus Weber on behalf of artundreise.
3.3. Statue group of Las Casas, Lemba, and Enriquillo, Museo del Hombre Dominicano, Santo Domingo, Dominican Republic
Photo by D. Padilla Peralta.
5.1. Carrie Mae Weems, When and Where I EnterMussolinis Rome, 2006
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
5.2. Carrie Mae Weems, Piazza del Popolo IAncient Rome, 2006
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
5.3. Edmonia Lewis, The Death of Cleopatra, carved 1876, marble
Smithsonian American Art Museum, Gift of the Historical Society of Forest Park, Illinois.
5.4. Carrie Mae Weems, Pyramids of RomeAncient Rome, 2006
Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
6.1. Henry Fehr, The Rescue of Andromeda, 1893. Bronze
Photographs Kimathi Donkor, 2011.
6.2. Kimathi Donkor, Study of Fehrs Rescue of Andromeda(Nos I, II, III & IV)
2011. Graphite on paper.
6.3. (Left) Kimathi Donkor, Andromeda. (Right) Detail of Fehr, Rescue of Andromeda, 1893
(Left) 2011. Digital 3D design. (Right) Photograph Kimathi Donkor, 2011.
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