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Darrelyn Gunzburg (editor) - Space, Place and Religious Landscapes: Living Mountains (Bloomsbury Studies in Material Religion)

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Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and the Andes, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities.
This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity.
In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

Darrelyn Gunzburg (editor): author's other books


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Space Place and Religious Landscapes Bloomsbury Studies in Material Religion - photo 1
Space, Place, and Religious Landscapes
Bloomsbury Studies in Material Religion
Bloomsbury Studies in Material Religion is the first book series dedicated exclusively to studies in material religion. Within the field of lived religion, the series is concerned with the material things with which people do religion, and how these things objects, buildings, landscapes relate to people, their bodies, clothes, food, actions, thoughts, and emotions. The series engages and advances theories in sensuous and experiential religion, as well as informing museum practices and influencing wider cultural understandings with relation to religious objects and performances. Books in the series are at the cutting edge of debates as well as developments in fields including religious studies, anthropology, museum studies, art history, and material culture studies.
Christianity and the Limits of Materiality , edited by Minna Opas and Anna Haapalainen
Figurations and Sensations of the Unseen in Judaism, Christianity and Islam , edited by Birgit Meyer and Terje Stordalen
Food, Festival and Religion , Francesca Ciancimino Howell
Material Devotion in a South Indian Poetic World , Leah Elizabeth Comeau
Museums of World Religions , Charles D. Orzech
Quranic Matters , Natalia K. Suit
The Religious Heritage Complex , edited by Cyril Isnart and Nathalie Cerezales
Space, Place, and Religious Landscapes
Living Mountains
Edited by
Darrelyn Gunzburg and Bernadette Brady
Contents Christopher Tilley Darrelyn Gunzburg and Bernadette Brady Frank - photo 2
Contents
Christopher Tilley
Darrelyn Gunzburg and Bernadette Brady
Frank Prendergast
J. Anna Estaroth
Jon Cannon
Darrelyn Gunzburg
Fiona Bowie
Amy R. Whitehead
Bernadette Brady
Christos Kakalis
Lionel Obadia
Alan Ereira
Fiona Bowie is a research affiliate at the School of Anthropology and Museum Ethnography, Oxford University. Her diverse research interests include Cameroon, African religions and the Cameroonian diaspora, gender, religion and identity, Christian spirituality, ethnographic studies of the afterlife, and parapsychological phenomena. She has published widely in these fields, most recently in relation to spirit possession and spirit release therapy in the UK. Bowie is currently engaged in a new project on religion in Wales. Her widely used textbook on the Anthropology of Religion has been translated into over a dozen languages, and is going into its third edition (2020).
Bernadette Brady holds a PhD in anthropology (2012) and MA in cultural astronomy and astrology (2005). She is currently a tutor in the Sophia Centre for the Study of Cosmology in Culture at the University of Wales Trinity Saint David, UK. Her research interests are the role of fate in contemporary astrology, the religious and cultural significance of stars and star phases, and the union of mythology with landscape in its potential to capture earlier astronomies. Recent publications include work in Egyptian astronomy (2012), the orientation of the Solsticial Churches of North Wales (2017), and the solar discourse in Cistercian Welsh abbeys (2016). Apart from journal papers she has also authored Cosmos, Chaosmos and Astrology (2014).
Jon Cannon , Fellow of the Society of Antiquaries of London (FSA), is a research associate of the History of Art department at the University of Bristol, and Canon Historian at Bristol cathedral. As an author and historian, his academic focus is on medieval church architecture. He has published several books on religious buildings, and his broadcasting work on the subject includes BBC4s How to Build a Cathedral. His Stones of Britain: Geology and History in the British Landscape will be published in 2020.
Alan Ereira is Professor of Practice at University of Wales Trinity Saint David. His career has been as a TV producer specializing in history. He has been involved with the Kogi people of Colombia since 1989, for whom he established the Tairona Heritage Trust. His most recent book is The Nine Lives of John Ogilby (2019), and he is currently writing a cultural history of gold.
J. Anna Estaroth is currently undertaking a PhD in Skyscape Archaeology of Orkney and Shetland with the University of the Highlands and Islands. Her research interests include the analysis of Neolithic and Bronze Age structures, from a phenomenological perspective, incorporating current theories of the anthropology of wonder. Her work on the Clava Cairns of Scotland has been published in the Journal of Mediterranean Archaeoastronomy and Archaeometry .
Darrelyn Gunzburg , PhD from University of Bristol, is a medievalist and art historian, and a tutor for the Sophia Centre for the Study of Cosmology in Culture at the University of Wales Trinity Saint David. She has published widely in the fields of the cultural astronomy of medieval Italian frescos, in the orientation of Cistercian abbey churches in Wales, UK, and Europe and their theological relationship to landscape, in how meaning is derived from natal horoscopes in contemporary Western astrology, as well in the areas of loss and grief.
Christos Kakalis is Lecturer in Architecture at the School of Architecture, Planning and Landscape of Newcastle University. He holds a PhD in Architecture from the Edinburgh School of Architecture and Landscape Architecture (ESALA) for which he received the David Willis Prize (2010) and the Richard Brown award (2011). His work focuses on the conditions of embodied experience of the architecture and natural landscape and he has published on themes related to religious architecture and landscapes, architectural experience, and architectural typology.
Lionel Obadia , PhD, is Professor in Anthropology at the University of Lyon, France, and in other French universities (EHESS, EPHE, SciencePo). His specialism is in the anthropology of religion, Asian religions, and globalization. He has conducted fieldwork in France, Europe (on Buddhism in the West), Nepal (on Buddhism and Shamanism), and South India. He is also interested in magic and witchcraft, and his last book was on Satan (2016). He now heads the Department of Social Sciences and Humanities at the French Agency for Research (ANR).
Frank Prendergast is emeritus research fellow at Technological University Dublin in the College of Engineering and Built Environment. He holds a PhD from the School of Archaeology, University College Dublin. His research interests focus on cultural astronomy related to interpretative archaeology pertaining to the Irish Neolithic, Bronze Age, and Iron Age. More recent research by him addresses the growing threat to archaeological landscapes from light pollution (2019) and the loss of the dark sky at these places. He has published on megalithic tomb and monument alignment, methodological and theoretical approaches, and advised heritage bodies on the environmental impacts from modern infrastructure on culturally sensitive landscapes containing prehistoric monuments.
Christopher Tilley is Professor of Anthropology in the Department of Anthropology, University College London. He has written extensively about phenomenological approaches to landscape and material culture. His recent books are An Anthropology of Landscape: The Extraordinary in the Ordinary (2017), Landscape in the Longue Dure (2017), and Londons Urban Landscape: Another Way of Telling (2019).
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