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Willy Pogány - Drawing Lessons

Here you can read online Willy Pogány - Drawing Lessons full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2012, publisher: Dover Publications, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Willy Pogány Drawing Lessons
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    Drawing Lessons
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    Dover Publications
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    2012
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Drawing Lessons: summary, description and annotation

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In this essential guide to the basic principles of drawing the human figure, Poganyone of the leaders of the Golden Age of Illustrationshows readers the path to artistic mastery. With a warm and supportive tone, he seamlessly blends instruction and insight with 375 masterful illustrations. The aim: to build a foundation for those who wish to draw skillfully and easily.

Beginning with the humble dot and moving forward to perspective, anatomy, shading, portraiture, balance, motion, and more, this step-by-step resource is a genuine inspiration. Details of the human head, eyes, ears, and feet add depth to the instruction, followed by simple demonstrations that clearly illustrate how fundamental techniques are put into practice. Easy to follow and concise, this guide has long been considered an important resource for artists of all abilities.

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Table of Contents Sketches and studies - photo 1
Table of Contents

Sketches and studies
Drawing Lessons - photo 2
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THE DOT A dot is the simplest thing to draw so let us begin with the do - photo 31
THE DOT A dot is the simplest thing to draw so let us begin with the dot Take - photo 32
THE DOT A dot is the simplest thing to draw so let us begin with the dot Take - photo 33
THE DOT

A dot is the simplest thing to draw so let us begin with the dot.

Take a small writing pad.

Tear out a couple of pages.

Draw a dot anywhere on one of these blank pages.

LIKE THIS

BLANK PAGE Now try to draw a dot on the other blank page in exactly the - photo 34

BLANK PAGE

Now try to draw a dot on the other blank page in exactly the same position Do - photo 35

Now try to draw a dot on the other blank page in exactly the same position.

Do not trace. Do not measure except with your eye.

You can see how wrong it would be to place the dot in any one of these - photo 36

You can see how wrong it would be to place the dot in any one of these positions.

BUT

If you judge with your eye the right distance from the edge of the paper your - photo 37

If you judge with your eye the right distance from the edge of the paper, your dot will be in the right spot.

Next make several dots at random on a clean page something like this

Then copy all of them on a clean sheet.

Do not measure or trace just try to judge the correct distances.

To check the accuracy of your copy place it over the original dots and hold - photo 38
To check the accuracy of your copy place it over the original dots and hold - photo 39

To check the accuracy of your copy place it over the original dots and hold both up towards the light. Note your mistakes.

Practice this simple exercise until you come close to perfection. This practice will aid greatly in developing your judgment of Distance, Direction and Proportion.

PERSPECTIVE

We know that a cube has six sides.

We know also that each side is a perfect square, but if we draw a cube as we know it to be, it does not look like a cube.

For example, here are six perfect squares but this drawing does not look like a cube.

We know that a man has a front and a back but we have never seen both front - photo 40

We know that a man has a front and a back, but we have never seen both front and back at the same time.

We know that a tin can has a circular top and a circular bottom of equal size - photo 41

We know that a tin can has a circular top and a circular bottom of equal size, but we must admit that we never have seen a tin can like this.

We know that the house in the distance is considerably larger than the man in the foreground.

We know also that the mountain in the far distance is much larger than the house, but we see the man larger than the house and we see the house larger than the mountain.

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