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Judith G. Coffin - Sex, Love, and Letters: Writing Simone de Beauvoir

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When Judith G. Coffin discovered a virtually unexplored treasure trove of letters to Simone de Beauvoir from Beauvoirs international readers, it inspired Coffin to explore the intimate bond between the famed author and her reading public. This correspondence, at the heart of Sex, Love, and Letters, immerses us in the tumultuous decades from the late 1940s to the 1970sfrom the painful aftermath of World War II to the horror and shame of French colonial brutality in Algeria and through the dilemmas and exhilarations of the early gay liberation and feminist movements. The letters also provide a glimpse into the power of reading and the power of readers to seduce their favorite authors.

The relationship between Beauvoir and her audience proved especially long, intimate, and vexed. Coffin traces this relationship, from the publication of Beauvoirs acclaimed The Second Sex to the release of the last volume of her memoirs, offering an unfamiliar perspective on one of the most magnetic and polarizing philosophers of the twentieth century. Along the way, we meet many of the greatest writers of Beauvoirs generationHannah Arendt; Dominique Aury, author of The Story of O; Franois Mauriac, winner of the Nobel Prize and nemesis of Albert Camus; Betty Friedan; and, of course, Jean-Paul Sartrebringing the electrically charged salon experience to life.

Sex, Love, and Letters lays bare the private lives and political emotions of the letter writers and of Beauvoir herself. Her readers did not simply pen fan letters but, as Coffin shows, engaged in a dialogue that revealed intellectual and literary life to be a joint and collaborative production. This must happen to you often, doesnt it? wrote one. That people write to you and tell you about their lives?

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Sex Love and Letters Writing Simone de Beauvoir Judith G Coffin Cornell - photo 1
Sex, Love, and Letters
Writing Simone de Beauvoir
Judith G. Coffin
Cornell University Press
Ithaca and London
To the memory of Vi and Ned Coffin, Margot Coffin Lindsay, and Bill Coffin
Contents
Acknowledgments
This book turned out to be harder to write than my first exhilarating encounter with the archive of readers letters to Simone de Beauvoir suggested. It is a pleasure to thank the colleagues, friends, and institutions that have been helpful for so many years. My first debt of gratitude is to the Radcliffe Institute for Advanced Study, and especially the late, beloved Judith Vishniac, for getting this project launched. Ellen Fitzpatrick, Helen and Dan Horowitz, Susan Faludi, and Russ Rymer, my colleagues during that year at Radcliffe kept it going. I am grateful to Alan Tully and Jacqueline Jones, chairs of the history department at UT Austin, who allowed me to take leave when the chances arrived, and to the Institute of Historical Studies at UT, which provided an internal fellowship. Special thanks to Nancy Cott for her support, expert advice, warmth, and friendship for so many years.
Along the way, any number of friends and colleagues have provided a critique, comment, or insight that landed at just the right moment. Those include Darcy Vebber and Andy Romanoff; Herv Picherit, Evan Carton, and Alex Wettlaufer; Leora Auslander and Thomas Holt; Tamara Chaplin, Herrick Chapman, Indrani Chatterjee, Carolyn Eastman, Seth Koven, Sheryl Kroen, Lisa Leff, Philippa Levine, John Merriman, Mark Meyers, Mark Micale, Lou Roberts, Marine Rouch, Joan Scott, Todd Shepard, Judith Surkis, and Jim Sidbury. They may not recognize their contributions, but I vividly remember each of them. Sandrine Sanos and Dan Sherman have endured sporadic barrages of questions from me, and they have responded with the kind of patience and humor one usually gets only from family. Thanks to them for being such good friends. I am especially grateful to the Friday afternoon writing group: Tracie Matysik, who has been its organizer, Ben Brower, Yoav Di-Capua, Sabine Hake, and Joan Neuberger. All are perceptive readers, ace editors, and excellent friends. Samantha Pinto was a font of energy and good ideas during the last year of writing.
I count myself lucky to have had gifted students, now colleagues, who helped with archival research and references, visual materials, computer glitches, or tricky concepts: Katie Anania, Matthew Bunn, Elizabeth Garver, Sarah Le Pichon, Mary Katherine Matalon, Michael Schmidt, and Evan Spritzer. It is hard to imagine the final stages of putting the book together without the blazingly efficient and indomitable Amy Vidor.
Thanks to Alice Kaplan, Emma Kuby, and Sharon Marcus, formerly anonymous, outside readers for Cornell University Press, who took time away from their lives and work to give such generous comments on the draft of the manuscript. Emily Andrew understood this project right away, perhaps because she is such a wonderful reader and appreciates what readers can bring to writers. It has been a pleasure to work with her and the whole team at Cornell University Press. A generous subvention grant from the Office of the President at the University of Texas at Austin has helped to defray the cost of publication.
It has become commonplace to photograph hundreds of documents in archives and work on them at home. The letters on which this book is based cannot be reproduced in any form. That has meant spending many summers working in Paris, which, as my fellow French historians know, is not always as glamorous as it sounds. I am grateful to the curators in the manuscripts division at the Bibliothque Nationale, Mauricette Berne and Anne Mary, who helped with the archive, even as it was barely catalogued. Above all, I am very grateful for the time I have had with my long-standing friends and their families. Over many years, they have supplied nearly boundless camaraderie, festive meals, comfortable beds, historical information, and research clues. The late Dr. Ccile Goldet gave me an inside look at the life of an ob/gyn during the 1950s and 1960s, setting up clinics and smuggling contraceptives into France. Catherine Fermand, Jean-Philippe Pfertzel, and Julia Pfertzel, Martine Mjean and Pierre Goldet, Kattalin and Jean-Michel Gabriel, and Joel Dyon and Lydia Zerbibthank you all for everything.
I am at a loss for words that will adequately thank Willy Forbath. He has read every part of this book, and some parts many times. Any phrase that seems well-turned or any particularly precise formulation probably bears his mark. His perceptiveness on so many subjects is matched only by his patience, enthusiasm for others ideas, and wry wisdom in everyday matters. He has made this book better in every way, and the same goes for my life. Zoey and Aaron Forbath will attest to that, but they also deserve their own thanks for being such reliably good kids and, now, warm, funny, and smart adults. Thanks to Haley Perkins, Tom Langer, and, most recently, Henry Forbath Langer for bringing such joy to the family.
In the name of generational continuity, I dedicate this book to the memory of my parents, Ned and Vi Coffin, my aunt Margot Coffin Lindsay, and my uncle Bill Coffin. They had high standards, and they were good writers. They liked what they read of this book, and though it is too late to tell them, that meant the world to me.
A Note on Translations and Abbreviations
Translations of the letters are my own. So are the translations from the memoirs. The volumes are abbreviated as follows:
  1. JFR: Mmoires dune jeune fille range (Gallimard, 1958), in English, Memoirs of a Dutiful Daughter
  2. FA: La force de lge (Gallimard, 1960), in English, The Prime of Life
  3. FC: La force des choses, 2 vols. (Gallimard, 1963), in English, The Force of Circumstance
  4. TCF: Tout compte fait (Gallimard, 1972), in English, All Said and Done
For The Second Sex, I have tacked between the 1953 translation by H. M. Parshley (Vintage edition, Random House, 1989) and the 2009 translation by Constance Borde and Sheila Malovany-Chevallier (Knopf, 2009), TSS 1953 and TSS 2009, respectively. I have provided page numbers for both translations and for the French editions DS1 and DS2. Both English translations have been assailed, and the stakes of those debates are high, or at least bound up in the philosophical understanding of Beauvoir. Fortunately, the most important contributions to this debate have now been gathered up into one volume: Bonnie Mann and Martina Ferrari, eds., On ne nat pas femme, on le devient: The Life of a Sentence (New York: Oxford University Press, 2017). See especially section two and the articles by Margaret Simons, Toril Moi, Nancy Bauer, and Meryl Altman.
Thanks to French Politics, Culture & Society and the American Historical Review for allowing me to use some previously published material:
  1. Historicizing The Second Sex, French Politics, Culture & Society 25, no. 3 (Winter 2007): 12348.
  2. Beauvoir, Kinsey, and Mid-Century Sex, French Politics, Culture & Society 28, no. 2 (Summer 2010): 1837.
  3. Sex, Love, and Letters: Writing Simone de Beauvoir, 19491963, American Historical Review 115, no. 4 (October 2010): 106188.
Introduction
What I wanted was to penetrate so deeply into the lives of others that when they heard my voice they would have the impression they were speaking to themselves.
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