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Bob Weil - The Art of iPhone Photography: Creating Great Photos and Art on Your iPhone

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The Art of iPhone Photography explores how 45 of todays best iPhonegraphers from around the world conceived, composed, and created some of their finest and best-known pieces - all in their own words. Through a step-by-step presentation of each artists vision, creative decisions, and techniques, beginning through advanced iPhoneographers will immediately be able to apply what they learn and take their own photographic art to the next level.
Key features of the book include:
  • A wide variety of styles and subjects: Landscapes, street photography, abstracts, architecture, portraits, collages, concept pieces, etc.
  • Detailed tutorials: Example artworks from authors and contributing photographers accompanied by descriptions of how each piece was created from both a creative and technical standpoint
  • Explanations for practical use of nearly 100 apps, including BlurFX, Camera+, Iris Photo Suite (now Laminar), Juxtaposer, Photogene2, Pixlr-o-matic, ScratchCam FX, Snapseed, Superimpose, and TouchRetouch
  • iPhoneography gallery: A stunning showcase of works by notable iPhoneographers

Always on, always at hand, and inconspicuously deployed, todays smartphones empower us to record the world in ever newer and more personal ways. By leveraging the photo-editing applications found on the iPhone, professional and amateur photographers alike are able to create not only editorial imagery, but also creative art.
Nicki Fitz-Gerald and Bob Weil, at iPhoneographyCentral.com, have built a community dedicated to the burgeoning collaboration between art and technology that is iPhoneography. Their site, and now this book, offer extensive, in-depth tutorials both for budding iPhoneographers looking to advance their craft, and professionals attempting to harness a new toolkit in service of their vision.
What they bring to the table is their belief that revealing the man behind the curtain does not diminish the teacher. Technique does not the artist make, but it does enable the newcomer to find his or her own voice. With thousands of apps available and more flooding the market daily, every new iPhoneographer wonders, What apps should I use? The answer to that question is so complex, with so many variables, that an illustrated tutorial such as this becomes an invaluable tool. There is really nothing like it.
It does not offer the advice of a single artist or showcase images from a small artistic segment. Indeed, it offers up stories, knowledge, tips, and secrets from many of the key players in the formation of this movement, showcasing more than 40 artists and tutorials and 80 pages of iPhonic art.

- Daria Polichetti, Co-Founder of Los Angeles Mobile Arts Festival

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The Art of iPhone Photography

The Art of iPhone Photography

Creating Great Photos and Art on Your iPhone

Bob Weil Nicki Fitz-Gerald

Editor Joan Dixon Copyeditor Jeanne Hansen Layout Petra Strauch Cover - photo 1

Editor: Joan Dixon

Copyeditor: Jeanne Hansen

Layout: Petra Strauch

Cover Design: Helmut Kraus, www.exclam.de

Front cover image: Nicki Fitz-Gerald

Printer: Friesens Corp.

Printed in Canada

ISBN 978-1-937538-18-7

1st Edition 2013

Bob Weil and Nicki Fitz-Gerald

Rocky Nook, Inc.

802 E. Cota Street, 3rd Floor

Santa Barbara, CA 93103

www.rockynook.com

Library of Congress Cataloging-in-Publication Data

Weil, Bob.
The art of iPhone photography : creating great photos and art on your
iPhone / by Bob Weil and Nicki Fitz-Gerald. -- 1st edition.
pages cm
ISBN 978-1-937538-18-7 (softcover : alk. paper)
1. iPhone (Smartphone) 2. Photography, Artistic. 3. Photography--Digital techniques. I. Fitz-Gerald, Nicki. II. Title.
TR263.I64W45 2013
778.8028553--dc23
2013010939

Distributed by OReilly Media

1005 Gravenstein Highway North

Sebastopol, CA 95472

All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher.

Many of the designations in this book used by manufacturers and sellers to distinguish their products are claimed as trademarks of their respective companies. Where those designations appear in this book, and Rocky Nook was aware of a trademark claim, the designations have been printed in caps or initial caps. All product names and services identified throughout this book are used in editorial fashion only and for the benefit of such companies with no intention of infringement of the trademark. They are not intended to convey endorsement or other affiliation with this book.

While reasonable care has been exercised in the preparation of this book, the publisher and author(s) assume no responsibility for errors or omissions, or for damages resulting from the use of the information contained herein or from the use of the discs or programs that may accompany it.

This book is printed on acid-free paper.

I dedicate this book to my beautiful wife, friend, and life and faith companion, Marya, and my talented and charming son, Jon, for their boundless patience and loving support of my iPhoneography habit and the seemingly never-ending process of writing this book.

Bob Weil

This book is dedicated to my wonderfully supportive partner, Bob, my beautiful son, Lewis, and my fabulous mum and dad for their endless love, support, and patience throughout the creation of this book and my iPhoneography obsession.

Nicki Fitz-Gerald

FOREWORD

by Daria Polichetti

Cofounder of iPhoneArt.com,
LA Mobile Arts Festival, and The iPrints Store

iPhone Art: The Collision of Art and Technology

In the brief span of a decade, mobile digital photography has collided with the birth of social networks. It has transformed the way we view and understand art on a global scale. But many still struggle with the question, is it ok for me to like it?

Classical definitions of fine arts refer to painting, sculpture, architecture, music, and poetry. Today fine arts finally includes newer art forms such as installation art and photography, which, although they have been around for a long time, are good examples of how innovations often struggle to gain acceptance in the world of fine art.

During the Renaissance early photographic devices gained popularity and allowed many noted artists to study light, lines, and images on a two-dimensional surface in ways that had never before been possible. Yet photography did not gain real acceptance as its own art form for hundreds of years.

The daguerreotype, invented in France in the mid-1800s, was the first process to capture a true likeness, and it led to a love affair with landscape and portrait photography. In America, photographers carted innovative portable darkrooms across Civil War battlefields, and Farm Security Administration photographers, such as Walker Evans and Dorothea Lange, documented the Great Depressionthey all showed the world what was really going on. This history was paralleled around the world and transformed the way people understood their surroundingsin much the same way mobile digital devices are doing today. And yet, through it all, photography was disparaged as an art form.

Its not real art. The cameras doing all the work. Youre just clicking a button. Anyone can do it. Such critiques were commonplace until the mid-20th century, when photography finally came into its own, due, in large part, to a small group of pioneers such as Ansel Adams, Edward Weston, and Imogen Cunninghamkey members of Group f/64 who spent their lives exploring and advocating this new medium.

The debate didnt stop there. Indeed, every time there is a technological advance, the same arguments arise. When editing programs such as Adobe Photoshop came on the scene, for example, those who were used to shooting on chromes and having to get it right in-camera thought the art of the photograph was being lost. The same thing happened when digital cameras started replacing film. It seems that each time advances in technology make the ability to create art more accessible, it stirs the technology argument all over again. And what technological advance in photography has been more widespread and visible than the iPhone? Its an entirely new kind of device that gives everyone the ability to carry around a handheld digital camera and post-production systemwith camera, darkroom, software applications, and delivery system all included.

Todays explosion of social networks, such as Facebook, Flickr, and Instagram, are a key factor in the popularity of mobile art. At the same time, they are the reason many people are turned off to it. It is so easy to look at the millions of online snaps of your friends feet or breakfast and just tune out.

But that is not the real story. A dynamic underground art community is inventing new methods and exploring the possibilities of this new medium in much the same way the founding fathers of photography once did. This movement congregates in global communities such as iPhoneArt.com and iPhoneographyCentral.com. These and other online art colonies should not be confused with the explosion of social networking. But they live and thrive side by side.

Ultimately, mobile art is not about process or equipment. As is true of any art form, its about the artists vision. But mobile devices do bring many new possibilities to the table.

The iPhone is discrete. It allows you to capture candid moments that may otherwise have been disrupted by the presence of a bulky, intrusive camera setup, and it allows you to capture shots you could not have otherwise obtained.

The iPhone is powerful. It triggers enormous creative energy for the artist, with its easily accessible, extensive, yet inexpensive library of apps for postprocessing. But a simple click of a button does not do all the work for youquite the opposite. Many dedicated mobile artists use 2 or 5 or 10 apps to process a single image. They study the different capabilities of each app and then design their own combinations, tricks, and innovations to create a unique vision and voice.

The iPhone is ever-present.

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